The Uses of Enchantment by Bruno Bettelheim Essay

The fairy tale helps the child to understand a balance between the good and the evil; it gives him a hope for a good future.” Fairy tales assure the

Lin Lan’s “Cinderella” is a classic fairy tale that depicts the life of a poor, young girl named Beauty in the hands of her wicked stepmother and stepsister. The story leads one to believe a moral lesson is portrayed as how in the end evil never prospers. Beauty is rewarded in many different forms for being the innocent protagonist, while the stepmother and stepsister are chastened for their heinous deeds. As children are the main targeted audience for fairytales, it would seem evident to create a character of good standing morals and virtue; however, there are multiple instances that contradict Beauty’s faultless character.

Fairy Tales are not just stories that parents tell to their children, but stories with hidden valuable messages which are mostly left on a side. In the article “An Introduction to Fairy Tales,” Maria Tatar clearly explains how people need fairy tales in their lives. Tatar also states how fairy tales have the ability to take the listener, especially children’s, into a journey in which they can play with their imagination so that they can discover their deepest fears and wishes. Personally I agree with the author, because of the fact that in an individual’s lives as they get older, they will try to define themselves, sometimes comparing their own life with a character from their favorite story or Fairy Tale.

Overall, the emphasis that fairy tales place on physical appearance can be very detrimental to a child (particularly a girl’s) development and ideas of reality. To add, fairy tales, although perhaps unintentionally, depict that attractiveness determines who is good and who is evil. The protagonist is often the princess, who is described as the prettiest in the land. The antagonist on the other hand is often less attractive and more than likely labeled ugly (Schussler). Because fairy tales often depict good conquering evil and evil succumbing to its immorality, this therefore shows the reader that ugly people are punished. This also can influence a girl’s self-esteem, considering that the created sense of beauty is impossible, thus they may feel inferior (Danish). Grauerholz hypothesizes that “[t]hese powerful messages that say women need to be beautiful may compel some women to seek beauty at the expense of other pursuits, such as careers or education” (Grauerholz). The exaggerated emphasis on beauty has potential to be a very limiting factor for young girls. However, the stereotypical beautiful princess is not the only gender stereotype that plagues women in the tales.

Thus, in order to fill the void, the girl created a world of her own, a world that helped her forget much and feel more. Bruno Bettelheim also touches on this subject in his piece Fear of Fantasy, where he talks about fantasy stories for children and what the importance of the former are to the latter. As Bettelheim says, “This is where the fairy tale [helps the child the] most: it begins exactly where the child is emotionally, shows him where he has to go, and how to do it”(Bettelheim 4). In other words, Bettelheim is arguing that every child has their own life, their own problems, and thus their own personal fairy tale. This line of thinking goes hand in hand with the revelation made at the end of Arthur Machen's book when after Machen writes about this incredibly imaginative young girl who essentially created a world of her own, it only made sense that the girl had a troubled childhood with little exposure to her much-needed

The tradition of telling fairy tales to children effects not only the listener but also the reader. Maria Tatar, in her book Off with Their Heads!, analyzes how fairy tales instill and reaffirm cultural values and expectations in their audience . Tatar proposes that fairy tales fall into three different tale-types: cautionary tales, exemplary stories, and reward- and- punishment tales. These three types portray different character traits as desirable and undesirable. Due to the tale’s varying literary methods it can change the effectiveness of the tale’s pedagogical value. In Tatar’s opinion, all of these tales are similar in the way they attempt to use punishment, reward, and fear to encourage or discourage certain behaviors. In the cautionary fairy tale “The Virgin Mary’s Child”, the use of punishment and fear to discourage certain behaviors is enhanced by the Christian motifs and values employed by the tale. These literary devices encourage the audience to reflect on and internalize the lessons that are presented in the fairy tale.

There is nothing more precious and heartwarming than the innocence of a child. The majority of parents in society want to shield children from the bad in life which is appreciated. Within human nature exists desires of inappropriate behavior; envy, deceit, selfishness, revenge, violence, assault and murder. The most well-known fairy tales depict virtue and the evil in life. Even more important, the form and structure of fairy tales suggest images to the child by which he can structure his daydreams and with them give a better direction to his life. (Bettelheim).

Reading fairy tales or seeing them represented has become part of an everyday routine for children. As Baker-Sperry states, “Through interaction that occurs within everyday routines (Corsaro 1997), children are able to learn the rules of the social group in which they are a part” (Baker-Sperry 717-718). For example, through Red Riding Hood, children learn to listen to their parents and to be wary of strangers. Some of these messages are harmful though; not all girls have to be naive and weak while boys are predacious wolves. Not everyone has to play the role that society assigns them.

