The Unconditional Love By Telus Storyhive

Both “The Right of Love” by Gene Lees and “The Canonization” by John Donne represent a form of forbidden love due to ethnicity and religion where both parties are fighting for the acceptance of their relationship. Donne, although catholic, falls in love with a non-catholic woman which is looked down upon by others. In his poem he states, “we in us find th’ eagle and the dove”,the two birds represent two polar opposite symbols, the eagle represent strength and courage, while a dove represents love and peace. Although a relationship between catholics and non-catholics were forbidden, they found a common ground in their love for each other. Differences can strengthen the love between two individuals, which is also shown in “The Right of Love”,

In The Gift, Ian Parker discusses a personal story of a man named Zell Kravinsky that had given almost his entire fortune and kidney under moral obligation. The “big question” that will be evaluated in this paper is there important limits to how much do-gooding morality can ask of us? If so, how much can it ask of us to sacrifice for others? This question had placed great influence on Zell Kravinsky story and it is important we evaluate his arguments for moral obligation can ask of us. In this essay I intend to recognize the infraction that moral obligation puts on decisions such as ‘nondirected’ organ donation. The boundary Zell Kravinsky set an moral obligation should be avoided because his actions were not entirely moral, and placed harm on his well-being.

The idea of universal love is one that is prevalent in the media. With the news filled with grim stories and horror many people are calling to the idea of loving everyone. Tensions are high concerning race relations, gender discrimination, and sexual orientation. Many in the general public are calling for humanity to embrace humanity. Many in the general public are asking “why we can’t just love one another”? Stephen T. Asma tackles this idea of love in his article published in the New York Times. Asma discusses two different ideas about universal love before offering his own take on the subject. Just as Asma states, universal love is a myth and closer personal relationships should be favored.

The Cutting Edge: The Magic of Movie Editing is a documentary about the art of film editing and the immensity of the job an editor is given. The reasoning of the film is to show the impact editing truly has on movies and our emotional attachment towards them. This documentary shows clips from different films to prove to it’s viewers the substantial effect editing has. Directors and editors speak out about the significance of editing, something not many viewers know nor think about.

Through my understanding of the book, Homeward Bound by Elaine Tyler May explores two traditional depictions of the 1950s, namely suburban domesticity and anticommunism. She intertwines both historical events into a captivating argument. Throughout the book, May aims to discover why “Post-war Americans accepted parenting as well as marriage with so much zeal” unlike their own parents and children. Her findings are that the “cold war ideology and domestic revival” were somewhat linked together. She saw “domestic containment” as an outgrowth of frights and desires that bloomed after the war. However, psychotherapeutic services were as much a boom then as now, and helped offer “private and personal solutions to social problems.” May reflects her views on the origin of domestic containment, and how it affected the lives of people who tried to live by it.

I never gave much thought into what it takes to shoot, direct, edit, and complete a motion picture. Sure, it may sound fun, but after this assignment, it felt like a lot of work. There are quite a few specialized groups that put together the films that we enjoy in our movie theatres. No wonder why it takes months and even years to edit a film, these folks are making sure things are done and synced correctly! The following essay will identify information pertaining to film and importance for their audience so the person or persons watching can have an understanding of what it is they are viewing. A story that has no meaning or becomes very confusing in the details that are presented does not make a good film.

In the play, As You Like It written by William Shakespeare, as well as the short story “Let Me Promise You” by Morley Callaghan, both playwright, and author are trying to convey the idea of a strong emotional bond between certain characters. In Shakespeare’s play, we see how Celia and Rosalind, two cousins, have been inseparable ever since a young age and will do anything for one another. In Callaghan’s short story, Alice has strong feelings towards George, waits restlessly by the window, and despite their differences, she still tries to please him. The theme that these two works show is unconditional love. The playwright and author are trying to illustrate what one will do for another even though the situation and conditions might be though.

Before beginning of this quarter, I had no formal education on the topic of love or cinema studies which made this course seem the most intriguing. This was a completely new topic to me. Through the many assignments and group discussions, I have a much greater understanding of the world of film and understanding love in east Asian countries. With the help of my peers reviewing my assignments and providing a different perspective on my essays, I have honed my abilities in writing and thorough film analysis.

