The Uncanny Of Sleeping Beauty And Her Children

Sigmund Freud and Carl Rogers are two extremely renowned individuals who have greatly contributed to the history of psychology. Their contributions are the foundation for the tools, techniques, and methodologies used by psychologist today. Although, each psychologist is from different times and developed different methods, they shared a passion for the workings of the human mind. As a result, their drive and foundation has motivated and prompted new theories and research for the future. This paper will provide a summary of two articles highlighting the processes contemporary psychologists use to develop the theories of Freud and Rogers. It also explains their views of human nature and worldviews as

The story of Sleeping Beauty has evolved over time and has been changed slightly throughout the different versions. It has changed in order to fit social norms for the time and context has been altered to appeal to the current audiences. The three main versions of Sleeping Beauty are the Charles Perrault in 1697, which was adapted from the original fairy tale Sun, Moon, and Talia by Giambattistas Basile in 1634. Perraults version was a tale of rape, adultery and cannibalism. The Brothers Grimm interpretation, from 1812 that made the story more tame and the Walt Disney version from 1959 that was drawn mainly from the St. Petersburg Ballet version of 1890 and the Grimm Brothers

The essay by Freud begins with the essential factor proposed by Ernst Jentsch relating to the uncanny theory, which Freud later attempts to contradict. The theory proposed is that of ‘intellectual uncertainty’, and thus ‘something someone does not know one’s way about in’ as well as the uncertainty over whether an object is inanimate or alive. Although it appears that Freud agrees partially with these ideas proposed by Jentsch, he adds further to this with his own principles and those are that of the castration anxiety, which in its literal sense is the fear of the

When a person experiences chills or goose bumps as a reaction to something strange or unusual, they are being affected by a sense of uncanniness. The psychoanalyst Sigmund Freud endeavored to explain this feeling of uncanniness in his essay entitled “The Uncanny”. Freud’s theory focuses around two different causes for this reaction. Freud attributes the feeling of uncanniness to repressed infantile complexes that have been revived by some impression, or when primitive beliefs that have been surmounted seem once more to be confirmed. The first point of his theory that Freud discusses in the essay is the repression of infantile complexes that cause an uncanny experience.

The story of Sleeping Beauty is told in many different forms and is most famous from Walt Disney’s Sleeping Beauty. For example, the fairytale “The Sleeping Beauty in the Wood” by Charles Perrault is quite different than Disney 's version. This fairytale should be researched because it has an interesting historical background and it is still culturally relevant to this day. The three main points that will be discussed about Sleeping Beauty in this paper is historical background, the different ways this fairytale is represented, and the cultural significance this story has on society. Researching this story has opened my eyes that the Sleeping Beauty movie I

Sigmund Freud coined this term when trying to explain something strangely familiar yet unfamiliar. It speaks to seeing or experiencing new but also takes us back to our own psychological past or something within the material world. It is suddenly recognizing something that seems unfamiliar and in fact, has an identity

This research paper will compare and contrast two of the most influencial psychologists who helped shape the way we understand the development of the human mind; Sigmund Freud and Erik Erikson. The paper will focus on the similarities and differences between Freud’s Psycho-sexual theory, and Erikson’s psychosocial theory. Freud was one of the very first influencial psychologists who changed the way we study humans. Erikson recognized Freud’s contributions, and although he felt Freud misjudged some important dimensions of human development, he was still influenced by Freud, which caused some similarities in their theories.

Psychoanalytic criticism originated in the work of Austrian psychoanalyst Sigmund Freud, who pioneered the technique of psychoanalysis. Freud developed a language that described, a model that explained, and a theory that encompassed human psychology. His theories are directly and indirectly concerned with the nature of the unconscious mind. Through his multiple case studies, Freud managed to find convincing evidence that most of our actions are motivated by psychological forces over which we have very limited control (Guerin 127). One of Freud’s most important contributions to the study of the psyche is his theory of repression: the unconscious mind is a repository of repressed desires,

Freud was always fascinated by just about any phenomenon, espacially of "unsuitable affect," its expression,

The portrayal of women, gender roles and stereotypes in Disney films has long been a controversial topic. Disney’s 1959 animated film, ‘Sleeping Beauty’, and Robert Stromberg’s 2014 live action remake, ‘Maleficent’, each provide a different take of Charles Perrault’s 1697 fairy tale, ‘La Belle au bois Dormant’ (‘The Sleeping Beauty’). The comparison of Aurora, one of the main characters from both films, brings into light the stark contrast in portrayals of gender roles as well as physical ideals and stereotypes in women. Emphasis or lack thereof on physical characteristics and gender representation from both texts challenge and reflect ideals and stereotypes that are impactful to the audience.

Freud metaphor says that in order to be human you must be a split subject-id, ego and superego, the mind experiences a constant battle of emotions, desires and thoughts all of these that happen in the sub-conscious so what we have to do is supress and repress them so that we can be able to socialise proper. This

Have you heard of Sleeping Beauty? A girl falls asleep for a hundred years, and a prince wakes her up with a kiss. Well that story is wrong. The real story does not begin with a party to celebrate the princess's birth, and there is no evil fairy. There is no prince to wake her up. That story was just made up for little kids, because the real story is not as happy.

Sigmund Freud’s says that the uncanny “undoubtedly belongs to all that is terrible- to all that arouses dread and creeping horror, it is equally certain, too, that the word is not always used in a clearly definable sense, so that it tends to coincide with whatever excites dread.”(Freud), he also says that what makes something specifically uncanny is that it is opposite of what is familiar. . Certain components of the short stories “The Lottery”, “The Yellow Wallpaper”, and “Occurrence at Owl Creek Bridge”, highlight Freud’s definition of the uncanny. In “The Yellow Wallpaper” by Charlotte Perkins Gilman, Freud’s definition of the uncanny appears continuously throughout the story, especially when the woman believes that she is the figure lurking behind the wallpaper. Also, in the short story “The Lottery” by Shirley Jackson, Freud’s definition of the uncanny occurs within the mysterious plot and how the end revealed that the “winner” of the lottery had to be beaten to death with citizens of the city throwing stones at them. Lastly, “An Occurrence at Owl Creek Bridge” is connected to Freud’s definition of the uncanny since the story gives the reader a false sense of security, which makes the reader feel the horror and unfamiliarity that it brings

Freud’s concept of the “uncanny” is a highly influential and valued in psychoanalysis and literature. As Freud explains, it reveals much about his understanding of human beings as being essentially determined by their fears and unconscious desires. His interpretation of uncanny can be analyzed in two ways: linguistic and actual. In the beginning, he starts with the term “uncanny”, which is taken from German word “unheimlich”, literally meaning “un-home-like” – something unfamiliar and unknown, never experienced before. The problem is that the definition of the word and the linguistic peculiarities take half of the whole reading, so we get to the point after the second half.

As an antithesis to psychoanalysis, Humanism also purports that humans are free agents that are capable of self actualizing. However, psychoanalysis provides an interesting basis to understanding how humans interact with the reality around them especially in attaching symbols to dreams, ignoring the fact of sexual urges. The problem is that Freud presents humans as incapable of being autonomous or interacting with the environment in order to have certain metal illnesses – Freud trivializes anxiety. The negative aspect of humanism, which can be linked to psychoanalysis, is that the focus is primarily on the individual and not the community that filters in more factors that contribute to the personality, illness or well being of the individual.