The Two Settings of Othello

Othello is the protagonist of the story, he is married to Desdemona and is general of the army in Venice. Othello has a growth and fixed mindset simply because if he falls he’ll try again to do better. Othello shows having a

determine as to which one will win, so that is why one cannot exist without the other. However, there are some whose emotions are unbalanced, which causes them to near towards one side more than the other one ­­ and many times the side a lot of people prefer to lean on is evil. Shakespeare’s play O​thello​is set in 16th­century Venice and Cyprus. Othello, a noble black general from the Venetian army has secretly married Desdemona, daughter of Venice senator Brabantio. Othello chooses inexperienced Cassio to be his lieutenant, while he decides to give the ensign position to Iago, a malicious but very experienced man who, with his stealth and knavery, will ultimately ruin almost everyone’s life since for a long time, he was desiring the position of lieutenant just like Cassio. At the end of the play, Othello, Desdemona, Iago’s wife Emilia, and his sidekick Roderigo die due to his revenge against Cassio, for obtaining the position he wanted and Othello, for being the man who he hates the most. The play ends with Iago being told that he will be punished and tortured for his actions. However, despite the fact that Iago is punished at the end of the play for doing all of the malicious things he did, he still manages to wear down Othello’s relationship with Desdemona, get Cassio demoted from his lieutenancy, and cause Othello to show his cowardness by

Set in 16th century Venice, Othello, by William Shakespeare, explores the idea of an outsider from the very beginning of the play. Shakespeare uses Othello, a black army general, to explore the relationship of an outsider in high Venetian society using a variety of approaches. The reader sees characters consistently referring to Othello in derogatory and demeaning terms, as well as frequent implications that Othello is scarcely human. Further exploration of an outsider in society comes from Othello himself, as he outlines a few of the major differences that set him and the community apart.

The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.

In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character

Shakespeare is known for his use of recurring themes throughout his work, including love, death and betrayal. These themes are present in his work of Othello. However, the most fundamental issue is jealousy. The lives of the characthers in Othello are ruined by jealousy from the beginning to the end of the play. The telling of the story is carried out by passion, jealousy, and death. Shakespeare’s Othello reveals devastating tragic inevitability, stunning psychological depth, and compelling poetic depth; the fragility and mysterious power of love, as well as demons of doubt, and how suspicion can be triggered by manipulative villain (Barthelemy 12).

Iago, being remarkably wise, understood this, explaining to Roderigo: “If the balance of our lives had not one scale of reason to poise another of sensuality, the blood and baseness of our natures would conduct us to most preposterous conclusions” (Shakespeare 1.3.322-25). People require balance in their life in order to maintain stability, and therefore maintain their sanity. In the same way balance provides structure in one’s life, imbalance can also bring about one’s undoing. Iago was not traditionally at the apex of power in the Elizabethan triangle of power, but every character was still a pawn in his scheme. His manipulation over each character truly put him as the most powerful character, at least until his true intentions were later revealed. Iago deliberately offset the balance in Othello’s life, and manipulated his jealousy in such a way that allowed him to succeed in all that he had planned. His plan would not have otherwise come to fruition had Othello not allowed his emotion to overpower his logic. Iago was able to simultaneously accomplish every goal in exploiting Othello’s jealousy. Iago painted Cassio, the lieutenant, to be Desdemona’s lover behind Othello’s back. In doing this, he won Othello’s trust, ruined Desdemona and Othello’s relationship, as per Roderigo’s payment to him, and eventually became named lieutenant after Cassio’s demotion. Being the cunning manipulator ultimately brought Iago was success in

In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins

The following situation also proves Iago’s ability to effectively use his power over Othello’s intelligence and jealousy. Othello was very gullible and innocent, so Iago took complete advantage of that. He makes Othello believe that Desdemona is unfaithful toward him with Cassio. He does so through a multitude of ways: “If I can fasten but one cup upon him,

How is the theme of suffering portrayed in ‘Othello’, ‘Wuthering Heights’ and ‘One flew over the Cuckoo’s Nest’?

Nevertheless, Iago’s manipulation influences Othello and Desdemona’s relationship, and it affects the other characters in the play. One of Iago’s motive

Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs

Themes such as jealousy, deception and passion interwoven through the text of 'Othello' make the story riveting. But before we can understand why events take place and characters motivations' it is important to analyse the geographical arena in which the story of Othello and the moral struggles of the characters are brought to life. By including real locations, which Elizabethans would have herd of, the play appears to be more realistic. 'Othello' is reasonably geographically accurate and this helps to make the play, with it's unlikely events, seem more plausible.

William Shakespeare presents the character Othello as an excellent leader in the play, Othello. The hero has strength, charisma, and eloquence. Yet Othello cannot reason. The battlefield and Senate are, at least in Othello, depicted as places of honor, where men speak truly. In addition, the matters of war and state are relatively simple; no one lies to Othello, all seem to respect him. He never even has to fight in the play, with the enemy disappearing by themselves. This simplistic view does not help him in matters of the heart. His marriage is based on tall tales and pity and his friendships are never examined; he thinks that anyone who knows him love him. Thus the ultimate evaluation of

Iago’s relationship with Othello becomes a power struggle where Iago attempts to degrade Desdemona in order to position himself so he can ‘poison’ Othello. Here Shakespeare is showing how powerful and manipulative Iago can be with his use of words, and how powerful they can be. This power struggles is exemplified