The Vampire Of Sacramento Case Study

Since the beginning of time vampires have been categorized into different "types” and are portrayed in different ways throughout several books. This paper will focus on three vampires from the following books: Dracula by Bram Stoker, and I am Legend by Richard Matheson. Dracula is considered to be the traditional vampire, where it all started, and the vampires in Matheson’s book, follow somewhat Stoker’s concept, but is more of a modern “type” of vampires. Certain vampire elements have been presented, but others have been completely removed or altered. In addition, elements along with appearances are used to infer if the vampire is a form of “the other”. There are two types of vampires; the traditional or modern vampire which can be distinguished based on the elements present in their storyline.

From Ted Bundy to BTK to the “Zodiac Killer”, serial killers have been around the United States for a long time, but none is better than Richard Chase, or better known as the “Vampire of Sacramento”, to investigate the reasons behind serial killers. Born on May 23, 1950, Chase was raised in a very strict house and was constantly abused by his parents. As a

The truly shocking and terrible, blood-sucking-monster we once  knew have now changed into beautiful, perfect,and healthy human beings. This paper will discuss the change and the reason why  the change of idea many still accept and like the modern picture of vampires.In order to answer this, I will examine the differences between Bram Stoker's Dracula , the typical figure of horror before, and the soft light just before sunrise or after sunset's Edward Cullen, the obvious example of the 21st century vampire. From this, I will be able to decide out what changed in the features of the vampires we know today.Many would think about Edward Cullen as a "shockingly disrespectful behavior of the vampire old example" (Mole).

With several illicit subjects listed throughout Bram Stoker’s Dracula, the book becomes a playground for psychoanalysts. Whether it be to see a subjects as simple as the conscious take over a character, or a character’s surroundings corrupting its victims, Dracula intrigues in more ways than just its vampiristic features. The following is a psychoanalytic study with a focus on vampirism imitating sexual practice and drug usage today while shining a light on the complex psychology of characters, and how even the author can influence the course of its story.

Richard Trenton Chase is a serial killer who is described as a disorganized visionary killer. He murdered six people in under a month before he was apprehended. Chase grew up in a very dysfunctional family, had borderline low average intelligence, and consistently received bad grades while in school. He suffered from erectile dysfunction at an early age. He spent much of his life in and out of mental institutions. During his short-lived murder spree he was delusional, he believed that the aliens and Nazi 's made him commit kill his victims. According to Storey, Strieter, Tarr and Thornton, "he drank the blood of his victims and ate their internal organs. He did this as part of a delusion that he needed to prevent Nazis from turning his blood into powder via poison they had planted beneath his soap dish" (para. 1).

Jeffrey Dahmer, also commonly known as the Milwaukee Cannibal, is one of America’s most notorious serial killers. In the span of nearly 15 years, between the years 1978 and 1991, it is estimated that Dahmer was responsible for the death of fifteen to seventeen young men (Radford University). As his nickname suggests Dahmer was known for drugging his victims, then raping them, then disembodying them, and if the mood fit him, cooking and eating his victims. Dahmer’s unique case resulted in him being psychologically analyzed and diagnosed by at least seven different psychologists during his trial (Palermo & Bogaerts, 2014). This paper seeks to explore the diagnostics given to Jeffery Dahmer and prove, through the use of available information, their accuracy.

Jeffery Dahmer is arguably the most notorious serial killer -cannibal in history. Targeting men and boys, Dahmer‘s life of crime began with drinking and sex offending. His murders were exceptionally gruesome, often involving rape, torture, necrophilia, dismemberment, and cannibalism. The media often commented on how “normal” Dahmer appeared. Jeffrey Dahmer made everyone question how one develops into such a monster. By the time of his apprehension, Dahmer had sodomized, murdered, and cannibalized at least seventeen men, mostly black, Hispanic or Asian, in the Milwaukee area between the years of 1978 until his arrest in 1991 (Williams pg.1).