"Once upon a time," the most used introduction phrase in common fairy tales used to start an adventure. These adventures have been around for years. The importance of some tales might be more significant than others, also based on culture. My goal for this paper is to educate my readers with the importance of fairy tales, especially for younger children. Fairy tales have been around for centuries from generations to generations. Different cultures, such as the Japanese and Western, have also expressed them differently. All these fairly tales teach children different aspects of life, which make these tales so important.

A parent reads a fairytale to their young child not only to let their imaginations flourish, but also to protect their children from the world’s harsh realities and to instill the idea of the good guy always triumphing over evil, even though in actuality this is often not the case. Both Fielding’s, Joseph Andrews and Richardson’s Pamela feature characteristics resembling that of a fairytale, such as the idealistic endings or the astonishing coincidences, but these two novels are not something to be read to an impressionable child. In Pamela the supposed prince charming is manipulative and sexually abusive and in Joseph Andrews the heroes are not always fully benevolent, because Fielding’s characterizations are much more complex. But when

A fairytale is a story that has folkloric characters and magic. They originated from oral storytelling and have since been written down to be preserved. Fairytales with similar plots, characters, and motifs are found in many different cultures. For example, the story of Cinderella. This classic fairytale has been around for a very long time and is constantly being remade. Even though there are different versions of this story, they all follow the same basic idea or motif. In this essay I will be discussing fairytale motifs as seen in Grimms’ Household Tales and “Cupid and Psyche” using the information I learned in class. Typically, when you think of a fairytale you think of them being for children. But, if you really pay attention to the

An insightful author, named Neil Gaimen once wrote in his novel, “Fairytales are more than true: not because they tell us dragons exist, but because they tell us that dragons can be beaten.” (Caroline, 2002) This famous quote reveals the fundamental purpose and significance of most fairytales, for it indicates that fairytales do not produce fear in its audience, but give them the idea that defeating and overcoming their fears and enemies is possible. Therefore, these fantasy stories are important in fostering children’s creativity as well as providing many learning opportunities that can guide a child towards achieving their goals and dreams. Most of all, these tales inspire many individuals to become ambitious people due to all the significant

Fairy tales make an important part of cultural prophecy, because they contain wisdom which is passed from parents to their children. They contain basic moral and ethical guidelines for children. Images and symbols used in fairy tales can help to judge about cultural, ethical, social and moral values popular in the contemporary society. Changes and similarities, which can be found in the popular fairy tale Cinderella by Jacob and Wilhelm Grimm, version of 1812 and the Disney version of Cinderella (2015), can help to realize the changes in cultures and historical epochs.

Overall, the emphasis that fairy tales place on physical appearance can be very detrimental to a child (particularly a girl’s) development and ideas of reality. To add, fairy tales, although perhaps unintentionally, depict that attractiveness determines who is good and who is evil. The protagonist is often the princess, who is described as the prettiest in the land. The antagonist on the other hand is often less attractive and more than likely labeled ugly (Schussler). Because fairy tales often depict good conquering evil and evil succumbing to its immorality, this therefore shows the reader that ugly people are punished (Schussler). This also can influence a girl’s self-esteem, considering that the created sense of beauty is impossible, thus they may feel inferior (Danish). Grauerholz hypothesizes that “[t]hese powerful messages that say women need to be beautiful may compel some women to seek beauty at the expense of other pursuits, such as careers or education” (Grauerholz). The exaggerated emphasis on beauty has potential to be a very limiting

As we grow up, we hear fairy tales and we read them into our lives. Every word and every image is imprinted into our minds. The fairy tales we read are never abandoned. They grow with us and our dreams become molds of the many morals and happily ever afters fairy tales display. We tell children fairy tales when they go to sleep and they read them in school and we even have them watch Disney adaptions that reinforce them further. Generally, they were everywhere while we grew up and they continue to be present while children are growing up now. But what influence do these stories have? We casually expose our children to these tales, but in some cases they can have particularly, harmful personal effects on them, although there is nothing completely or visibly “bad” about them or about the characters in them. Before we divulge our youth to these stories, we should assess their substance and see what sort of effect they may be having on them. They have received so much scrutiny and have been studied by many. Recognizing fairy tales effects on the minds of children is vital in their development. This paper will focus on the underlying messages that the average person wouldn’t recognize in these everyday stories. There’s a modern distort with fairy tales because while they still are widely popular with the youth, they influence children’s self images, outlooks on reality and expectations for their futures, especially for young women.