The Use of Symbols in Susan Glaspell’s Play Trifles

As the United States was continuing recovering from the Civil War and embracing the expansion of the West, industrialization, immigration and the growth of cities, women’s roles in America were changing by the transformation of this new society. During the period of 1865-1912, women found themselves challenging to break the political structure, power holders, cultural practices and beliefs in their “male” dominated world.

For the longest time, women’s role in society was very narrow and set in stone. Women weren’t given the chance to decide life for their own, and there was a very sharp distinction of gender roles. Women were viewed as inferior, weak, and dependant. They were expected to be responsible for the family and maintainance of the house. But as the 19th century began, so did a drastic change in society. Women started voicing their opinions and seeking change. Trying to break away from this ideology called “cult of domesticity” was a lengthy, burdensome, and demanding struggle.

In spite of the generation, Susan Glaspell refused concede into its way of life. She advocated for feminism during this time period. Glaspell’s “A Jury of Her Peers” should be included in Penn Manor’s American Literature curriculum because of her capability to express feminism at a time where it was discouraged. It is important to realize that the time of the short story, “A Jury of Her Peers” was created, it was not the most understanding age. Majority of the people had a mindset of thinking situations were black and white. They would only see the circumstances that occurred in world in extremes, and they would not consider the other side. Explained in this section:

The exposition in a play gives background information to the audience about the characters and situations the characters are in. Expositions are necessary in plays because without them, audience members would have no clue what is going on. Expositions are also useful in letting an audience know what to expect and see later on in a play. Exposition can occur through action, narration, or dialogue from the characters. In Trifles, by Susan Glaspell, the exposition occurs through action and dialogue. The characters Mrs. Peters, Mrs. Hale, Mr. Hale, the sheriff, and the county attorney all meet up at the Wright’s abandoned farm house letting the audience know that something bad must have occurred at that house. Mr. Hale then

In today's society, we generally view upon everyone as equal beings who deserve equal rights. At the turn of the 20th century, this particular view didn?t exist. Men clearly dominated almost every aspect of life and women were often left with little importance. The Wright?s embody this view of roles in Susan Glaspell?s play Trifles. Mrs. Wright was a typical woman who suffered the mental abuse from her husband and was caged from life. In Trifles, a mixture of symbolism of oppression illustrates Mrs. Minnie Wright?s motives to kill her husband and to escape from imprisonment.

Women have long been fighting for their right to be seen as equal to men. Even to this day, women continue to fight for their rights, things such as the right to non-gender discriminatory wages. While there may be some arguments over the state of gender equality in the modern world, it is undeniable that there have been great strides made toward recognizing the female 's worth in the workforce and as a human being. Despite these strides, however, things are still not yet ideal for women and many of the issues females face today are the very same issues that have been plaguing them for decades. While it is unfortunate the oppression of women has been so long-lived, the length of that exposure has thankfully enabled many talented writers to both lament over the fact and emphasize the need for gender equality.

Mrs. Wright’s apron is also a symbol of oppression suffered by women. With dullness, she pleats it while giving details of her husband’s death. From the jail where it is obviously of no use to her, she requests that the apron be brought to her. The apron represents her identity of being a subservient housewife. The murder of her husband stripped her of this identity likewise, her marriage had taken her former identity of a choir girl. Being labeled a criminal is uncomfortable for her therefore, the want of her apron reflects that she has not yet accepted this new identity. Mrs. Peters seems to understand the need for her apron as she states, “I suppose

Marriage a sacred bond uniting two people who are so deeply in love that they can't live without one another, for even a second. Many couples in this situation take these marriage vows to have and to hold, from this day forward, for better, for worse, for richer, for poorer, in sickness and in health, until death do us part. Those vows remain cherished throughout the years of marriage. Partner’s share intimate details and form a strong trustworthy bond with one another. Often couples settle into a routine, move out of the city and have children. Occasionally over time that love will fade; couples change and lose interest in one another and begin to look for a way out of marriage. In Susan Glaspell’s play Trifles, there is evidence to

Another major symbol, which the educated lawmen considered a "trifle", is the quilt which Mrs.Hale and Mrs.Peters stumble across. Minnie had taken the scraps and put them into a nice neat quilt, but one square was haphazardly sewn. This befuddles the women for "It looks like she didn't know

During the early 1800's women were stuck in the Cult of Domesticity. Women had been issued roles as the moral keepers for societies as well as the nonworking house-wives for families. Also, women were considered unequal to their male companions legally and socially. However, women’s efforts during the 1800’s were effective in challenging traditional intellectual, social, economical, and political attitudes about a women’s place in society.

In the early nineteenth century, women were expected to be, “‘angels in the house,’ loving, self-sacrificing, and chaste wives, mothers and daughters or they are… ultimately doomed” (King et al. 23). Women of this time were supposed to be domestic creatures and not tap so far into their intellectual abilities (King et al.). The role of women in the nineteenth century is described:

The Romantic Period built an environment where women were painted with flowery diction (Wollstonecraft, 216) and were incapable of independence. The Rights of Woman became a crucial topic, particularly in poetry which allowed women the freedom of expression. Accordingly, during the early eighteenth and nineteenth centuries, women writers did not need the prop of their male contemporaries like suggested. Evidently, women were able, successful, and professional writers in their own right. In fact, women often influenced male writers (Dustin, 42). Both Mary Wollstonecraft and Anna Letitia Barbauld are evidence that women did not need to rely on their male peers to become successful poets. Consequently, many poets took inspiration from them (Dustin, 32). In The Rights of Woman and Vindication of the Rights of Woman, Anna Letitia Barbauld and Mary Wollstonecraft had contrasting ideas. Barbauld’s The Rights of Woman was a documented reaction towards Wollstonecraft’s extremely controversial Vindication. Henceforth, both indicate a separate message for the Rights of the Woman. Assumedly, Barbauld misinterpreted Wollstonecraft and readings of The Rights of Woman in the twenty-first century appear antifeminist as a result.

In a century where woman are seen as dumbfound and whimsical a wife commits an unforgivable crime, but is let off the hook because of her friends that hide evidence. that could get her executed in front of the whole town. Mrs. Wright has been changed by her husband to the point that she’s not going to deal with it anymore. Mr. Wright is a hard man that doesn’t make any exceptions to what he wants which ultimately leads to his downfall. Susan Glaspell uses setting to add symbolic meaning in her play Trifles by putting objects in the setting that have background meanings to the story.

In Trifles by Susan Glaspell, the central character remains unseen for the entirety of the piece. “The central character - the person whose actions are to be understood - is absent, thus rendering her all the more a figurative blank space” (Keetley 342). The audience never sees or hears Minnie Wright throughout the piece, and therefor cannot develop an accurate opinion of the outcome of the play, as they are missing vital information about Minnie’s personality. The audience and characters instead make several assumptions about the truth that cannot be verified without closer inspection of Minnie’s personality and experiences. Glaspell’s use of an unseen central character in Trifles causes the story to develop based on assumptions made by

In the play titled Trifles, by Susan Glaspell, Minnie Foster Wright is being accused of murdering her husband, John. In this production, Mrs. Wright is consistently referenced, and although she is not witnessed, she is very recognizable. There are important symbols in this play that signifies Mrs. Wright and her existence as it once was and as it currently exists to be. Particularly the canary, this symbolizes Mrs. Wright's long forgotten past. Additionally, the birdcage, this symbolizes her life as it currently exists. Certainly the quilt is a symbol, which is an important clue on how Mr. Wright was killed. In addition, the rocking chair, this symbolizes her life as it has diminished throughout