The Unicorn Trap 'AndThe Petrified Ant' By Kurt Vonnegut

Picture a society, far in the future, where everyone, by government control, must be on the same level. Would this be Hell or a utopia? This is the subject of Kurt Vonnegut’s short story, “Harrison Bergeron”. In this society, the gifted, strong, and beautiful are required to wear multiple handicaps of earphones, heavy weights, and hideous masks. In turn, these constraints leave the world equal, or arguably devoid of, from brains to brawn to beauty. With the constant push for equality among all people, Vonnegut reveals a world that society is diligently working toward. “Harrison Bergeron” is written as a form of satire with heavy irony, to demonstrate the clear difference between equity and equality in society. “Harrison Bergeron” is

Kurt Vonnegut’s unique story “Harrison Bergeron,” displays a theme which is a warning about the dangers of equality, which is equality is a hindrance to an individual’s success and society’s success, but this hindrance is ironically, unequal. In the story, Harrison and his bride are arrested for their unwillingness and inability to stay within the bounds of equality enforced by the Handicapper General. Equality hinders the success of an individual like the weights hinder the beauty and grace of the ballerinas in the story. Equality doesn’t promote everyone to be equally better, but to be unequally worse. Handicaps are no use in ensuring equality, because one’s strengths will always shine through, such as Harrison’s strength and wit, or the

The Jungle by Upton Sinclair is a vivid account of life for the working class in the early 1900s. Jurgis Rudkus and his family travel to the United States in search of the American dream and an escape from the rigid social structure of Lithuania. Instead, they find a myriad of new difficulties. Sinclair attributes their problems to the downfalls of capitalism in the United States. While America’s system was idealistic for Jurgis and his family at first, the mood of the story quickly transforms to assert that capitalism is evil. This theme drives the author’s message and relay of major issues throughout the entirety of the novel. The idea of capitalism and social Darwinism is to

In his story “Harrison Bergeron,” Kurt Vonnegut, Jr. ( 1961) proves that not all of mankind can be equal.

The Jungle, by Upton Sinclair and Narrative of the life of Frederick Douglass, an American Slave, by Frederick Douglass both bring forth personal or fictional events that capture the interest of the the reader. The use of pathos in their writing along with true events questions the ethics, morality, and human rights of each individual at the time setting for the publication.

Critics often argue that Upton Sinclair, author of many classic American novels including The Jungle, was cynical and bitter even. However if one were to dig just a bit deeper they may realize that Sinclair was spot on in his idea that this “American dream” that our country sells is actually a work of fiction.

What societal and government reforms did “The Jungle” call for. Do you feel this novel was effective in bringing about any of these reforms.

The world Vonnegut paints is a future dystopian society, where “the year was 2081, and everybody was finally equal. They weren't only equal before God and the law. They were equal every which way. Nobody was smarter than anybody else. Nobody was better looking than anybody else. Nobody was stronger or quicker than anybody else”.(Vonnegut) With this introduction, readers

The Jungle, a novel by the muckraker Upton Sinclair, follows the life of Lithuanian immigrant Jurgis Rudkus and his family in the first decade of the twentieth century. It describes the various tragedies that befall the family. The novel should be considered part of the American Canon, the body of works that are considered the most important and influential in shaping American culture, because of Sinclair’s unique portrayal of the time, the effect that this novel had on society, and the novel’s literary value.

One of the greatest impacts caused by disasters is one’s motivation for living. In Slaughterhouse-Five, many characters display twisted minds after experiencing wars. Billy and Rosewater find life meaningless, because they witness too many dead bodies in war; Lazzaro finds the sweetest thing to be revenge. As wars bring distorted senses to people, Vonnegut presents two opposing coping methods in Slaughterhouse-Five: One is the Tralfamadorians’ passive idea and the other is the narrator’s humane notion. The overall concept of the Tralfamadorians is to “ignore the awful times, and concentrate on the good ones” (Vonnegut 150). They do not look back, not even forward; they focus on the scattering patch of good moments regardless of time. A similar idea is how they have come to regard death: “in bad condition in that particular moment, and that the person is just fine in plenty of other moments.” The thought – it is more important that a person has lived a brilliant life – is comforting; however, it disregards the possibilities a person has as long as he or she lives. In an interview, Vonnegut points out that he “resents” the promising ideas, the Utopianism, in science fiction (qtd in Simpson 261). This is disclosed in Breakfast of Champions, when Kilgore Trout indirectly

During the late 19th century and early 20th century, America increased drastically in industrialization, consumerism, and urbanization. With these increases a “Mass Consumerism” movement began and effected the middle class more than others. From the increase in consumerism, Thorstein Veblen introduced a new phrase called conspicuous consumption. This was indicated towards wealthy Americans that the best way to prove superiority is to show off their wealth. This negatively effected Americans and their perception on others. With the massive increase in industrialization and urbanization, Americans living in poverty and with poor jobs were mostly effected negatively than others. In Jacob Riis’s book, How the Other Half Lives, and Upton Sinclair’s book, The Jungle, it opened the eyes of Americans not living and working in these conditions. After the government and American people witness the horror some citizens must deal with, changes will occur and improve conditions.

Vonnegut's story “Harrison Bergeron” discusses the theme equality of results, but through his satirical circumstances there is an ambiguous theme targeting Socialism and Capitalism that shines through.

Kurt Vonnegut was a man of disjointed ideas, as is expressed through the eccentric protagonists that dominate his works. Part cynic and part genius, Kurt Vonnegut’s brilliance as a satirist derives from the deranged nature of the atrocities he had witnessed in his life. The reason Vonnegut’s satire is so popular and works so well is because Vonnegut had personal ties to all the elements that he lambasted in his works. Vonnegut’s experience as a soldier in WWII during firebombing of Dresden corrupted his mind and enabled him to express the chaotic reality of war, violence, obsession, sex and government in a raw and personal manner. Through three works specifically, “Welcome to the Monkey House,” “Harrison Bergeron,” and Slaughterhouse-five,

A comparative literary study of the effect of mental illness on the central characters is the semi-autobiographical novels The Bell Jar by Sylvia Plath and Girl, Interrupted by Susanna Kaysen. Comparing two women trying to deal with mental illness and are trying to cope with the mental pressures they put on themselves and by other people. Although the differences between these two novels are The Bell Jar shows Esther’s life before she descends into mental illness whereas Susanna’s story is about her time in a mental institution and experiencing other patients who are in similar situations.

Throughout his career, Kurt Vonnegut has used writing as a tool to convey penetrating messages and ominous warnings about our society. He skillfully combines vivid imagery with a distinctly satirical and anecdotal style to explore complex issues such as religion and war. Two of his most well known, and most gripping, novels that embody this subtle talent are Cat's Cradle and Slaughterhouse-Five. Both books represent Vonnegut’s genius for manipulating fiction to reveal glaring, disturbing and occasionally redemptive truths about human nature. On the surface, Cat’s Cradle and Slaughterhouse-Five are dramatically different novels, each with its own characters, symbols,