The Two Frida Kahlo Analysis

Both of these paintings show the love and desire to hold on to ones heritage and family traditions which is extremely important in Hispanic families. Both with vivid colors and images. In Kahlo’s “Self Portrait on the Border Line Between Mexico and the United States”, even though she is a Mexican woman living in a non-Mexican country, she is able to accept both sides and hold on to her own Mexican heritage and culture which it seems she preferred. In Garza’s “Camas Para Sueños”(Beds for Dreams), Garza is showing the love and closeness she had with her sister and how her mother allowed them to dream and reach after those dreams as they kept

Frida Kahlo was a very talented Mexican artist that revolutionized art at a very young age. Her work is still idolized and celebrated today and is studied by many artists, institutes of higher education, museums, and fans. Kahlo was born in the town of Coyoacan, Mexico on July the sixth in the year of 1907 (Kettenmann 3). She made around 143 paintings, and out of those 143 paintings, 55 were self-portraits that included symbolism of her physical and emotion pain. Furthermore, in her portraits she used symbolism to express her wounds and sexuality. She use to say: “I never painted dreams. I painted my own reality” (Fuentes 41). Her paintings style include of vibrant colors and was heavily influenced

Throughout her career, Frida had shown many different themes of her life through her paintings. It seems clear, through analyzation of her paintings, that Frida lived something of a double life. Frida paints herself in distinctly different ways at times, sometimes she is a beautiful woman with strength like iron, and sometimes she is a frail damsel who has been broken already and will be broken again. Contrasting paintings include Self Portrait with Monkeys (Kahlo, 1) and Self-Portrait with Thorn Necklace, Diego and I (Kahlo, 1) and The Love Embrace of the Universe, the Earth (Mexico), Me, Diego, and Mr. Xolotl (Kahlo, 1). All of these paintings show that not only is there a contrast in her personality, in fact, Frida’s is actually two different people, as she paints it.

Frida Kahlo one of the most known female artist and a feminist icon, was born July 6, 1907 in Mexico. She was the husband of the famous artist, Diego River. Kahlo was mostly known for her self-portraits. Kahlo was paralyzed, due to polio as a child, and suffered many surgeries throughout her life, which inspired many of her paintings. Most of Kahlo’s paintings were about herself and her feelings. Which, most of them were surrounded about herself and her disability. Frida was a surrealism painter, but also did other painting techniques. A surrealist or surrealism painter is to focus on the exploration of dreams and unconsciousness as a form of reality, Sigmund Freud’s writings inspired this. Also, to find the true nature and pure thoughts of

In “The Life and Times of Frida Kahlo” the focus on art and cultural identity was surely a main focal point. In the video, PBS America addresses Frida Kahlo’s outlook on her cultural identity through her artistic choices. Frida Kahlo was a Mexican artist who painted an abounding of self portraits. As the video states, “She was born in Mexico City in 1907, during the great revolution of the twenty first century.” (The Life and Times). Her art included many dark sides, yet her culture always shined through. Notably, Frida’s clothing in her portraits were painted in flamboyant colors and even included Mexican symbolism into her pieces. One of Frida’s art pieces, Self-Portrait

The Mexican Artist Frida Kahlo is best known for her profound artwork and iconic likeness to the artist. She explores the ideas of gender, nationality, class, politics, etc. The emotional intensity and imaginative aspects of her artwork led many to label Frida as a surrealist. Although accepting this label, Frida distinguishly noted that her paintings are not of dream worlds, like other surrealists, but of her own reality. Frida Kahlo’s “The Broken Column” has influenced how I view myself and the world around me through its depiction of spiritual tranquility and physical anguish.

Frida Khalo was born in Mexico City, has a young woman she was in a bus accident causing her to have life long injuries and pain. The time spent bedridden recovering, allowed her to develop her painting skill. Khalo had deep connection to her culture and heritage using symbols within her work. In 1928 Khalo married Diego Rivera a fellow artist their relationship was turbulent. Diego cheated on her with many other women that effect Khalo and her Art. Due to her injuries, Khalo could never carry a child to full term, this was

In the painting of “The Two Fridas” you automatically notice two women sitting down in a bench, holding hands with hearts connected with each other. The background looks as if she was outside since it looks like clouds and the floor is light brown. The first Kahlo has her hair up, has light makeup on, (she is whiter than than second woman, her mustache is shaved, and she put some lipstick.), the dress is white and has two different designs on top (her chest is more vintage while the arms are layer of laces). The middle portion of her dress has blood stains dripping downwards. Then at the very bottom there seems to be flowers like roses and little birds, and the heart she has seems to be damaged with white and black inside. The second Kahlo also has her hair up, now she doesn’t seem to have any type of makeup (she is a bit tanner than the first woman and she actually has mustache) she has a more natural look, the dress she is wearing has color to it, the top of the dress is blue with some yellow around the neck, arms, and in the lower stomach area then on the bottom of the dress it is brown but the very bottom is simple with no flowers, it is white with frills, and the heart she has looks more of a realistic. For the first Kahlo the blood vessels are going around her arm, up her shoulder, and around her neck going towards the second Frida heart. Once the blood vessels reaches