A serial killer is a person who kills multiple people in a certain manner, this might include raping, shooting, stabbing, choking, etc. Richard Trenton Chase, most known as “The Vampire of Sacramento” was an American, male serial killer who was responsible for the death of six people within a month in Sacramento, California. He was given the nickname of “vampire”; he was known for drinking his victims blood and even eat the remains. He was also guilty for going around neighborhoods and trying to open unlocked doors, claiming unlocked doors represented an invitation for the murderer to go in. It was also stated that he had a disturbing childhood which led him to become a sadistic and mental killer, also the cause for developing hypochondria

“Sometimes the really scary bloodsuckers are entirely human” (Foster 18). In How To Read Literature Like a Professor, Foster argues that vampires in literature are not always actual vampires, but can be figurative as well: “Using other people to get what we want. Placing our desires above the needs of others...as long as people act toward their fellows in exploitative and selfish ways, the vampire will be” (Foster 22). In essence, Foster illustrates that the act of using others to attain one’s personal goal is analogous to a vampire sucking the blood out of it’s victim. Foer’s protagonist in Extremely Loud and Incredibly Close, Oskar, also shows these vampiric tendencies in his goal of learning about his father’s key. “‘Actually, I’m diabetic

Serial killers have fascinated the imaginations of people for a long time. One of the most notorious serial killers is Jeffrey Dahmer whose gruesome murders shocked the nation. Jeffrey Lionel Dahmer also known as Milwaukee monster was a notorious American serial killer and sexual offender in the 1980s and early 1990s. Between 1978 and 1991 Dahmer had murdered 17 men. His victims were usually raped, tortured, dismembered, and cannibalism was also involved. Jeffrey was a troubled child psychologically and his social skills had a lot to be desired. All the way through his childhood he was ignored and had queer fantasies of cadavers. In his adulthood this psychosocial status quo didn 't change and was in fact aggravated.

The generalization for vampires has been displayed in films and literature for hundreds of years. The stereotypical versions of vampires are that they have long fangs, sleep in coffins during the day, and suck the blood out of humans. Both novels contradict those stereotypes in different ways. To understand the diversity of the vampires described in both novels, one must examine the characteristics that the vampires display and the meaning and purpose behind them. David D. Gilmore’s book “Monsters” analyzes monsters and other mythical creatures. Gilmore describes why humanity invented the idea of

For these reasons, vampirism in Bram Stoker's Dracula can be interpreted as metaphor representing the basic human drives, contained in the id of Freud's model of the psyche. However, to insinuate a deliberate implication of the Freudian id by Stoker would be a misconception, since Dracula was written thirty-six years prior to the publication of Freud's structural model. Their correspondence in this matter should rather be understood as a depiction of a universal truth about the human nature, executed in different literary

Orlomoski, Caitlyn, "From Monsters to Victims: Vampires and Their Cultural Evolution from the Nineteenth to the Twenty-First Century" (2011). Honors Scholar Theses. Paper 208.

Charismatic. Charming. Sensual. Beautiful. Would you ever use these adjectives to describe a vampire? The common theme in portraying vampires in literature has always involved depictions of great violence, ugliness, and fear. Novels involving vampires never portrayed the vampire as a heroic character, but rather as the villain who was then destroyed in the end. Stereotypical vampires terrorized towns, lived in grim, dark, towering castles and turned into bats when in trouble. Authors were simply not inspired to build a tale around the life of a vampire, his shortcomings, his doubts, his fears. Rather, authors used the vampire as a metaphor for evil that resides in humanity.

The legend of the vampire has emerged countless times within human imagination over the past few centuries. The first available representation of the mythical creature in prose fiction can be found in John Polidori’s “The Vampyre” (1810). It was not until eight decades later that Bram Stoker popularized the existence of this figure with the publication of “Dracula” in 1897. The folklore of the vampire has come a long way since and can be found in today’s popular media more frequently than ever before. However, with due course of time, the representation of the creature has taken alternate routes and today’s vampires are noticeable different – socially and physically – from their predecessors. One effective path to trace this