The Variacoes Ritmicas Op.15 Op.15 Op.15 Essay

The Italian composer Chiara Margarita Cozzolani was one of the few women who could compose well known music during the Baroque Era. Religious wars were raging on across Europe, and many of Cozzolani’s musical pieces focus on religion and musical dialogues, which portrayed notable religious scenes from the bible (Forney, Dell'Antonio, & Machlis 111). One of Cozzolani’s pieces, Magnificat, was focused on in our textbook. After listening to the piece and reading some history about Cozzolani and her music, I felt like I could really understand what was happening during that time in history and how she wanted to make people feel with her music. Chiara Margarita Cozzolani’s music relates to the Baroque Era of music for several reasons. First of all,

Reality comes from creating an imagined thought - whether that thought stemmed from something that someone has seen to what someone has heard, or even felt. The composer that will be discussed throughout this essay composed Morir non può il mio cuore in 1566, this composer is none other but Maddalena Casulana. During the years in which Casulana composed music, she was always looking to present her dedications of her madrigal volumes in a way to provide a little more biographical information than most would at the time. Throughout 1560-1569, she began to publish what would ultimately become her three-volume collection of madrigals (1568; 1570; 1583) that were published the year of her death and which were the first three books of madrigals by a women composer to ever be printed (Franck, Brownstone, 1995. Page 46, 48). Casulana presented her music in a very dramatic way, she was different and unique, focusing and attracted to the topics of ones passing and perpetual dying (Sadie, 1980. Page 2). She was an Italian composer and singer who told a story through the pieces she had composed; expressing each piece in a distinct and narrative way. Maddalena Casulana contributed a great deal of music that till this day will be remembered and cherished.

The five movements of the suite cover the period of the famous Paris museum’s development during the Renaissance. Each of the themes utilized by Dello Joio are by composers and compositions of the time period. The composer invites the audience to place themselves in the ambiance of the museum’s transformation, and experience the splendor of each setting of what is known as The Louvre.

In any musical drama, be it opera, oratorio, or even musical theatre, it is possible for a composer to convey the personality of their characters through compositional and musical techniques. Doing so heightens the audience’s understanding of the characters, their motivations, and the relationships between them. Monteverdi, as a pioneer of opera, was one of the first to capitalize on this opportunity to heighten the audience’s understanding of the characters. This is highly apparent in his last opera, L’Incoronazione di Poppea. The music for two of the characters, Poppea and Nerone, is especially well composed to demonstrate personality, and this is no more apparent than in the dialogue which introduces the audience to them, Signor, deh

Beginning solely by a haut instrument, Susato successfully conveyed a bright sonority to the first dance [Susato, Three dances. 0:00-0.06]. Added percussion instrument at the seventh second, the music was given its first touch to be vivid and plump. It was performed by outdoor woodwind bands including tabor, cornetto, sackbut, shawn, and tambourine. Though there are three dances contained in Susato’s work, and dances flowed from one another, it is not hard to distinguish because of their clearly full-stops between each part. Three dances, composed during Renaissance period(1551) by Susato, is a three rondes music in binary form(A-A-B-B). Its repeated melodies were played by permeant improvisers at that time to help enrich the music with colors

This paper discusses Mozart's life, his compositions and his importance to the world and the world of music. It explains how Mozart's music is still some of the most popular classical music played today and his life is still studied because his music is so well known and liked.

Giovanni Gabrieli was a legendary composer of the 16th century. As the fundamental structure and ideas of the Catholic Church were being challenged by the Protestant Reformation and the Counter-Reformation, Gabrieli’s compositions were given the opportunity to be successful and influential to music in the coming centuries. His works helped to transform not only church music of the Catholic Church, but also secular music as well. Giovanni Gabrieli wrote significant works that ultimately shaped the rise of the symphony, including the development of purely instrumental works, the art of orchestration, and the concerto style. Without his innovations in composition, it is arguable that instrumental music would not have developed as quickly, or developed

A woman of risk, controversy, perseverance, and ambition does not even begin to describe Barbara Strozzi. Being a woman composer in the Baroque Era was not a social norm and caused those who pursued this career suffering, disadvantage, and negative labels. However, as one of the top women composers and singers in the Baroque Era, Strozzi did not let negativity stop her. Strozzi, thrown into the music world by her, “father,” Giulio, excelled the best she could as a woman composer, developing her artistic skills, embracing publishing and print, and utilizing the opportunities she was given.

“The Saliere of 1781 is an honored and prolific composer in the court of Joseph II, Emperor of Austria, who he has dedicated his life and his talents to the greater honor and glory of God and has obtained fame. Salieri belongs to a clique of Italians who have culturally

The analysis of the aria “Lascia ch'io pianga” by Haendel according to the thorough bass method, shows us how the composer refer in this piece to the typical compositional procedures of baroque music.

The Renaissance and Baroque era entailed very different characteristics, due to the Renaissance composers writing more freely and being more individual then those of the Baroque era where they followed more ‘rules’ and experimented less. This essay will show the difference in two pieces by different composers, even though they were written less than a century apart.

Like the previous eras, Opera continued to be one of the most important music genre is the 19th century, especially in Italy, German and France. Opera served as a form of entertainment for the people of higher social class. Opera music was also popular among the people of other social classes due to the availability of transcribed opera music for them to enjoy in salons or homes of the middle class. This genre was extensively explored and developed by the Italians and Germans. This paper will discuss how Italian and German opera were developed by comparing each composer’s distinctive compositional traits.

Rossini is probably the most popular composer of this era. His works are many and are extremely popular. Rossini was born in Pesaro in 1792 and on December15th, 1815 when he was only twenty-three years old, he signed a contract to write an opera for a theater in Rome (Weaver, 11). His childhood friend, Gertrude Righetti Giorgi, premiered as Rosina in Rossin’s Il barbiere di Siviglia, on opening night for the Nobile Teatro di Torre Argentina (Weaver, 19). Il barbiere di Siviglia went on to become one of the more famous operas of Rossini’s. This opera went through many struggles, however, because of the similar story

This work was composed during the Classical period, 1750- 1820. One aspect of the classical music style beign applied to this work includes the reoccurance of two or more contrasting themes. Another is the use of short and clearly defined musical phrases. Lastly, this piece, on a purely musical level, was simply more to hum along to. This type of melody took over the complex polyphony of the Baroque period.

Juglans regia (also known as common walnut, Persian walnut, English walnut, or Carpathian walnut), are believed to be the oldest tree food known to men, excavations have found petrified shells of nuts that were from the Neolithic period, circa 7000 B.C. Juglans regia are natives to central Asia, while England never grew it commercially, they are commonly known as English walnuts, perhaps because English merchants transported walnut by sea throughout the world (Reid, 2010).