The Use Of Film Techniques In The Film Industry

Based off Charles Webb’s 1963 novel by the same name, The Graduate is an American romantic comedy/drama released in the United States on December 21, 1967 starring Dustin Hoffman, Anne Bancroft, Katharine Ross, and William Daniels. The film was directed by Mike Nichols, produced by Lawrence Turman and the screenplay written by Buck Henry and Calder Willingham. The film was produced by Lawrence Turman/Mike Nichols productions starting in March of 1967. Mike Nichols has also directed other well known films such as Catch-22 (1970), Working Girl (1988), and more recently Closer (2004). The film was distributed by AVCO Embassy Pictures nationally and United Artists internationally. AVCO Embassy Pictures studio, founded by Joseph E. Levine, the films executive producer, also claims production/distribution for other hit films such as Godzilla, King of Monsters! (1956), The Fog (1980), and Prom Night (1980). The movie was well received due to its $104 million dollar box office opening tab. The score was produced by Dave Grusin and the songs written by Paul Simon and Art Garfunkel.

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A repertoire of filmmaking techniques is fundamental to the establishment of a film’s storyline by conveying explicit and implicit ideas and by taking the viewer through a heightened emotional journey. Alfred Hitchcock employs his unique film style to augment the patterns of narration in the monumental film, Vertigo. The narrative patterns follow the male protagonist, Scotty, who is inescapably drawn into the conflict of the story as he unceasingly follows Madeleine, the female protagonist. Overall, the film employs a restricted narrative in which the audience’s knowledge is equal to that of Jimmy Stewart’s character, Scotty. The Muir Woods sequence in Vertigo conveys patterns of narration through the combined elements of editing,

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Shot 1: The first shot that appears after the film title is important as it invites us as the viewer to see who and how the main character of the film acts. Lasting about 12 seconds in length, this close up of Vincent’s back eventually pans to the right showing him touching every single apple within the busy market place, before eventually choosing the one he desires and casually walking off without paying for the good. This shows not only his carelessness, but also how he is poor considering the fact an apple would’ve cost only 99 cents, according to the sign pictured in the frame. Although music is playing very loudly, street sound and people talking can be heard which makes us viewers feel as though we are walking through the busy city with

The film industry has continuously changed since its inception due to rapid technology advancements. Camera technology has been a key factor that has influenced the growth of filmmaking. The first motion picture in the world was produced in the early 1880s, and the first public screening occurred ten years later. It didn’t take long for the quality of films to improve as new filmmaking equipment emerged. Ever since the first movie was produced, the film industry has been continuously changing in response to emerging filmmaking technology. Introduction of digital photography and digital data storage along with the development of internet significantly influenced the film industry (Barsam, 2015). These technologies contributed

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Being a science fiction fan during his childhood, he worked his way in producing several highly acclaimed science fiction movies such as Avatar, Aliens, and the Terminator. Born on August 16, 1954, in Ontario Canada and later moved to California to finish his college at California State University. In order to pursue his dreams in cinematography, he worked as a truck driver and would work on screenplays. Then his career began from an art director in Battle beyond the Stars (1980) to directing various films. Now, he is an Oscar-winning director whose films Titanic (1997) and Avatar (2009) remains the top grossing films of all time. He has won various awards from different sides of the world, Norway, France, and the United Kingdom. Mise-en-scenes were well incorporated in each of James Cameron’s movies especially for science fiction movies that used elegantly crafted visuals.

Every so often a movie is released with such tense anticipation and glamorous visual art that the public is drawn to this dramatic rendition of life in the theatre. For even just two hours or so, you are put into a different lifestyle. Action, drama or comedy it may be. We are thrust into a different way of thinking. We are forced to learn the characters thoughts and feelings. The hard work and artistic skill that goes into these magnificent films is not an easy thing to mimic. Out of the thousands of movies released worldwide each year only a handful are truly worthy of the label film art. Most of the great movies are either produced by a multi million dollar

During the mid to late years of the 19th century, a new form of entertainment emerged. Film entered the stage of innovation. New marketing and technological innovations developed for film to become the art it is today. In the 1830s, Joseph Plateau designed the Phenakistoscope. This device had a picture in the middle of a wheel made with mirrors and small openings. When spun, the Phenakistoscope made the picture appear to move. The name changed to Zoetrope in the 1860s and producers advertised the product as an accessory every home needed (Dixon & Foster, 2008). Later inventions that preceded the first motion picture camera include: Henry Du Mont’s Omiscope, Henry R. Heyl’s Phasmatrope, Eadweard Muybridge’s Zoöpraxiscope, Etienne-Jules Marey’s fusil photographique and Eastman Kodak’s chronophotographs (Parkinson, 1997). With a design by Thomas Edison, William Kennedy Laurie Dickson built the first modern movie camera, the Kinetograph, in 1890 (Dixon & Foster, 2008). In 1895, Auguste and Louis Lumiére patented the Cinématographe, a machine that combined the engineering of a camera and a projector (Bergan, 2006). Businessmen capitalized on the growing need for a place to witness these brand new films, thus they charged people to see them in their living rooms (Potter, 2014). These creations made movie-making a reality.

During the beginning years of film and video production, cameras where large and bulky machines that had

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The cinematographic camera industry emerged in fact more than 100 years ago, it was only until recently that significant digital changes took place, apart from minimal technological improvements. Before the invention of digital cameras the main medium for shooting a movie was on celluloid film in which the quality of the image was very high from the beginning. However these cameras had some inconveniences. The cinematographer would have to set the lighting and frame to the directors vision and make sure that it was right. He could not see immediately if the scene was shot as desired and this caused the workflow to be very complex and time consuming which most producers would see limited. The developing, processing, transferring, editing and conforming the film normally took a day and the director along with the cinematographer would sit