With the strict border control and complicated visa programs, modern nation states enact policies to defend their territories since day one. However, building a wall as Trump advocates is not only an old way to protect sovereignty, but also puts nativism in disguise. In “The Wall Is a Fantasy,” Declan Walsh argues that the support for the construction of the wall between Mexico and America, is backed by the rise of exclusivity caused by strong nationalism. In the article, pictures strongly resonate with the text to indicate that building the wall affects undocumented immigrants and local Americans in Arizona personally, through showing the audience details about how badly both sides want a better life. The photographer, Tomás Munita, gives …show more content…
The picture was shown before Talavera’s wife saying “the wall was finally behind him,” (Walsh) knowing her husband made it to US safely. The photo was edited to be darker on the border in order to make the grave in the middle central, so Munita uses the cropping technique to show the theme of the picture - death. Munita makes the death seem lonely and miserable. The sky color is black and purple, as if it was punched. The grasses are leaning to one direction, indicating there is wind going, making us feel cold. There is even no name on the cross, indicating nobody knows who is lying there. Munita wants us to realize how sad and painful the fact is to take the risk of being dead, especially dying alone in middle of nowhere, like the owner of the grave in the picture, while trying to figure out the way to cross the border. However, Mexican migrants are still willing to take the risk. If the pain and loneliness of death cannot even stop migrants, how unsatisfied and desperate they must be with their current …show more content…
After Walsh presenting Ashurst’s saying of having border sheriffs holding AR-15 rifles (Walsh), Munita shows the picture focusing on Ashurst’s, a Republican Trump supporter’s, face. By setting Ashurst’s room as the blurry background and specifically emphasizing the Republican’s facial feather, Munita shows the commitment of presenting individual’s stories again. Ashurst looks away from the camera in the photo, and gazing at the direction where the light comes from. The behavior of not facing camera indicates that the featured person is thinking and possibly being emotional, and his face of being lit implies that the man is facing a big decision, and his firm gazing indicates that he is not going to change his position. He looks at the light in a way that he is confronting something, and he is going to fight for his interests. In addition, the exposure of the wrinkled face, tanned skin due to the long time of outdoor working, the typical cowboy hat, make us wonder how life was for the old man, how stereotypical his way of living is to a person in Arizona. The mere focus on Ashurst’s face enables us to want to know more about the man’s life, and with the willingness to get a deeper understanding of what he had to go through, we can understand that Ashurst’s defensiveness about cultural heritage of
Immigration has always been a topic of conversation in politics, especially in the last election. People’s views towards whether immigration is a bad or good thing for the economy is up for debate. Many people find that immigrants destroy the economy, and have no right coming into the United States. Whereas some people view immigrants as a vital part of the United States’ social class, and they view immigrants as strong, willful people who made the difficult decision in coming over to the United States. In the two articles, “In Trek North, First Lure Is Mexico’s Other Line” written by Randal archibold, and “The Heartache of an Immigrant Family,” written by Sonia Nazario, it gives people an insight into the struggles and hardships families endure
Jose Antonio Vargas, courageous author of the essay “Outlaw”, contributes a first-hand life story to the boiling pot that is the argument over immigration. He recalls his own story chronologically, beginning with the month and words spoken by his mother on his day of departure over twenty years ago. He justifies the reasoning behind his leaving by retelling almost every illegal immigrant’s initiative, a craving for “a better life”. Vargas takes the reader on his journey, piggybacking through his fight for citizenship. He explains the numerous obstacles he’s had to bob and weave around and the laws he’s had to duck and cover for. On paper, Jose is the perfect American citizen, loved by his teachers and bosses a clean cut right side of the tracks
In her book, Line in the Sand: A History of the Western U.S.-Mexico Border, Rachel St. John provides a dynamic argument that focuses not just on the physical border itself or merely how border policy came to be, but looks at the borderlands as an entire region and how Mexico too played a part in creating both the border and border enforcement. St. John describes in her various chapters the development of border towns and how both the U.S. and Mexico created not just a physical barrier, but also a symbolic barrier that resulted in the division of races and cultures. The creation of national identities, argues St. John, is just as much a result of border policy as is the actual physical border. Additionally, St. John discusses the varied
Richard Misrach captures the tone of a stark and bleak reality with the darkening clouds and the barrenness of the wasteland in his photo of Wall, East of Nogales, Arizona. He is making a statement about the issues that the U.S. and Mexico have long had. The image displays a wall surrounded by desolation with a path by it’s side leading off toward the darkening clouds. The wall continues until it melds with the wasteland. The path is joined by a smaller path that merges into it. After it goes over a hill, it disappears. The clouds darken when approaching the horizon. The yellow and brown weeds and grasses of the hilly plains leads to forbidding mountains. There is a small light post on the wall. All in all, it is a depressing sight to see. Richard Misrach is implying that the future of the U.S. and Mexico is bound together and will see dark times before reaching an impassable obstacle if there is no change in their policies involving each other. Everything in the image
Walls and Mirrors: Mexican Americans, Mexican Immigrants, and the Politics of Ethnicity. By David G Gutiérrez. (Berkeley: University of California Press, 1995).
This political cartoon demonstrates one of the reasons why Donald Trump’s wall will not work.There are immigrants classified asylum seekers.They are people who seek “safety” in America but never leave.The definition of an asylum seeker is literally a person who has left their home country as a political refugee and is seeking safety in another.So Trump’s wall is physically useless it only blocks one way for immigrants to get over not stops them entirely.
