The UF Symphony Orchestra Performance I Saw Essay

This composition consists of three movements of which we will further examine movement II, Adagio Cantabile. This movement is placed in high contrast with the other two, particularly in tempo.

This concerto is made up of three movements, with the second movement entitled Larghetto e spiritoso in between two Allegro movements.  Originally intended for two solo violins, violin I, violin II, viola, cello, and bass, this piece has been transposed in various forms and is now commonly performed with two solo violins and piano.  While the other two movements are lively and exciting, the second movement provides a great contrast.  It is in a different key and has a completely different feeling, one of heaviness and melancholy, though its chord progressions and harmonies make it appealing to audiences.  This composition in its entirety gained Vivaldi his greatest popularity as it spread throughout Europe and became a standard for 18th century composers.

The symphony has four movements 1.Allegro; 2.Larghetto ; 3.Gavotta: Non troppo allegro; 4.Finale: Molto vivace, but the piece only last around 15 minutes. The symphony was considered as one of the first neoclassical compositions. Prokofiev was attempted to write in the style of Joseph Haydn in this classical symphony. As we can see that the elements of the old and the new styles are mixed together, and became a new piece with galant style , simple but elegance.

It started with a rather slow tempo that had a call and answer type of theme, with the call part being more loud and dramatic while the answer was soft and then after a part that flowed without the call and answer theme, it was vice versa- so the call part was soft and the answer was louder and more dramatic. This movement faded out and into a slightly more fast paced part, however it wasn’t the end of that movement because it wasn’t a complete stop. The second movement was quicker and much shorter than the first movement. The third movement was very similar to the first, in that it was a little slow and has very short pauses that fade into a different paced part of the same movement. This movement had variations to the first theme and had a short harpsichord solo. The fourth movement, Menuetto alternativo- trio had a faster pace and sounded like a non imitative polyphony with the violins and viola as the main melody and the cello and harpsichord as the second melody at most times and as the background accompaniment at other times. The last movement was much louder, more dramatic and more lively than the rest of the movements.This movement had multiple parts that sounded were crescendo and then decrescendo. They finished the song with crescendo and it was a very dramatic ending. Most of the movements in this piece were played by the strings, and the harpsichord was rarely heard because the strings overpowered it and were much louder than the

Following was “Sonata No. 21 in C Major” by Ludwig Van Beethoven. This piece has three movements: Allegro con brio, Introduzione: Adagio molto, and Rondo: Allegretto moderato- Prestissimo. The introductory movement is very fun and playful. It has energetic movement that drives through the rest of the piece, keeping it exciting. The second movement slowed things down with its tranquil, yet lively interludes that made the listener feel very

Lastly, the third music that the played it was for Haydn Symphony No. 104. I do know this piece, and I was happy when I saw them playing it. they played the four movements. The first one which was the Adagio – Allegro, reminded me with Beethoven his 9th symphony. The opening of this movement was hard and dynamic of it is loud at the beginning, but then is getting softer with the cello and violins. It tempo of it is fast as well; it feels like a darkness with the loud start at the beginning. The end of it was pretty by the cords, it is a nice piece. The second movement Andante opened by the violin. It is fast a little bit and softer than the first movement. It has repetition but different sounds and different instruments. Then at the middle

As the exposition begins the piece starts in C major. In the primary theme, there is a triplet motive that is automatically established. In addition, the dotted rhythm of m. 3 is also motivic and used through the entire movement. Mozart uses very contrasting dynamics in the first couple of measures. The piece opens at forte, but then dies down to piano in m. 3 only to return to forte in m. 5. Mozart also uses silence at the beginning of the movement to emphasize how highly articulated the movement is. As the primary theme continues to be established m.9 introduces a march like quality to stress the

22 The movement opens with an arpeggiated figure, the trumpet enters with a very resigned tune. The upward leap at the beginning of the melody is the main feature of all phrases in this movement. The movement continues to build with each phrase before the unmuted section where the trumpet has an almost improvisatory accompaniment. After the high point the energy calms again towards the end of the movement.

