The fundamental nature of the element of disgust is quite unsavory. Disgust is a relatively new term for a sensory experience that spans thousands of years, and has been studied throughout the millennium of Western history by philosophers and psychologists alike, to include Darwin, Hume, Hazlitt, and Freud (Miller, 1997). Psychologists generally disagree that disgust should be classified as an emotion; but rather the sensory processing of its elicitors is what constitutes an emotional response (Plantiga, 2009). The primary nature of the element of disgust is that it serves as a social function by differentiating between appropriate class behaviors and attitudes. While Darwin’s etiology of the term was reserved to primarily describe offensive tastes, it has taken on very broad connotations since then, referring to anything that is extremely displeasing or revolting by means of all five senses (Miller, 1997). More importantly, the term plays an important role in moral judgment, as reflected by social and cultural norms and beliefs. This paper will briefly examine the use of disgust elicitors in the book “Geek Love,” as well as the literary usage and connotations of modern day applications.
In terms of literary practice, the physically disgusting is often described in visceral detail, specifically in adult fiction, and it almost always is used in a narrative context (Plantiga, 2009). However, it has not been used extensively in modern fiction works. The book “Geek Love” by
How does love govern a family? It governs husbands to return to their wives, to go on a journey to home. We have all been on a journey. A journey, however, does not usually include coming home. The Odyssey is Odysseus’s journey home to his family. Home is where the family is. While the relationship in a healthy family is communication, there are some instances in the Odyssey where there is an unhealthy relationship. In the Odyssey, are the families that are portrayed ‘rooted and grounded in love?” The loving relationship of family had valuable impact on Odysseus, that he made the journey home, while other families became scattered.
Love Stinks would be an appropriate magazine to publish After Love by Sara Teasdale because it is a poem about the feelings of someone during the aftermath of a breakup. “There is no magic any more, / We meet as other people do” gives a great example as to how people act after a breakup; how disheartening it can be to no longer experience a certain type of magic with someone and to have feelings lost or hurt (“After” 1-2). This would gain much empathy as most people reading a magazine discussing “those who have been “burned” by love” would be recently out of a relationship themselves and better able to really take the poet’s meaning to heart. This meaning is best explained through the lines “And from the tide has found surcease, / It grows
Kurt Vonnegut is known for his dark humor, wit, and imagination. He is consistently listed among the great American authors of the later twentieth century and his novel’s such as Cat’s Cradle and Slaughterhouse Five are considered modern classics. In this essay, I will focus on two of Vonnegut’s short stories “Welcome to the Monkey House” (1968) which takes place in a dystopian future where everyone is required to take pills that take all the pleasure out of sex and “Miss Temptation” (1959) which takes place in a small east coast town by looking at them through a feminist lense. Both stories come to the same ultimate conclusion that over-moralization of human
Literary elements appear in all exceptional literature, they are what helps build a strong story. There are many literary elements visible in Love Medicine by Louise Erdrich. In the novel there are elements such as foreshadowing, tone, several examples of symbolism, and several major themes.
The author’s narrative, ripe with horrifying descriptions, is nonetheless told with compassion appealing to the emotions of the audience
"They turn casually to look at you, distracted, and get a mild distracted surprise, you're gone. Their blank look tells you that the girl they were fucking is not there anymore. You seem to have disappeared.(pg.263)" In Minot's story Lust you are play by play given the sequential events of a fifteen year old girls sex life. As portrayed by her thoughts after sex in this passage the girl is overly casual about the act of sex and years ahead of her time in her awareness of her actions. Minot's unique way of revealing to the reader the wild excursions done by this young promiscuous adolescent proves that she devalues the sacred act of sex. Furthermore, the manner in which the author illustrates to the reader these acts symbolizes the
The Power of Love in 10 Things I Hate About You and Taming of the Shrew 'The Power of Love' is portrayed in various themes throughout both.