He illustrates the suffering people experience at the hands of the desert, the loss that shatters the families of those who lose their lives during the journey, and the desire for the American Dream that motivates the border crossers to risk their lives. The emotional tales in the book give a face to a group of people who are nothing more than a statistic to many Americans. The vast majority of people seem to have no comprehension of the impact that different policies will have, regardless of their support for or rejection of our current immigration policy. Big picture information about illegal immigration is intangible and incomprehensible to most. The emotional arguments provide readers with information that the average person can work with, such as the story of Memo and Lucho crossing the border and eking out a life in the US afterwards (De León 167-201). The stories provided by the book can also connect the effects of immigration policy on the individual to the impact it can have on large groups of people who had no intention of crossing the border. For example, the testimony about Maricela’s life and death provided in Chapter 10 connects the suffering Maricela experienced to the pain her family and friends feel after they learn of her death (De León 243-264). These stories aid in the creation of better arguments about illegal immigration.
This quote from Brook sums up the production of Boy Girl Wall by the Escapists as actor, Lucas Stibbard took an empty space such as the black boxed room and called it a bare stage. It used a conventional, ordinary room with pipes, a fuse box and doors, all been painted black to create a distinct world that we as an audience became submerged in. As the production progresses Stibbard is constantly setting the stage as he goes, such as drawing a pillow or an alarm on the wall with his one piece of chalk. This suggests that anyone could perform this piece or a piece similar to it as it uses everyday items to portray a narrative in a normal and simplistic setting. This gives insights of the battles young amateur actors and play writers face with
Thus, the author emphasizes that the great empires expand, while the declining ones build walls, contrasting the American wall with the once isolated and now open Great Wall of China with china’s economic growth. Then he said that American wall is similar to Israel’s wall, appealed to discourage terrorists, an excused to say that terrorist from Middle East may penetrate the US as Latino immigrates did. Though protection is the obvious excuse for a border separating wall, the issue of who it belongs within is problematized. Now The US is debating who is an American, proposing restrictions that deny automatic citizenship to any baby born on American soil. Rodriguez indicates the irony of having a wall to
Vargas Llosa’s main stance is that the United States government ought not to fund the border wall because it will cost around 6 billion and will “soon be as full of holes as swiss cheese” (Vargas Llosa 49), and
All through America's history it always had a presidential election every four years, and last years presidential election campaign there were two leading candidates, so to ensure their victory, they both made promises significant changes, creation. All through last year's campaign, a candidate named Donald J. Trump made several promises, and one of his promises could change the way of life in American. Mr.Trump won last years presidential election, and all eyes were on him to the promise vowed to do if and when he is president. That one promise which is opposed by six in ten Americans is that President Trump promised a 'big, beautiful wall' that would be placed on the Mexican and American border. President Trump Proposed that he could construct the wall for 8 billion, but now it is known that wall will cost about $21.6 billion for the wall and that the $21.6 plan doesn't include the $150 million a year to maintain. America shouldn’t Build a Wall along the US/Mexico Border because of the high cost and how it will affect America's economy, also thought the wall would keep out undocumented immigrant from crossing the US border but it is shown that undocumented immigrants contribute over $11 billion to the US economy each year, and lastly the environment that is near the border, and how it will be affected and disturbed due to the construction the border wall.
Let’s make a wall, so immigrants will not be able to come in. This is a pledge of a presidential candidate Donald Trump. Although there are many reasons for Trump to argue that America needs a wall, one of the reasons is that the population of illegal immigrants is rapidly increasing recently and also increase the population of gangs. The author of ‘Vertical Expansion’ uses the counter argument with logical connections and evidence as real problems that most people and even the country currently struggle with and creates friendliness in the text to prove his argument and persuade the audience.
Michael Walzer’s Membership and Joseph Carens’s Aliens and Citizens: The Case for Open Borders present two strikingly different views on the justifiability of restrictions on immigration. In essence, Walzer argues that restrictions are generally justifiable, and Carens argues that they are not. In this essay, I will argue that Carens’s view is the more compelling one due to the following central reason: it promotes freedom of the individual. I will then apply Carens’s and Brown’s arguments to Donald Trump’s immigration policy, specifically his proposal to build a wall in order to keep immigrants from unlawfully entering the country. I will argue that this proposal is a marked move towards injustice and xenophobia disguised as an attempt to reclaim state sovereignty.
Barriers are made to keep people out, but some people want to break free from barriers. The president of The United States declared that he will build a wall to keep people out. Although people in America agree with the president; however, some people do not think that this is what America should do to fix this situation. Some people in this society question how America would be known for the wall. Notwithstanding America’s needs, the population does not think of how it will affect people in Mexico.
Recently illegal immigration has become a very pressing issue among people. Many people around the borders are being greatly affected by the issue and think immediate action needs to be taken to put a stop to the issue. The Documentary Border War: Battle Over Illegal Immigration takes a stand on the issue using many examples of pathos, ethos, and logos to try and persuade people that illegal immigration is a very serious issue and we need to put a stop to it. This documentary follows the lives of people who have been affected by illegal immigration, and explains how they feel about the issue. Another way that people can look at the issue of illegal immigration is through the eyes of the immigrants, and the reasons why they might be trying