The Turn Of The Screw By Henry James

Henry James's Turn of the Screw was written in a time when open sexuality was looked down upon. On the surface, the story is simply about a governess taking care of two children who are haunted by two ghosts. However, the subtext of the story is about the governess focusing on the children's innocence, and the governess trying to find her own sexual identity. Priscilla L. Walton wrote a gender criticism themed essay about the Turn of the Screw, which retells certain parts of the story and touches on the significance they provide for the sexually explicit theme. Walton's essay is accurate because James purposely put an undertone of sexuality and identity confusion in the Turn of the Screw.

     Henry James was one of the famous writers during the nineteenth and early twentieth centuries. He was known as an innovative and independent novelist. One of James' novels, The Turn of the Screw (1898), has caused a lot of controversy among many critics, and each of them has had a particular interpretation. James' creative writing built a close connection between his novel and his readers. The reactions of the readers toward The Turn of the Screw can be researched psychologically by analyzing how James developed his story using questionable incidents, an unreliable narrator, unexpected changes, an interesting prologue, and effective images and words.

The insanity of the governess constantly shows throughout The Turn of the Screw by Henry James. The governess believes the ghosts she sees control the children’s behavior. Rather than accepting that their misbehavior might just be childish Mischief, she blames the ghosts of Quint and Miss Jessel. She also sees ghosts that do not appear to be seen by Mrs. Grose, Miles, and little Flora. The children, especially Flora, ultimately grow to fear the governess. The governess proves her insanity instead of her heroism through many of her actions and beliefs during The Turn of The

One of the most critically discussed works in twentieth-century American literature, The Turn of the Screw has inspired a variety of critical interpretations since its publication in 1898. Until 1934, the book was considered a traditional ghost story. Edmund Wilson, however, soon challenged that view with his assertions that The Turn of the Screw is a psychological study of the unstable governess whose visions of ghosts are merely delusions. Wilson’s essay initiated a critical debate concerning the interpretation of the novel, which continues even today (Poupard 313). Speculation considering the truth of the events occurring in The Turn of the Screw depends greatly on the reader’s assessment of the reliability of the governess as a

All of the major characters in The Scarlet Letter by Nathaniel Hawthorne are dynamic and go through some form of character development. Hester Prynne and Arthur Dimmesdale, who are at the forefront of the central conflict in the plot of the novel, are no exception. While their respective evolutions in character were noticeably different, each was emphasized by the three scaffold scenes. The differences of Hester and Dimmesdale’s respective character developments are highlighted and emphasized by the three scaffold scenes in the novel.

In the Scarlet Letter there are characters that are important to the novel; however there is one specific character that relates to the topic of the story is Arthur Dimmesdale. The character Arthur Dimmesdale is a respected minster in Boston. However even though, Arthur Dimmesdale is a minister and preaches against sin to his congregation, he commits the ultimate sin with a young married woman named Hester Pryne. For punishment Hester Pryne becomes pregnant and shunned from public society, Dimmesdale is forced to live with guilt and later in the novel dies from the same sin within his body. Critics that have read the Scarlet letter would argue that Dimmesdale is a weak or ennobled character because he didn’t tell the community of his sinful crime. Another characteristic that critics would agree on is that Dimmesdale was a hypocrite. Arthur Dimmesdale is a character that is weak and hypocritical to his own belief.

A child stealing candy from the bowl when she knows she isn’t supposed to; a drug addict coming forward to admit he has a terrible plight; a student cheating on their final exam after choosing not to study; a young girl admitting to pushing another child down on the playground; a husband cheating on his wife. Some stories of these subjects are known by all, able to heal and move forward with a clear conscience, while others are sheltered within them, left to fester and grow in destructiveness. All of these examples portray a subject either bound, or given peace by the truth of something depending on whether it is concealed or uncovered. The power and significance of exposed/hidden truth is something utilized in writing all the time when an