It starts with this lyrical primary theme at the beginning, then moves to a rhythmically driving transitory section that leads into the second theme defined by these dotted eight and sixteenth note patterns. The development begins with the flute playing these military sounding phrases before playing around with some of the primary material. The recapitulation brings back the exposition, leading to a very gentle and delicate ending. Drawing upon some of the livelier sections of the first movement, the second movement, Scherzo, zooms on by. Though it is written in a fast triple meter, the placement of some accents create a cross rhythmic feel between the flute and piano, which only serves to heightened the driving nature of the piece. There is a moment when all the running figures stop to give way to a slow and wafting melodic line, before jumping right back into the heat of action till the end. The third movement, Andante, is very lyrical and serves to contrast the first two movements. The movement begins with a very expressive melodic line played by the flute which transforms into these sensual sixteenth triplet passages that weave in and out of the piano part, and returns to the opening character at the end. The fourth movement, Allegro con Brio, is fast and exciting. The most demanding of the movements, it calls for precision in rhythm while also maintaining a driving character. The beauty of the movement

This string quartet is in sonata form, which means that is has the movements Allegro moderato, Andante (F major), Menuetto and Trio (the latter in D major), and Allegretto ma non troppo. This is one of the few string quartets

The overture begins with a fanfare in the brass, followed by a fast melody in the winds. The strings take up this melody and the piece reaches a climax with a four-note motif. Suddenly, the music reaches a more lyrical melody in the horns and cellos, although the tempo remains the same. Then the brass take the finally with a high-spirited and lively ending with the focus on the trumpets. This piece is marvellous because it fits right into the symphony of big bold brass. In the beginning and the end of the piece, the brass stole the show with cheerful and up lifting sections. The imagery in my head when I listen to this piece is a war. In the beginning, the fanfare in the brass represents the armies preparing to go to war. Then when the strings and horns take the melody, it represents the war occurring with the use of staccatos and accents to show the armies clashing together and the troops falling. The ending with the brass exhibits one army winning the war and celebrating the

The first movement “La primavera (Spring)” is perhaps the most well known movement of “The Four Seasons”. Beloved by many including King Louis XV of France, who requested it be played whenever he desired (Sydney, pg. 6). La primavera has 3 movements, Allegro in E major, Largo e Pianissimo sempre in C# minor, and Allegro Pastorale in E major. The first movement represents birds singing and is in Baroque Rondo form. The second movement is representing a goat herder with his faithful dog as reflected in a violin solo and violas playing the bass line. The last movement is called “Country Dance” and represents people dancing and being

The first theme of the fourth movement is entitled March un supplice or “March to the Scaffold,” which Macdonald describes as “alternatively sinister and brazen.” This movement appears in rondo form. The first theme shows the hero’s “hollow footsteps” to the guillotine by a two-octave descending scale in the cellos and basses, which then is repeated in different

Besides having a great history, this piece of music also has spectacular topics of each movement. Altogether, the symphony consists of five movements. Each movement has its name and program. The first and the last movements are intensive

It quickly returns to C minor in bar 66. It ends in bar 89. The piece maintains duple meter in 4/4 throughout the section. The movement begins in allegro march tempo in ff. It is in strong monophonic texture in unison from bar 1 to bar 17. Texture changes drastically in bar 18. The woodwinds enter pp in contrapuntal texture until bar 33. At bar 33, tempo increases and the orchestra plays in homophonic texture with strings playing quick sixteenth notes with a gradual crescendo until bar 49. At bar 49, the tonality shifts to C major (parallel major of C minor). This section is a very slow, contrapuntal and expressive section. At bar 66 the entire orchestra plays ff in its strongest homophonic texture. The section ends with a small codetta from bar 82 to the