The Unicorn Tapestries Essay

In the set design, we first see the use of layering, with a large cyclorama that has been painted onto a piece of scrim to allow for a visual effect at the end of the play. The painting depicts a beautiful scene of “sheep in a meadow in the fog”, with a wall to

The art of visually being able to express an understanding through the use of physical and mental creation is nothing but remarkable. Metalwork is not an easy task and I believe was a stepping-stone into a new way of design. I love looking at textile and texture pieces because of the way it is all layered together. There is a particular way needed to map out where and how each jewel and figure will be placed. These steps seem to be challenging but is all-apart of mastering the art of building a piece. I think that the challenge of design is half the battle but when something beautiful such as The Lindau Gospels cover is created, the dedication and time is all much worth it.

However, to further implement how magical realism constitute how this painting is conveyed, the exact meaning behind this trait must be explored. Magic realism is described by a twist in the usual conventions and shows a more fantastical interpretation in the

They didn’t have any permanent collections in the museum, but one of the collection exhibits was on a theme about wool rugs that had acid dyes, ink, or watercolor. All together in one room there were four wool rugs created by Anna Betbeze. They all include large abstract paintings within the rugs. The rugs have burns and are bleached in some areas. There is a purple rug named All That’s Left with burgundy and different purples spots, it was created with acid dyes. The second rug named Mimosa is yellow with whites and light brown areas, which are acid dyes and watercolors. The next one is created with acid dyes and india ink, it is a light beige color with black, blues, purples, pinks, orange, and brown. This specific wool rug is named Black

Each painting draws influence from their individual location of origin, mostly in subject, to appeal to the patrons of the time. While each piece was created within the 17th century, there are obvious differences from place to place in how they were meant to be created. This is evident in the materials used for the paintings, Velázquez’s piece being oil on canvas, Hui’s being a hanging scroll consisting of ink on paper, and

The first painting was of a women painting inside the painting, and it looked liked she was in Egypt, and in one hand the women was holding a compass and in the other was a paper with math on it. The second painting looked like a family traveling somewhere in the 17th century. Both of these paintings were representational art. And both of these artworks also tell a story in a unique way. And there also seems to be hidden messages scattered around these paintings but if you look closely they open a hole new meaning to the art. The second painting looked like it belonged to an artistic tradition due it being English. The first painting was called the Allegory of Geometry, and the artist who made this was Laurent de la Hyre. The second painting was called Landscape with Country Carts, and the artist who created this was Thomas Gainsborough. Thomas Gainsborough personality played a role in creating the art, he was a landscape painter, draughtsman, and printmaker. He also surpassed his rival Sir Joshua Reynolds to become the dominant British portraitist of the second half of the 18th century. After doing a visual analysis of the artwork I noticed that the Allegory of Geometry was more sharp than the Landscape with Country Carts, it had more detail in it. A formal analysis can be useful to tell an artist's use of aspects such as color, shape, line, mass, and

The quilts in the story were pieced by Grandma Dee. She used pieces of dresses she had worn fifty and more years ago, and bits of grandpa Jarrell's Paisley shirts. There was also a shred of Great Grandpa Ezra's uniform which he wore in the Civil War. These quilts had a piece of history from past family members that was part of their heritage.

The obvious expense put into this work would only support this claim, as benefactor would presumably want the best artisans working on their investment. The creation of the tapestries involved more than just a collection of weavers. The concept would have been the work of one person, with the sketching done by another and the reference painting by yet another artist. Additionally, the threads would have been specifically dyed for this work, while the metallic threads would have been crafted by another set of artisans. Together, these separate groups composed the pieces needed for the weavers to actualize this stunningly complicated and detailed

“In most other rooms we avoid the "pairing" of things, but here pairs and sets of things are most desirable. Two console tables are more impressive than one. There is great decorative value in a pair of mirrors, a pair of candlesticks, a pair of porcelain jars, two cupboards flanking a chimney-piece.”

This was the medium in which the MET used to construct their narrative and to educate the participant. These artifacts spoke in a unique way, each one depicting images that told about the structures of society, trades, religious motifs, as well as the techniques and mysteries around the methods used in creating such masterpieces. As I continued from one display to the next, reading the descriptions and tidbits of history, I easily transitioned from one period to the next. I describe this experience as being engaged with a living

Although the items are placed haphazardly on the table the all have a place to be, and fit in the painting creating a harmonious atmosphere. Through the careful placement of vibrant colors and lines, Holbein creates movement

While there were several works of art that I had liked, the artwork and album finally chosen from Noelle Ocon’s album for this particular study was The Armorer’s Shop by David Teniers the Younger and Jan Brueghel the Younger. The goals for the study of this painting were to delve into topics such as subject matter, spectrum bands used to reveal information about the painting, and conservation efforts in general. As such, this study will start with the subject matter and style of presentation.

Almost all of the slides/pictures were pictures of what I thought to be the magic castle. It occurred to me that the castle was not meant to be something that was colorless and dull, but rather the opposite. I imagined it to be a vibrant and prodigious castle that people could go into and enjoy

Perhaps the most mysterious thing about the Lion Hunt reliefs is motive behind their creation. At face value they are gorgeous pieces of art with excellent attention to detail. Yet the subject matter and the gruesome illustrations do serve a purpose to the one who requested their

In these ready-mades there was no artistic intervention such as colour. The ready-mades just existed by themselves. These objects chosen by the artist– not made by the artist own hand – were the result of an intellectual process and thus art. A process that involved minimal amount of interaction between the artist and art and provoke the spectator to participate and