Essay about The Value of Life in Plato’s Cave and the Divided Lines

This is he finally reaches cognitive though. He thinks about his past life and the other still living this life of lies and pities them. Plato also suggest that the prisoners play a sort of “guessing” game of naming which object was which and what would appear next. It is settled that to the freed prisoner these games would be meaningless and if he were compelled to renter the cave and go against the ways of the cave, everyone who believes the way of the cave, as life would think he is crazy and try to kill

His body isn’t ready for the direct sunlight and his mind cannot comprehend the world in comparison to what he felt he knew. In time, the man is able to see that all of the previously “known” information he had was completely false but also that he must start a different journey in order to find himself as the way of life he was previously use to, in which guessing was the way of judging knowledge, is ineffective and useless to him now. Finally, the prisoner returns to the cave with a new base of knowledge. He tried to share this information with his fellow prisoners but after hearing about his travels and that they were in fact wrong the prisoned men said to him that “up he went and down he came without eyes, and that it was better to not even think of ascending” ("The Simile of the Cave." Republic, 1974) . He is then met with resistance in offering them help and freedom from their binds. They threaten “if anyone tried to loose another and lead him up to the light, let them only catch the offender and put him to death”, it is as if they feel that his “loss of sight” is death to them and they are perfectly happy with the information that they know to be true ("The Simile of the Cave." Republic, 1974) .

Because of how we live, true reality is not obvious to most of us. However, we mistake what we see and hear for reality and truth. This is the basic premise for Plato抯 Allegory of the Cave, in which prisoners sit in a cave, chained down, watching images cast on the wall in front of them. They accept these views as reality and they are unable to grasp their overall situation: the cave and images are a ruse, a mere shadow show orchestrated for them by unseen men. At some point, a prisoner is set free and is forced to see the situation inside the cave. Initially, one does not want to give up the security of his or her familiar reality; the person has to be dragged past the fire and up the entranceway. This is a

The one prisoner finally escaping the cave to the outside light shows symbolism as a higher level of philosophy. Returning to the cave was the choice of the prisoner, he felt compelled to spread his new knowledge. Plato’s uses him to represent breaking free from the normal mindset shared. Plato’s argument stands since the cave represents lack of expanding on common knowledge. Even after the prisoner returns to express his findings to others, individuals with philosophies different than the norm is dismissed because of their level above previous things thought of as true.

The prisoners have been in these conditions since their earliest stages of life. The cave, the wall, and the chains are all the prisoners have ever known. Behind the prisoners, there was a raised path. Above the walkway was a platform, where there was a fire burning, and in front of the fire, was a parapet, which as Plato described it , was like that of the screens Puppeteers use to hide themselves and have the puppets be visible . Each and every day, the prisoners see nothing, but the shadows of the objects and people passing between them and the fire. For their entire lives, the prisoners are exposed to nothing but those images and the sounds made by those walking around. These shadows are all they have ever known, in essence; these shadows are their only “reality”. As time passed, the prisoners would grow accustomed to these sights, later on the prisoners would match the objects with names and the familiar sounds to the images of the shadows (514; Appendix A). In discussing the allegory with Glaucon, Socrates toys around the concept of what could happen to a prisoner should they be released after having lived their lives in the cave, with the only knowledge the possess of the world, are the images and sounds by the wall.

Though the escapee has seen the outside world and gained experience the others do not have; when the prisoner returns to the cave, the others do not believe him. The escaped prisoner is said to be a metaphoric character for a wise man or philosopher, and the prisoners are supposedly metaphoric for people in society who only see what they want too. Plato creates a metaphor that a man has wisdom and knowledge of reality, but others do not want to believe in reality, but in their own idea of what is

As he talks about the prisoners, he claims that - were they not released and able to go into the outside light - they “would deem reality to be nothing else than the shadows of the artificial objects” (Plato). He describes their original life in the cave as being primitive and conjecture in nature. Once released from their chains, though, the prisoner must make his way past the fire and into the outside world because for Plato, “the entire ascent out of the cave, is a story of progress toward understanding values”

