The Turin Shroud Speech

In Dr. Martin Luther King’s speech, “Beyond Vietnam: A Time to Break Silence”, King asserts that the war in Vietnam is a “symptom” (7) of a much larger disease that affects the “American spirit” (7). The disease King mentions is causing destruction where ever it is found, and in the case of the Vietnam war, it has led to their oppression and the death of people. In the section, Strange Liberators, King states, “They move sadly and apathetically as we heard them off the land of their fathers into concentration camps where minimal social needs are rarely met. They know they must move or be destroyed by our bombs” (8). King believed that the disease was leading the United States to take drastic actions against the Vietnamese people. The U.S.

Racism has always been a major problem in America. However, it was known to be the most problematic in the late 1950s. On August 28 1963, Dr. Martin Luther King delivered his infamous speech “I Have a Dream” to America. His dream highlighted the injustices of segregation and discrimination of African Americans that took place in this nation every single day. Dr. King inspired thousands despite the color of their skin, to take a stance against racism, with his powerful way with words. In his speech MLK efficaciously uses, Ethos, Pathos, and Logos by using allusions, developing credibility, in his speech to persuade all Americans to be aware of the problems with racism.

American journalist Clare Boothe Luce writes a speech to the Women’s National Press Club about how the press sacrifices sensationalist stories. Luce’s introduction talks about how the American press is wrong and how she tries to address the problem. She starts off by tells the other journalist how she is happy, but the audience makes her unhappy and challenged. This shows her hard work in writing and how the press lacks in writing true stories.

After many years of devotion to our Lord, Saint Francis of Assisi received the stigmata, the markings on the body in the same places Jesus got his during the Crucifixion. This was an external symbol that showed the world what this man had done for those who have no

1. The Christ as the Good Shepherd mosaic located on the entrance wall of the Mausoleum of Galla Placidia in Ravenna, Italy was made circa 425 AD. A mausoleum is a monumental tomb, usually meant for entombing the dead above ground. The mosaic is displayed in a lunette-a semi-circular wall of a vaulted room. Even though the image of Christ as the Good Shepherd was a common one in catacombs in previous centuries, the way that Christ was shown in art had changed since Christianity had been adopted as Rome's official religion and the image of Christ in the Mausoleum of Galla Placidia was no different. Previously Christ had been shown as a simple carpenter, but in the Christ as the Good Shepherd mosaic he is shown in a fine Roman wear. At the time, Greeks thought that they could create order within their environments and thus create statues that were "perfect." This is what they believed they were doing with the way Christ was shown in the mosaic at the Mausoleum of Galla Placidia; creating a more worldly, powerful image of Christ. Christ is shown with a large golden nimbus (halo), a royal purple mangle over a golden tunic and holding a tall cross. Also depicted in the mosaic at the Mausoleum of Galla Placidia is a set of three sheep on each side of Christ, with him touching one on the nose.

Hello everyone and welcome to my new history channel, People of History. Today we will be discussing a very important inventor, who was known for the creation of the gas mask and the traffic signal, Mr. Garrett Augustus Morgan.

It gave insight into the event in which the Veil of Veronica was created. When studying the stations of the cross I came upon the link to this specific article. The article was on a website called New Advent. It explains the events leading to and during Christ’s crucifixion. After reading you will learn that the wiping of Christ’s face by St Veronica was, in fact, the sixth station of the cross. Learning that the Veil was an artifact that touched the face of the most influential figure in the history of the world shows why it was so significant and why it was a symbol of the Christian faith. This article was edited and by the head of the website Kevin Knight. I did a lot of cross references with the information and found the article to be factual and accurate. This explains who priests like the Pardoner would have replicas of the Veil sown on their caps. The irony in the story though was that the Pardoner was corrupt and nothing like

Dr. Martin Luther King’s historic “I Have a Dream” speech was delivered at the Lincoln Memorial in Washington D.C on August 28, 1963. The speech is one in which has gained much recognition over the years and virtually won Dr. King the Nobel Peace Prize for his non-violent approach towards racism. Mahatma Gandhi was one of King’s prominent inspirations for his nonviolent movement. Gandhi, decades before Dr. King, practiced non-violence acts and civil disobedience. The will and strength that Gandhi possessed while advocating for peace and non-violence during the terrible events that had taken place in India moved Dr. King to find the path he had to take during his own strides to create a better America, primarily for African Americans. Although

In the painting The Immaculate Conception (Figure 1) painted by Antonio de Palomino y Velasco, there is a prominent central figure found in the middle of the canvas. The figure is a woman draped in white and blue garments with red accents and surrounded by cherubs and doves. The woman is the Virgin Mary and has a crown of 12 stars around her head. Both cherubs and doves are often used as religious symbols and this piece of art is Biblical in that it illustrates Mary very much like she is described in the book of Revelation. Revelation 12:1 reads that “…a great sign appeared in heaven: A woman clothed with the sun and, the moon under her feet, and on her head a crown of twelve stars.” During the time period that Antonio Palomino created this piece, there were countless other artists painting similar works with their own spin on things. Notable artists include the likes of Juan de Valdes Leal and Bartolome Esteban Murillo. In this time period, the counter-reformation was taking place and I believe that, as a response to the protestant reformation, the painting of religious images was used to reignite growth in the Catholic Church.