This summer, I had the joy of discovering the work of several independent filmmakers who are genuinely making a difference in this sect of the world of film. One of those immensely gifted ladies just happens to be Mel Mack, director and writer of the indie short film Touching Mary. She eagerly agreed to chat with me about her experience in the industry, the making of this singularly thought-provoking short film, and a little about what she sees in her future.

Professor Paul Bloom states he is against empathy. He believes it is wrongfully used in our society and should not be used in certain situations. He still thinks it is important sometimes, but should not be primarily used as a result of anger, depression or retaliation. He believes compassion is the solution to empathy. In the long run, Bloom states that empathy will fail or burnout in a person. Hannah the extremely empathic person will eventually burnout according to Bloom. The use of empathy everyday as a core moral code will eventually be overwhelming and burned out and used up. The person will change direction and use empathy less in their lifetime. This essay will explore Paul Bloms opinion of empathy in his article, “Against

I see my hometown: a suburban hub for Latinos, a buzzing hive of frustrated parents driving too far for work, a busy intersection of dancing teenagers struck by cars; I also see a community of people who appreciate the smoggy view of our nearby mountains, one that collectively graffitis the rocks, marking territory, challenging the world. I see gossiping students, their homes, locked rooms of painful misunderstanding shared by young siblings. I see parents return home late, sighing. I do not despair in what I see: my long-separated parents, my five siblings divided by state lines. I do not wallow in words of comfort, in subtle cinema. I instead embrace the manifestations as a writer, journalist and film director, capturing what I see: a world

One of the three filmmakers, and the first person, who will be focused on in this portion of the essay is Richard Leacock. As mentioned earlier, along with Drew, Leacock was “responsible for putting cinema verite methods into practice on a grand scale” (Mamber 23). The first film Leacock worked on after his departure from Drew’s Associates was Happy Mother’s Day in 1963. Happy Mother’s Day was made by Leacock, but he was hired by the Saturday Evening Associates and the film was played on ABC- but it was cut and completely different Leacock’s original. Leacock’s film was very detailed and relied on human behavior to tell a

Driven by the wish to rescue common people's stories from sweeping historical master-narratives and by the impulse to help different cultures understand one another on a profound, human level, I want to be a writer and documentary filmmaker, so that I can pay intimate attention to individuals while dealing with larger issues. Film, in particular, can immerse its audience in the world it recreates, allowing them to recognize themselves in others and thereby bridging the distance between the two.

In his poem "All Watched Over By Machines of Loving Grace," published in 1968, Richard Brautigan places the reader in a future realm: a sparkling utopia "where mammals and computers live together in mutually programming harmony" (1). He draws us in by juxtaposing images of nature, man and machine that challenge us to imagine this new world. In essence, Brautigan's poem is a supplication for that dream world, but to the modern reader it can be a land of irony.

The movie, The Ultimate Gift, is a moving example of how one man, who while in search for the “ultimate gift,” actually learned and gained many more precious gifts along the way. Jason Stevens was a man on a mission to get to the big pay-off at the end of his quest but thanks to his wise grandfather Jason gained much more than just money. Throughout his journey in the movie Jason was taught and given the gift of hard work, the gift of love, the gift of friendship, etc. After learning and receiving these gifts, it was only then that Jason would receive and truly be able to appreciate the ultimate gift that his grandfather had waiting for him. Jason struggled to complete the tasks, but with the completion of each task, he then was motivated to move on to the next task. This motivation to achieve certain “gifts” and then move on to the next one is explained in Maslow’s Hierarchy of Needs. Maslow believed that people are motivated to achieve certain needs and then when the need is actualized then they will move on to the next one. The stages in Maslow’s Hierarchy are psychological, safety, social, esteem, and self- actualization. In The Ultimate Gift, Jason, in order to receive his grand prize, goes through stages within his missions that are very much like the steps in Maslow’s hierarchy of Needs.