Plato’s logical strategy in the allegory of the cave is of deductive reasoning. Plato uses a cave containing people bound by chains which constrict their neck and legs in such a way that they are unable to turn around and there is a fire roaring behind them casting shadows on the wall. Since the prisoners cannot turn their heads to see what is casting the shadow the only thing they can perceive are the shadows and the sounds that seem to becoming from them. This is what Plato argues in the allegory of the cave “To them, I said, the truth would literally be nothing but the shadows of the images.”(The Allegory of the Cave Plato). Since these prisoners know nothing outside of the cave they are ignorant of the “light” and are content on

The whole point of the allegory is to represent to journey to enlightenment. The prisoners represent either the unenlightened that have not had enough experience to gain great wisdom or the uneducated that have not learned enough to gain great intelligence. And being thrown out of the cave into the outside world represents the process of becoming enlightened. Once enlightened they would of course not want to leave and to make them go back into the Cave would be cruel, as is noted by Glaucon. But as is explained they must be made to descend again among the prisoners in the den, and partake of their labors and honors, whether they are worth having or not” (873). Plato claims that these enlightened have a moral responsibility to bring their wisdom to the common people in order to help them learn more so everyone can benefit from the knowledge of an individual. This is certainly an agreeable prospect and one that is not seen enough in the real world. Once

One of Plato’s more famous writings, The Allegory of the Cave, Plato outlines the story of a man who breaks free of his constraints and comes to learn of new ideas and levels of thought that exist outside of the human level of thinking. However, after having learned so many new concepts, he returns to his fellow beings and attempts to reveal his findings but is rejected and threatened with death. This dialogue is an apparent reference to his teacher’s theories in philosophy and his ultimate demise for his beliefs but is also a relation to the theory of the Divided Line. This essay will analyze major points in The Allegory of the Cave and see how it relates to the Theory of the Divided Line. Also, this

"The Allegory of the Cave," by Plato, explains that people experience emotional and intellectual revelations throughout different stages in their lives. This excerpt, from his dialogue The Republic, is a conversation between a philosopher and his pupil. The argument made by this philosopher has been interpreted thousands of times across the world. My own interpretation of this allegory is simple enough as Plato expresses his thoughts as separate stages. The stages, very much like life, are represented by growing realizations and newfound "pains." Therefore, each stage in "The Allegory of the Cave" reveals the relation between the growth of the mind and age.

Book VII of The Republic begins with Socrates’ “Allegory of the Cave.” The purpose of this allegory is to “make an image of our nature in its education and want of education” in other words, it illustrates Socrates’ model of education. In addition, the allegory corresponds perfectly to the analogy of the divided line. However, this Cave Analogy is also an applicable theme in modern times, for example, the movie, The Matrix, is loosely based off the Allegory.

This paper discussed The Allegory of The Cave in Plato's Republic, and tries to unfold the messages Plato wishes to convey with regard to his conception of reality, knowledge and education.

Socrates’s anecdote of the cave presents a ghastly image: people who “are in it from childhood with their legs and necks in bonds so that they are fixed, seeing only in front of them, unable because of the bond to turn their heads all the way around” (193). Also inside the cave is a “fire burning” which allows certain objects (out of sight and controlled by others) to project shadows (193). Consequently, the prisoners believe that the shadows are the most real things. When a prisoner is released, he experiences pain due to the light of the fire. In time, he recognizes the truth and becomes accustomed to it. He is then “dragged out into the light of the sun” (194). After a few moments, he tolerates its rays. Most importantly though, he grasps “the sun itself” (195). Finally, the escapee is not content with keeping this

The final phase Socrates says the prisoner will go through will be his studying of the heavens by this point he believes the prisoner will be able to himself come up with conclusions regard the sun as “the source of the seasons and the years” (516c) and simply the cause for all he now sees and all he once saw. According to Socrates the prisoner will eventually recall the lifestyle and the people he left behind and began to feel a sense of pity for them but will cherish experience he has received on the surface. He says that if the prisoner were to ever return to the cave he would face the pain of having to readjust to the light in the cave and the ridicule of the prisoner who will see him as someone who has lost sight of the truth instead of the newly enlightened soul he is.