The brain is an intricately designed organ that helps in the aid of daily life. It is able to control all other organs and bodily functions and even manages all actions, memories, or feelings that can be experienced. It is essential in the functioning of daily life. However, there are times in which it can be deceitful, sometimes even showing things that are not even there. This causes one to doubt the very nature of things and can even explain why it is that things such as ‘second thoughts’ or ‘fear’ crosses the mind. Henry James, the author of The Turn of the Screw, uses these “defects of the mind” to destroy the barrier between reality and fiction. The Turn of the Screw exists in a reality that is retold more than once and in many instances, it depicts the twisted perception of a protagonist with an "overactive imagination" and even goes as far as to show how the reader perceives the certain perceptions of others. How one is able to view a certain 'reality, ' solely depends on a person 's reaction to certain situations as well as the mental stability during the action or moment. Galileo Galilei even stated that “tastes, odors, colors, and so on resides only in one’s head.” James tries to make us doubt whether reality is all it seems to be by interfering with the mental health of a person, giving way to many theories or conjectures through the use of perception.

Interpreting The Turn of the Screw by Henry James from a Marxist point of view brings about serious social class distinctions and consequences of violation within that code. Miles and the unnamed Governess’ relationship demonstrate the wrongdoing of social and legal norms. The Governess’ indeterminate social status leave her as a forbidden woman in Victorian society taking on the role of primary caretaker to children, while Miles embodies the character of the absent master to whom the Governess feels intimately attracted. Mile’s union with rebellious, symbol of threat, Peter Quint, ultimately possesses him and lead to the breakdown of the social hierarchy. The Governess and Mile’s connection display the

Douglas, the narrator, presents the book in the introduction involving two children to be another turn of the screw. This concept paints a

Henry James’ array of characters helps to define the reality of social conflict in this fictional horror story. His characters each have unique economic backgrounds and interact differently with each other. This diversity brings these social conflicts to light and helps readers understand the root of these conflicts. In The Turn of the Screw, Henry James uses characterization and conflict to reveal the horrors of social class in American society.

Henry James’ arrays of characters helps to tie the reality of social conflict in this fictional horror story. His characters each have various economic backgrounds and interact differently with each other. This diversity brings these social conflicts to light and helps readers understand the root of these conflicts. In The Turn of the Screw, Henry James uses characterization and conflict to reveal the horrors of social class in American society.

The Turn of the screw by Henry James is regarded as one of the most fascinating psychological thrillers of all time. Published in the late nineteenth century, this novella sets up a narrative story of a young lady who appears to have seen the ghost of the former dead employers of the place where she was working. In this novella Henry James combined drama, suspense, and mystery to make it one of the most preferred stories among the readers of all generations. The Turn of the Screw raises many questions, however: Is the governess going crazy? Is she really seeing the phantoms of those dead former state workers? Is she innocent? Is she the villain or the heroine of

Throughout The turn of the Screw by Henry James, the theme of ambiguous issues is constantly leaving the reader on their own. The ambiguity and uncertainty within this text causes the readers to come up with their own theories as to what the text really means. The ghost story perspective only adds to the infuriating vagueness. The title itself is about all of the twists within this story and basically foreshadows the confusion that the text will cause.

The Turn of the Screw is one of the most controversial works in literature and the text has provoked a variety of critical interpretations from its publication in 1898. In this novel, the governess tells her experience with two apparitions that no one but she could see. And the governess accuses the ghosts of servants for corrupting the children, Miles and Flora. Critics concerning about the truth of the story are divided two basic camps based on their acceptance or rejection of the governess's credibility as a storyteller. Some critics believe that the ghosts are real and the governess is a rational and credible narrator, while the others believe that the ghosts are hallucinations of the governess and regard the governess as an incredible and mentally abnormal narrator. Also, we could speculate the author’s intention on the basis of his life experience and other works of Henry James. This essay will examine the reliability of the governess on the basis of the text and interpret Henry James’s intention on the basis of other sources.