The Two Sisters In Everyday Use By Alice Walker

In the short story, “Everyday Use” by Alice Walker, a foil is shown between the two sisters in the story. While the two sisters, Maggie and Dee, are two way different girls, they are not completely different and they share some similarities like all sisters do. Maggie and Dee are an excellent example of how even if two sisters may be almost complete opposites, sisters always have some similarities to each other.

Dee does not truly value the heritage, and her interest in the quilts seem to reflect a cultural trend. This cultural trend becomes evident when the mother says, “I had offered Dee a quilt when she went away to college. Then she had told me they were old-fashioned, out of style”(Walker 96). We learned early in the story that Dee acquired a style at a young age, and she allowed the world around her to alter and manipulate that style.

Dee’s selfishness is also portrayed by her cultured verbal skills. Dee can talk her way through anything. Dee often manipulates others with her verbal skills. This is shown when she reads to her mother and sister “without pity; forcing words, lies, other folks’ habits, whole lives upon us, sitting trapped and ignorant underneath her voice” (Walker 289). This statement further demonstrates the fact that Dee’s family feels inferior to her. Mama describes the situation as if Dee has some kind of power over her family because she is scholarly and her family is not. Dee uses her education to make Mama and Maggie feel less important without, necessarily meaning to.

Dee is a controlling person who always wanted everything to herself only and don't want anybody to take something more than her. And that appeared when mama said that the quilts which were handmade by their grandma Dee, that she would give it to Maggie, Dee was very angry for that and she wanted to take the quilts herself not because she wanted, just because she don't like anybody to take something more than her and wants everything for herself only. Dee was well educated and didn't liked her mother's and sister's way of living so she traveled and when

In Alice Walker's short story "Everyday Use" Mama is the narrator. She speaks of her family of two daughters Maggie and Dee. Through the eyes of two daughters, Dee and Maggie, who have chosen to live their lives in very different manners, the reader can choose which character to identify most with by judging what is really important in one’s life. Throughout the story three themes consistently show. These themes show that the family is separated by shame, knowledge, and pride.

In the short story “Everyday Use” by Alice Walker, the two main characters, Maggie and Dee, are sisters who are very opposite to each other. Throughout the story, the girl’s differences become evident through their physical appearances, personalities, lifestyle decisions, and the way they feel about their heritage.

Alice Walker’s “Everyday Use” introduces a clash between generations. Now and then, Maggie and Dee.

Alice Walker’s “Everyday Use” is a short story about the family relationship between a mother and her spoiled daughter. The mother, who is affectionately called “Mama” throughout the story, lives with her younger daughter, Maggie. The older child is Dee, who has not lived at home since she was sent to Augusta to school. She is preoccupied with advancing her social status and acquiring nice things. “Dee wanted nice things. A yellow Organdy dress to wear to her graduation from high school; black pumps to match a green suit…” (Walker,492). The story revolves around Dee’s visit to see Mama and Maggie, an event which obviously does not happen often. Dee only seems to visit the family in order to claim items that Mama has not yet given to her children. As usual, Mama allows Dee to come inside the home and take whatever she wants. Yet, the relationship between Mama and Dee is a complicated one. Others may say that their relationship is strained because Dee burned their first house down. However, there is no direct proof that Dee is responsible for the fire. Their relationship is contentious and uneasy because Dee is very selfish, she wants to advance her life without considering others, mainly Maggie, and she resents that Mama is satisfied with a simple life.

In the story “Everyday Use” the author Alice Walker describes the family as being dysfunctional. The sisters Maggie and Dee despise each other. Mama feels as if she is not the way her daughters will like and or appreciate her. The mother adores both of her children, they all want the best for each other, but the relationship between Mama, Maggie, and Dee is flawed.

The behavior of overlooking her sister's, Maggie, and Mama's feelings since her childhood to the present indicates Dee's character as a person who disregards others. Mama ponders that while the house where they used to live burned to the ground; Maggie was burning, her "hair smoking and dress falling off her in little black papery flakes." Although she saw that Maggie needed her sister's aid, Dee stood "off under the sweet gum tree" at a distance (87). Walker reveals that Mama still finds Dee carrying her self-centeredness when she excludes herself from the pictures and "never [took] a shot without making sure the house is included" (89). Dee wants to capture the signs of poverty from her past so that she can show how much success she has gained in spite of being poor to her friends. Dee is so egotistical that she declares her sister is "backward enough to put [the quilts] to everyday use" (91) whereas she considers herself smart and would appreciate the quilts by hanging them. Her coldness and lack of concern make

She lacks all the qualities her sister has. She’s not bold, and she walks with her head down on the floor, showing she has no self-confidence. She has scars all over her body, from the time the house burned down. She’s more of a quiet person who would stand in the corner and not talk to you. You can tell she’s always been kind of jealous of her sister, but I guess also a bit proud of her, and despite everything she does love her. If she didn’t, she would have never raised money with her mom and the church for her sister to go away to college. She also always looks at her sister with a mixture of envy and awe. She’s used to getting everything she wants and loves taken away from her, right in front of her eyes. When Dee finds these quilts that Maggie is supposed to have once she gets married, she’s in the kitchen. When she hears her mom and sister talking about the quilts, she comes out of the kitchen and tells her mom "She can have them mama", and she says it as if she’s used to never wining anything "I can remember Grandma Dee without the quilts." And she smiles, but you can tell it’s not a smile of happiness; it’s more of a forced smile she is used to giving

From all of the vivid descriptions used to describe Dee and Maggie, it is obvious that Maggie and Mama's perspective of heritage is more respectable than that of Dee's, because of the way that Dee acts as though she is ashamed of it. It is ironic that Dee wants the family quilts so badly, when in many ways she tries to disown her family in attempts to lose her heritage. Washington argues that Dee is a character who "is awakened to life by a powerful political force... and puts up a consequent effort to reintegrate themselves into their culture to rediscover its value"; which explains her actions when she comes back for her family items only when it seems fashionable to display them (23). Maggie and Mama both know that a true appreciation of one's heritage comes from learning their family history and about personal experiences. Dee fails

The strongest example of Dee's confusion and of Walker's belief that a family's heritage should be alive and not frozen in time is at the end of the story. Dee finds the two quilts that had been pieced together by many generations of her family, and she wants to keep them. Her mother says, "In both of them were scraps of dresses Grandma Dee had worn fifty and more years ago. Bits and pieces of Grandpa Jarrell's paisley shirts. And one teeny

Dee is the afro-centric, ego- centric and eccentric pseudo-intellect. She values her culture in a more materialistic aspect. She respects the artifacts of her history rather than the usefulness. Dee’s earthly-mindedness sets the stage for conflict throughout the entire story, from her arrival until the central conflict when there is a battle amongst the other two main characters Mama and Maggie, about who is truly entitled to the hand-stitched quilts. The quilts were works of art that have been passed down throughout

When the climactic scene occurs and Dee asks “Can I have these quilts?” (145), Maggie’s first implied reaction is one of surprise and anger; “I heard something fall in the kitchen, and a minute later the kitchen door slammed” (145). But as someone “never used to winning anything, or having anything reserved for her” (146), Maggie succumbs and offers to let Dee have them. Although “Maggie knows how to quilt” (146), she is able to comprehend the deeper personal value of the quilts, and states that she “can ‘member Grandma Dee without the quilts”(146). Despite their value as an item of everyday use, the quilts are meaningful to Maggie, much in the way they are to her mother who remembers having quilted them with Big Dee. The scraps, the bits and pieces and “one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra’s uniform that he wore in the Civil War.” (145) hold deep significance to Maggie.