Because of her variety of hues in the work, she uses muted colors to avoid a highly saturated painting. Her use of blue throughout brings the whole work together. The splash of red orange in the background helps create balance and unity in the work. Because red is complimentary to green, it makes the flowers stand out against the green bushes. This helps to balance the work without calling much attention to the background. The background in the work also seems to be slightly blurred which calls focus on the subject, thus creating less distractions for the viewer.

Diego Rivera and his wife Frida Kahlo are an important aspect of the Hispanic World and well-known names in Latino art. Rivera and Kahlo knew many famous painters such as Duchamp, Siqueiros, Orozco and Picasso. Picasso became a great friend of the family. Kahlo has influenced many places in Mexico. There are many land marks not only in Mexico but around the world. The Frida Kahlo Museum is located in Coyoacan Mexico in her Casa Azul home (blue house), this is the same place Kahlo was born, grew up, lived with her husband Rivera and died (Gale, 1996). The museum holds collections and embraces the personal effects of both artists shining light on the way of life for affluent Mexican writers and artist during the first half of the century.

The Great Work of Frida Kahlo "Frida Kahlo is the greatest Mexican painter. Her work is destined to be multiplied by reproductions and will speak, thanks to books, to the whole world. It is one of the most formidable artistic documents and most intense testimonies on human truth of our time." - Diego Rivera, Mexican Painter Frida Kahlo was a famous mexican artist born July 6, 1907. She claimed to have been born on 1910, the year that the mexican revolution started.

The foreground is dominated by a colourful arrangement of plants and flowers, which roots go into the ground. The middle ground is a dark earthy brown colour and has to other figures in it they both seem to be of a young age, one resembles an ape like figure the other is a young white girl. Behind her is the skull of a human, and a pile of rocks which are not placed in any particular formation. On the horizon there is a traditional Mexican pyramid this towers over the horizon and takes up the majority of the background. In the sky there is two clouds in the white cloud there is a red sun, the darker cloud has a moon which has lightning coming off it. This once again represents that Mexico is a very natural place to live.

Her work is a mixture of pain and feminism, empowerment of women, and embracing hardships. Out of one hundred and forty-three paintings, fifty-five were self portraits. “I paint myself because I am often alone and I am the subject I know best.” Kahlo claims. Each one is different, yet the same anguish is laid into the paint.

Frida Kahlo is a world-renowned Mexican painter known for her shocking self-portaits filled with painful imagery. Her artwork was seen by many as surrealist and socialist, but she refused the labels put on herself. Until today, her works have been able to exude the same playful and wild feel as before (Fisher n.p). Her legacy as a painter has attracted prominent people like Madonna who has confessed her admiration for the painter. Not only that but fashion designers are frequently inspired by her iconic Tijuana dresses while her paintings have been priced at more than three million dollars (Bauer 115).

The painting is of two versions of Frida Kahlo, closely gripping hands and sharing one heart between them. They are dressed in contrary clothing, with the Frida on the left dressed in modern European garb, while the other to the right is in traditional Mexican clothing. When viewing the painting, we are immediately attracted to the left Frida, who has nearly all of the light in the painting shining down on her. Her European clothing, popular in Mexico at the time, feels very constricting for both the subject and the viewer,specifically the collar grasping her neck so very tightly. Her upright and fragile stance and her almost limp grasp of the second Frida’s is understandable as we see the gaping hole where her heart should be. The pulsating anatomy of her wound bleeds into the room, while her face is completely indifferent. A single vein connects the hole in left Frida to the heart of right Frida. In left Frida’s unclenched hand, a delicate pair of scissors, indicating that she had wretched the heart out of her own bosom. It is this connection that guides us to the Frida to the right, but not before we notice the background behind them. A gray and cloudy backdrop that seems to embody Kahlo’s emotional state at the time, it is hard to distinguish the right Frida from its murky depths. A shadow presiding all around her, the right Frida is dressed in a traditional Mexican dress, with a posture and facial expression completely identical to the other Frida’s. The most eye-catching feature of hers, however, is the pulsating heart that the left Frida is lacking beating out of her chest. This gruesome and oblivious picture is made only more extraordinary when we make out the object right Frida is