“An intense feeling of deep attraction.” That is the definition of love. Love between a man and a dog, a kid and ice-cream, a mother and her family, and love between two selfless people. This is true love. In the play, Romeo and Juliet, written by William Shakespeare, the feeling of attraction between the two main characters is not true love. The setting of this play is the streets of Verona, Italy, during a time when arranged marriages at the age of 14 were socially acceptable. Two young teens, Romeo and Juliet, were convinced that they had feelings for each other, but acted more out of lust than anything else. Lust is defined as “a very strong sexual desire”, and it becomes more apparent as the
“If stories were depopulated, the plots would disappear because characters and plots are interrelated” (76). I chose to do my analysis paper over the short story Lust by Susan Minot, in this analysis I will be going over how the use of characterization in lust contributes to the message about relationships. The first-person narrator starts off by detailing her sex life likes it’s a grocery list or some kinds of list of things to do on the weekend. It just goes to show how meaningless these relationship with her sex companions mean. Although we do not know what the reader looks like we do how she thinks and feels. We can feel the narrator become more detached and emotionless towards the end of the story. Even though she is emotionally removed for the story at the end she also becomes more self-aware of what she is doing, and comes to the realization that she is looking for a relationship in all the wrong places.
Obsession is defined as “an unhealthy and compulsive preoccupation with something or someone” (1), and is a prominent theme (in) The Great Gatsby, Enduring Love and Othello. For example, in all three, there is a great desire to obtain things which are unattainable, and in turn this fuels their obsession and causes it to intensify. Furthermore, the act of being obsessive is a common human characteristic, which enforces the fact that obsession is a key element throughout all the texts. Othello has the desire to seek revenge. Fitzgerald shows the desire of lust for Gatsby to have Daisy, whilst also allowing him to accomplish a social desire of fulfilling the American Dream, which was typical of the 1920’s as people were searching for wealth
Sedgwick describes one of the most distinctive Gothic tropes, as the ‘unspeakable’ (Sedgwick, Pg. 94), through this trope, she explains how sexuality between men has been recognized as having no name, essentially being ‘unspeakable’, ‘unmentionable’, and ‘not to be
Love is defined as the intense feeling of deep affection. In the play, Romeo and Juliet written by William Shakespeare, the attraction between the two protagonists, Romeo and Juliet, does not factually classify as true love. Meanwhile, lust is a concept in which is commonly mistaken for love, which is very apparent throughout this classic “love story” of Romeo and Juliet. While others could debate that Romeo and Juliet’s love, was love at first sight, it is debateable that their feelings towards one another were pure lust. Romeo and Juliet are too immature to fully understand the concept of love as they are too young and hormone-driven, they were both in search for escapism from their present troubles, and they had an excessive amount of
There is a fine line between love and lust. If love is only a will to possess, it is not love. To love someone is to hold them dear to one's heart. In The Great Gatsby, the characters, Jay Gatsby and Daisy Buchanan are said to be in love, but in reality, this seems to be a misconception. In The Great Gatsby, Fitzgerald portrays the themes of love, lust and obsession, through the character of Jay Gatsby, who confuses lust and obsession with love. By the end of the novel however, Jay Gatsby is denied his "love" and suffers an untimely death. The author interconnects the relationships of the various prominent characters to support these ideas.
Plato was a philosopher from Classical Greece and an innovator of dialogue and dialect forms which provide some of the earliest existing analysis ' of political questions from a philosophical perspective. Among some of Plato 's most prevalent works is his dialogue the Symposium, which records the conversation of a dinner party at which Socrates (amongst others) is a guest. Those who talk before Socrates share a tendency to celebrate the instinct of sex and regard love (eros) as a god whose goodness and beauty they compete. However, Socrates sets himself apart from this belief in the fundamental value of sexual love and instead recollects Diotima 's theory of love, suggesting that love is neither beautiful nor good because it is the desire to possess what is beautiful, and that one cannot desire that of which is already possessed. The ultimate/primary objective of love as being related to an absolute form of beauty that is held to be identical to what is good is debated throughout the dialogue, and Diotima expands on this description of love as being a pursuit of beauty (by which one can attain the goal of love) that culminates in an understanding of the form of beauty. The purpose of this paper is to consider the speeches presented (i.e. those of Phaedrus, Pausanias, Eryximachus, Aristophanes, and Agathon) in Plato 's Symposium as separate parts that assist in an accounting of the definition and purpose of platonic love.
Margaret Atwood begins her essay by explaining the distinction between mild pornorgraphy, which portrays the nude form and sexual activities, and violent pornography, which depicts extremely violent activities in a sexual manner. When discussing pornography, people often assume Atwood is referring to mild pornography; however, even though this pornography is considered “mild” by Atwood, the reactions and perspectives from people are rarely mild. The passionate accusations declaring opposing sides “prudish” or “perverted” lead to the question of what is the meaning of pornography, if there is any? Whether it