The Vanquished Auguste Rodin Essay

During this painting, Michelangelo didn’t have the drive he usually did, but when his greatest enemy, Perugino started to work on it with him, that drove him to another level. Michelangelo’s interest in portraying the human body, reflected how the people in this time period felt, and that made the people who viewed his art interested in his work. Also, his sculptures reflect how dramatic of a shift it was to the Renaissance Period from the Middle Ages, and shows how the

Throughout history, symbols have had an overwhelming presence among citizens. The French Revolution had many symbols that represented power. Did the events leading up to the storming of the Bastille persuade the French citizens to believe that it was a symbol of power? There are many reasons why the French citizens would believe the Bastille to be a symbol of power. It was a very overwhelming stone structure, which stood robust, surrounded by small villages along with farmland. The architecture and placement of this fortress gave itself a reputation of strength and impregnation. It stood by itself, being the most intimidating structure of its time.

The French Revolution was a period of social and political turmoil in France from 1789 to 1799 that greatly affected modern and French history. It marked the decline of powerful monarchies and the rise of democracy, individual rights and nationalism. This revolution came with many consequences because of the strive for power and wealth, but also had many influential leaders attempting to initiate change in the French government and the economy. In 1789 the people of France dismissed King Louis XVI of his title, took apart his monarchy and executed him, his wife Marie Antoinette and thousands of nobles. The French set up a new system of government with specific revolutionary ideals, including liberty, equality and fraternity. This was a

The Italian word paragone refers to a type of competitive comparison in an art-historical context. In the 16th century Italy, due to the development of artistic practice and theories, various theoretical discussions were raised among the art industry. Renaissance artists and theorists were preoccupied with the means and of various arts in the abstract. A debate was generated from the Italian Renaissance in which form of art (such as painting, sculpture, poetry, music and architecture, etc.) has supremacy on all others. The discussion of the relative merits that whether painting or sculpture was more convincing and descriptive form of art got unfolded in both Italy and the Low Countries like Flanders and the Netherlands. From that period, the example of paragone between painting and sculpture mainly involves paintings that emulate sculpture and sculptures that emulate painting. Both painters and sculptors made an interesting statement claiming about the superiority of one art over the other. These debates had laid a solid foundation of the modern system of fine arts. The ultimate goal of art at that time is about imitation, thus, the best means to arrive this goal had a more theoretical interest. On one hand, as a notable, one-of-a-kind sculptor from that period, the “divine” Michelangelo has proposed his treatise that sculptures champion the superior on paintings. He expressed his statement with the support of his increased engagement on sculpting. For the issue is

Art is the cultural element that encompasses the achievements of an era. Giotto di Bondone’s Lamentation, painted in 1305, demonstrates the beginning of naturalism and the shift away from feudalism during the Early Renaissance period, while Caravaggio’s Entombment, painted in 1603, exhibits the advancement of naturalism into a more dramatic, emotional form called tenebrism during the Baroque period. Both of these painting were new for time, and they display certain similarities and distinct differences.

Throughout different time periods and civilizations come many different types of art that would never be comparable to those of another time or place. There are also the pieces that come from a completely different time and place, but yet they can still be compared to one another. The Torso of a God (Egyptian, New Kingdom, Dynasty 18, last decade of the reign of Amenhotep III, Granodiorite, 1359-1349 B.C.) and the Statue of Asklepios (Greek, Hellenistic period, Pentelic Marble, 2nd century B.C.) are two sculptures made hundreds of years apart, yet they both display many similarities and show how art is constantly changing whilst keeping the same core ideas.

Napoleon Bonaparte was a French military leader and eventual political leader in France who was able to seize power during the end of the French Revolution of the late 1790's and early 1800's. Napoleon was the leader of France from 1804 to 1815 and mostly remembered as a leader in a cycle of European battles. He institutionalized the changes brought about by the French Revolution and sought to spread them throughout Europe. It has been long debated the factors that allowed Napoleon to seize power and eventually crown himself emperor. Such factors that have been considered have been Napoleon's personality, his military exploits, the failings of the Directory, support of the people and army and even sheer luck.

The fact that the sculpture is a bronze also impacts the meaning of the piece. Not only does the medium help make the piece more structurally stable and prevented it from breaking, but it also creates a more rigid and

There have been countless duels between two opposing sides in the history Roman artistry. This sculpture relief signifies the classic battle of good versus evil. Time and time again, benevolent heroes find themselves in a struggle to combat worthy yet malicious adversaries. The Roman sarcophagus, a two by five feet marble coffin, is certainly no exception. It represents another division to this timeless good-evil epic, its visual characteristics, emphasis on contrasts, and its extensive array of details give it an identity that is uniquely its own. It portrays a sense of legendary fantasy to the viewer, one pertaining to hostility, violence, and pure anger. The sculpture seems overly shallow due to

From Pollaiuolo creator of the engraving Battle of the Nudes to Michelangelo's David the human form was not about reality but idealism the ultimate portrayal of God's ultimate creation. This perfected view of the human form can also be seen later in Da Vinci's Vitruvian Man and Michelangelo's muscular figures whether male or female. Humanism’s affects did not stop there. The topics of paintings also began to change. Botticelli’s Primavera and The Birth of Venus depict this change clearly. Both show mythological themes. The focus on these themes inspired Raphael and Titan to develop their famous pieces as the early Renaissance became the High Renaissance. From here interesting occurrences began to evolve. Humanism itself develops a new school of thought known as Neo-Platonism; an idea that mixes ancient philosophy and Christian truth. For example, the reaction to Botticelli's creations was that of others trying to find a religious meaning within the mythological topic. Slowly however, even this will fade as the Mannerist style develops. Along with the movement toward secular and eventually erotic portrayals of art the artist began to enjoy a new status. Duke explains that they became “practitioners of the high-status liberal arts” someone to be sought after, someone to study and someone to stand in awe of. Humanism’s affect spread north but there

to get all the power of France. It should also be said that not all the nobles

The French Revolution was a period of time from 1789 to 1799 in France where there was political instability. It officially began on the 14th of July, 1789, when the Bastille, which was a symbol of the King’s harsh policies, was stormed. The King, Louis XVI, the Queen, Marie-Antoinette and about 40,000 people were all brutally murdered. But there was also a positive side, the Declaration of the Rights of Man and Citizen was formally adopted on August 1789 and feudalism was abolished. This essay will address the issues of the three estates system, food shortages and the fiscal crisis. It will also be argued that the most significant cause of the French Revolution was the social inequality that stemmed from the three estates system.

Rodin was a believer in the power of art. He believed that art was on

The French Revolution last from 1789 to 1799. This war had many causes that began the revolution. Its causes ranged from the American Revolution, the economic crisis in France, social injustices to the immediate causes like the fall of Bastille, the Convening of he Estate-General, and the Great Fear. As a result of this revolution there many effects , immediate and long term. The immediate effects were the declaration of rights of man, abolishing of olds reign, execution of king and queen, the reign of terror, and war and forming of the citizen-army. The long term effects were the rise of Napoleon, spread of revolutionary ideas, growth of nationalism, and the conservative reaction.

reached the age of 14. At 18 he became more serious about his art and