The Victorian Er Collin 's Challenging Traditional Gender Roles

When Gayle Wald wrote, “Sayers’s career writing detective stories effectively ends with Gaudy Night” (108), she did not present a new argument, but continued the tradition that Gaudy Night does not center on the detective story.  Barbara Harrison even labeled Dorothy Sayers’s Lord Peter/Harriet Vane books, Strong Poison, Gaudy Night, and Busman’s Honeymoon, as “deliriously happy-ending romances” (66).  The label stretches the definition of a romance, but Gaudy Night indeed has very little to do with crime.  Sayers encrypted the real story within her detective novel.  This story behind the story narrates love and human relationships.  In fact, the crimes in Gaudy Night only supply a convenient way for

The first chapter entitled: The Profile of Women in the British Society during the Nineteenth Century, is connected with the social history of women at that time, in addition to their status, position, rights, and the social classes they came from. It provides a description of the kind of education that the Victorian girls have received. Moreover, it gives a vision of married women and their rights, and the issues of sex, divorce, and spinsters as well.

A querying of normative gender behaviour and sexuality pervades the 19th century gothic fiction text. What does this reveal about the cultural context within the tale exists?

In her 1945 article, Woman in the Nineteenth Century, Margaret Fuller illustrates a world in which “there exists in the minds of men a tone of feeling toward women as toward slaves”, and where men hold “the belief that Woman was made for Man”. Two books, Herman Melville’s Moby Dick and Woman in the Nineteenth Century, provide male and female perspective in the 19th century. These separate texts exemplify two sides of the same coin. On the one hand, Woman in the Nineteenth Century provides perspective of the feminine experience in a male dominated world while Moby Dick portrays a society from a male point of view and experiences woman as subservient to himself.

The two Gothic works, Christina Rossetti’s “The Goblin Market” and Bram Stoker’s Dracula paint a vivid depiction of Victorian gender norms, exemplifying the prevalent idea of fallen women through their female outcasts: Laura and Lucy Westenra. Fallen women was a term used in the 19th century Britain to describe women who have lost her innocence and chastity, or those who seek independence from male-dominance. The male-centred Victorian society regarded these unconventional women as suspects of the society [Fallen Woman]. Both “The Goblin Market” and Dracula follow the transgression Laura and Lucy, both initially pure and innocent, into these fallen women. Laura, in Rossetti’s poem became an outcast of Victorian society when she ate the fruits offered by the goblin men, as with Lucy in Stoker’s novel, who

From housewives to educated intellectuals, the roles of women in society have evolved throughout the years. Factors such as wealth, status did affect their roles in the 1700s, but overall every woman had their own place in society. The line between male and female was very distinctive. Substantial events such as the American Revolution, played a big role in modifying gender roles. Women impacted the war in great ways. They proved their capability in more than just being basic housewives. Their heroic activity all the way through the war led them both into an adequate and better off state.

Women are held to different standards than men. Our culture is encompassed by prejudices concerning women in society, especially in regards to social gender roles of men and women. In Victorian society, it was a socially accepted concept that women were inferior to men in all aspects with the exception of childbearing and raising. A woman’s personal choices were and are still subject to the review of modern society, and women are continually ostracized for veering from what is considered socially acceptable. This criticism severely restricts what a woman is “allowed” to and “not allowed” to do. This can be seen in works of literature dating back to the Victorian era, such as Brahm Stoker’s Dracula as well as Pride and Prejudice by Jane Austen.

“A Jury of Her Peers” is a short story written by Susan Glaspell in 1917 illustrates early feminist literature. The two female characters, Mrs. Peters and Mrs. Hale, is able to solve the mystery of who the murderer of John Wright while their male counterparts could not. This short story had been adapted from Glaspell’s one-act play Trifles written the previous year. The play consists of the same characters and plotline as the story. In both works, Glaspell depicts how the men, Sheriff Peters and Mr. Hale, disregard the most important area in the house, the kitchen, when it comes to their investigation. In the end, the women are the ones who find clues that lead to the conclusion of Minnie Wright, John Wright’s wife, is the one who murdered him. Both of Glaspell’s female characters illustrate the ability to step into a male dominated profession by taking on the role of detective. According to Critical Theory Today: A User-Friendly Guide, written by Lois Tyson, a reader-response critique “focuses on readers’ response to literary texts” and it’s a diverse area (169). Through a reader-response criticism from a feminist lens, we are able to analyze how “A Jury of Her Peers” and Trifles depict how a patriarchal society oppresses women in the early twentieth century, gender stereotypes confined both men and women and the emergence of the New Woman is illustrated.