The author, Elie Wiesel, had the purpose of giving his speech to try to keep the memory of the crimes were committed during the Holocaust. In Elie’s speech he exclaims that, “I remember: it happened yesterday or eternities ago. A young Jewish boy discovered the kingdom of night. I remember his bewilderment. I remember his anguish.” (Wiesel). The following part of his speech shows the audience the impact that the Holocaust had on him, how the little boy image has stayed with him all after all these years. In his speech, Elie, remembers the little boy asking his father,

The shrine of Tutankhamun uncovers the burial customs of the New Kingdom Egyptians. The Canopic Shrine positioned on the east wall of the Treasury holds Tutankhamun's embalmed internal organs. A gold chest held four Canopic jars containing the dead pharaoh's internal organs in each jar. Undoubtedly, through the process of mummification, the embalmers must have removed the internal organs and preserved them in the Canopic jars, perhaps to be taken with the pharaoh to the next world. The third and innermost of three coffins of Tutankhamun is made of solid gold and is inset with semiprecious stones and coloured glass. It is covered with carved decorations and inscriptions inside and outside. It bears the names and epitaph of the deceased king and also protective texts. From this we discover the significance of the importance of the decoration of the mummy was, and the power the coffin was believed to hold. Originally, mummification was so expensive that it was a privilege enjoyed only by the Pharaoh and few nobles. Everybody else was given a simple grave burial in one of the vast cemeteries or "necropolises" of the time. But the promise of eternal life was so appealing that it wasn't long before other classes of Egyptians began signing up for mummification, too.

shrine. Many churches claimed to possess relics of the burial site of Jesus Christ and of

The Isenheim Altarpiece was created in 1512 to 1516. The Isenheim Altarpiece was made for the Monastery of St. Anthony in Isenheim. “The monks at the monastery cared for peasants and social pariahs suffering from diseases that affected the skin, notably plague and the condition once known as St. Anthony’s Fire” (The Isenheim Altarpiece). St. Anthony’s Fire is known as ergot, which is known as a type of fungus today. The monks at the

Another picture that was accurately depicted accurately according to history, was the picture of Jesus’ resurrection that was portrayed in the film. However, several historians have found ways around, the miracle of Jesus’ resurrection. They state that he was not actually dead when he was placed in the tomb, because there is no reasonable explanation that would show that he was raised from the dead. Other historians have said, that the man that was crucified could not have been the same person that was on earth. If this were the case, then the movie would not depict the resurrection correctly, because the movie is based on the Christian story of Jesus’ resurrection. In the film, after Jesus took his last breath on the cross, the Romans took him off of the cross, and placed him in the tomb. They closed the tomb with large stones, and then two guards were required to stay in front of

These findings as well as findings in layer 1 and layer 5, figure 3.3, in the western mound, seem to add some support of the Brothers of the Abby Church of St. Vincent of finding the tomb of their patron saint. While not necessarily the bones of a saint, there is indication of Roman occupation/ activity of the site. Labeled a and e in layer 7 of Figure 3.2 of the eastern mound, a is a fragment of bronze, highly polished on one side, inscribed “Avgvsta” and e a fragment of glass that is undated and unsourced. In the western mound, figure 3.3 in layer 1 a Roman coin of Constantine the Great dating between 288-337. Also in the western mound in figure 3.3 labeled g, 18 sherds of early Medieval pottery from about 1200 AD. The western mound is viewed and excavated at the road that was cut into the barrow in 1136. Evidence of this being of the work in the building of the church is seen in the pottery from this time period. There seems to be a possibility of the brothers stumbling on a Roman burial in their activities. It is to note that there is claims that the burial uncovered was contained in a sepulcher of marble carved with scenes from the life of Christ and inscribed VINCENZO VIVATIS IN CHRISTO. According to Brother Wilfrid in a letter this burial and stones from it were moved to under the alter in the nave of the church. In an interesting study of the bones and relics with the bones could shed light in if the site did at one point contain a Roman era burial. There is a shadow of doubt concerning the burial as described due to the era’s relic trade and need to draw pilgrims to the church to help with their income. Research in the Roman, burial practices after Constantine the Great’s conversion to Christianity should also be research. In the final layers, layer 1 in figures 3.2 and figure 3.3 of both sides of the barrow are now covered with modern topsoil showing no more