The Ulysses Research Paper

“Two days after we had set sail from the island of the cyclopes, a terrible storm blew my ships off course. The heavy gales swung us back and forth like a pendulum, and the waves nearly tore the ships in two. Like this we suffered for four days before we finally saw a sliver of land. We had arrived at Fídi, wooded island of the snakes. The island was immediately noticed due to the sturdy poplar and fir trees that lined its shore.

“Her officers and crew turned adrift with ‘the wide world before them where to choose” (page 252).

This chapter also illustrates the harsh reality of travel at this time. “All day they rolled slowly along the road, and at night the stopped near water. In the day ancient leaky radiator sent up columns of steam,loose connecting rods hammered and pounded.

HW TUESDAY, 3/20: Read "Sailing from Troy," 647-648.  In 3-4 sentences, TYPE responses to questions: #1,3, 4. [Optional Extra quiz: Cornell notes.]

This metaphor is influenced by Odysseus' good and bad times on the sea. There are many instances where Odysseus faces struggles on the ocean. Whether Odysseus has to fight a huge storm like the one that washes him up on Kalypso's island or he has to elude dangerous monsters such as Skylla and the whirlpool Kharybdis on the sea, the ocean can be a very dangerous place. Odysseus also encounters times where the sea is very forgiving to him. The storm that washes him up to the land of Phaecia, a fairy-tale fantasyland, results in a safe and smooth passage home along with numerous treasures. He later states, 'To work in the service of life and living, in search of the answers of questions unknown.'; Odysseus spends many years on the sea at many different lands working in the service of the gods in search of answers to the health of his family and the possibility of a homecoming. Odysseus' long travels make him believe he is indeed searching for the unknown. The gods throw him all across the globe, but he finds very few answers. Another interpreted allusion deals with experiencing and growing. Denver sings, 'To be part of the movement and part of the growing.'; The obvious character in the Odyssey that

Both the ‘Odyssey’ and ‘1001 Nights’ feature male protagonists who traverse the seas, and the concepts and themes of men seafaring is common throughout most canonical texts. For example, the allusion of Odysseus’ difficult journey is made when a minor male character in Apuleius’ ‘The Golden Ass’ describes his seafaring adventures as being ‘positively Ulyssian’ (‘Ulyssian’ thus being a reference the Roman naming of Odysseus) (pg 29). Furthermore, both texts share themes, such as: seafaring, the supernatural, trials and tribulations, tradition, belief systems, and the geographical setting and pride in the protagonist’s home city play a key role to the overarching plots of the texts in the sense of the protagonist’s endurance and motivation to both leave and return home. Likewise, the supernatural is used to further the plot of both texts.

This passage is an extract from Joseph O’ Connor’s Star of the sea which was penned in the year 2002. The passage makes use of a third person narrative view point as a result of which the readers are provided with a vivid image of passengers aboard a stormy sea ship. The passage talks about a ship afloat a stormy sea and how the passengers on the deck are caught unaware due to this storm. The author uses a descriptive style of writing with short crisp sentences that heighten the pace of the story. In the last two paragraphs however, the author uses longer sentences that signal a slower pace and show the readers that the storm has died down for the time being. The author has interspersed the action with 2 dialogues. It is interesting to

With a voice “no louder than any suckling pup,” even Scylla exploits another of Odysseus’ human weaknesses: fear (Homer, Odyssey, p. 274, 12.94). To some sailors, the sound might draw them in if they are curious. She lurks in a cave, so the yelping might sound like an injured animal. By having this trait, Scylla is clearly trying

As Ulysses eased to consciousness, he heard a soothing voice humming a short distance away. There was familiarity with the smell of the salty sea and the taste of its gentle mist, but these sensations were not of Ithaca. He was comfortable where he rested, but the silkiness of the blankets did not belong to him. Ulysses opened his eyes, the sun a small glimpse in the east. He rose with a jolt, as he was not able to see the sun from his chambers in Ithaca. He panically looked around himself, trying to make sense of where he was. A motion to his right had him standing quickly, readying himself to fight. As his fists clenched, his eyes met with the woman who rose.