Ultimately, the evidence shown above reveals the many apprehensions and difficulties women endured during the 19th century, and the implications of their actions. Through the above examples, it demonstrates that women must show certain etiquette among European society despite personal heritage. As well as one being innocent and denying social norms, there are limitations and one should be cautious to personal decisions. Similarly, young women should be more vigilant towards warnings of others and adult figures that offer helpful advice even if their nature is to be ignorant to rules. Given these points, James emphasizes in the novella ‘Daisy Miller’ the taboo of young sexuality during the Victorian era, and the strict social conventions and

Social standing, and moral values were vital elements in Victorian society, and the fundamental doctrine of establishing this ideology, began at home. The home provided a refuge from the rigour, uncertainty, anxiety, and potential violence of the outside world. (P, 341) A woman’s role was to provide a safe, stable, and well-organised environment for their husbands and families. However, change was on the horizon with an underlying movement of business and domestic changes both home and abroad, with industrialization, and the suffragist movement. Women were beginning to gain autonomy and began to grasp their opportunities, thus significantly curtailing male supremacy and the definable acceptable ‘role’ of the woman.

Before the Civil War women were a minority. Treated as second place to the “man of the house”. The stories of “Desiree’s Baby” and “Turned” exhibit the social norm of what it was like to be a wife during period in time. Breaking social boundaries, these women set a new example and find their own dominance in the world of men. Written by two different authors, the stories collide with similarities. Such as betrayals of their husbands, the relocation of themselves and their loved ones, and going against the status quo in the “role” of being the wife.

At the beginning of the Victorian Period, both single and married women’s rights were limited. The changes during this era in the identity of genders are represented in the characters the author Wilkie Collins describes. For example, Marian Halcombe is characterized as strong and predominant. She is Laura’s voice when regarding to her husband and protects her throughout the story. Although Marian knows her role as a woman in society, she disapproves with the beliefs of the era. On the other hand, Laura personalizes the conventional quiet woman that obeys customs. To emphasize this, in Collin’s novel, he lets the reader know that Laura is marrying the man that her father approved even though he is now dead. When she marries, her rights legally belong to her husband and is treated with the laws and customs of the Victorian era. Throughout this period, the distinction between classes was also notable. Comparatively, The Woman in White presents how the middle class as Laura and her uncle refer to the working class, Fanny the maid. Even though Fanny has always been their maid and is the only person they trust, they only communicate with her at their convenience. Moreover, Mr. Fairlie does not even call the maid by her name, but refers to her as “Young Person”. Certainly, the Victorian Period was a significant impact in the novel where

In the Victorian era, the status of women in society was extremely oppressive and, by modern standards, atrocious. Women had few rights, in or outside of the home. Married women in this period relied on men almost completely as they had few rights or independence. With this mindset in focus,

Women in the 18th and 19th century were expected to follow the orders of the males in their lives. They were forced into arranged marriages to connect families in a pursuit for social power and they were expected to abide by anything the males in their lives asked of them. Free will was nonexistent. Much gothic literature effectively highlights the women’s expected role of the time. However, another aspect that seems to surface in gothic literature is whenever there is a woman who is not following the social norms, they seem to be the driving conflict behind the plotline and ultimately lead to any present happy ending.

The novel demonstrates both popular and familiar gender roles in the 19th century. Catherine Earnshaw, breaks through the stereotypes, and has a mesh of both feminine and masculine qualities. In the Victorian Era, men are seemed as superior to women. Her gender roles are beyond the social norm, as well as her husband Edgar, who is portrayed as more feminine. Catherine holds many masculine qualities such as being adventurous, extroverted, and determined.