My Captain! Our fearful trip is done; The ship has weather’d every rack, the prize we sought is won; The port Is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring…” Now in this essay Whitman compares Lincoln to the famous Captain Odyssesus the Greek hero of the Trojan War (which coincides with end of the Bronze Age) of Homer’s Odyssey, Book XII, when he says “-the dreaded Scylla of European interference, “In Greek mythology a monster that lived on one side of a narrow channel of water…”, and the Charybdis, “…opposite (Scylla’s) counterpart.” of the tremendously dangerous latent strata of secession sympathizers throughout the free States (447).” The idiom, “between Scylla and Charybdis” has come to mean being between two dangers, choosing either of which brings harm, known to us today as “between a rock and a hard place.” The Odyssey is a major ancient Greek epic poem, a sequel to the Illiad, the oldest extant work of Western literature composed near the end of the eighth century BC. The poem is fundamental to shaping Western

The narrator begins this story stating, “None of them knew the color of the sky” (338). He refers to the cook, the correspondent, the captain, and the oiler, the main characters. This quote means that all of them are focused on fighting for survival, paying all of their attention to the waves. They fight against the waves, trying to stay alive. However, the author states, “A singular disadvantage of the sea lies in the fact that after successfully surmounting one wave you discover that there is another behind it just as important and just as nervously anxious to do something effective in the way of swamping boats” (339). The waves are a symbol of the uncaring nature; it does not matter how hard the protagonists try to fight against the waves because nature continues its course; the waves continue to flow. However, the characters are determined to stay alive. They continue to face this external conflict that is nature, even when they realize that nature is

It’s easy to tell that the ocean is a mysterious and isolating place from all of the tragic tales we hear from sailors both real and fictional. Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” and an anonymous author’s “The Seafarer” are quite similar in that they both revolve around said tragic tales told by sailors. However, there seem to be more commonalities between their themes, tones, and messages rather than their seaward-bound settings. But before we can discuss these similar settings and deeper themes, we have to tackle their origins.

His descriptions of the setting are violent and his response is no longer curious as feels the “razory ice-wind,” looks “where the ship helplessly heads end on,” and “hears the howls of dismay” (Lines 83-85). He has nothing to say to the sea and the only thing he can do is help collect the bodies the next

Unlike the wandering narrator, the seafaring narrator focuses his descriptions of the community that is present in nature. The seafarer the utterly rejects the notion that a “sheltering family / could bring consolation for his desolate soul” (25-26). This “sheltering family” (25) that the seafaring narrator alludes to in this line is the exact form of close-knit family that the narrator in “The Wanderer” laments for desperately. While the seafaring narrator offers striking similar descriptions of the landscape being “bound by ice” (9), he does not focus on these descriptions to dwell on the loss of an earthly community. Instead, the narrator in “The Seafarer” finds the landscape that he inhabits wonderfully abundant with natural — even spiritual — elements that are commonly associated with an earthly community. In the barren landscape, the seafaring narrator discovers “the wild swan’s song / sometimes served for music” (19-20) and “the curlew’s cry for the laugher of men” (20-21). These vibrant and vivid descriptions of the natural world that the narrator discovers in the harsh,

The Seafarer by Burton Raffel was written during the Anglo-Saxon period where the Anglo-Saxon warriors lived to defend their King, like in the story Sir Gawain and The Green Knight. One of the warriors speaks about his challenges and begins saying that his story is not at all joyful. It is a story full of pain and suffering. The story paints a picture of what it means to be “dislocated”, “set out”, all by oneself and how badly it feels. “My feet were cast in icy bands, bound with frost,with frozen chains, and hardship groaned around my heart. Hunger tore at my sea-weary soul. No man sheltered on the quiet fairness of earth can feel how wretched I was”.(Raffel 1) The powerful imagery in this stanza sets the tone that the narrator is trying to