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The Wall Is A Fantasy Summary

Decent Essays

With the strict border control and complicated visa programs, modern nation states enact policies to defend their territories since day one. However, building a wall as Trump advocates is not only an old way to protect sovereignty, but also puts nativism in disguise. In “The Wall Is a Fantasy,” Declan Walsh argues that the support for the construction of the wall between Mexico and America, is backed by the rise of exclusivity caused by strong nationalism. In the article, pictures strongly resonate with the text to indicate that building the wall affects undocumented immigrants and local Americans in Arizona personally, through showing the audience details about how badly both sides want a better life. The photographer, Tomás Munita, gives …show more content…

The picture was shown before Talavera’s wife saying “the wall was finally behind him,” (Walsh) knowing her husband made it to US safely. The photo was edited to be darker on the border in order to make the grave in the middle central, so Munita uses the cropping technique to show the theme of the picture - death. Munita makes the death seem lonely and miserable. The sky color is black and purple, as if it was punched. The grasses are leaning to one direction, indicating there is wind going, making us feel cold. There is even no name on the cross, indicating nobody knows who is lying there. Munita wants us to realize how sad and painful the fact is to take the risk of being dead, especially dying alone in middle of nowhere, like the owner of the grave in the picture, while trying to figure out the way to cross the border. However, Mexican migrants are still willing to take the risk. If the pain and loneliness of death cannot even stop migrants, how unsatisfied and desperate they must be with their current …show more content…

After Walsh presenting Ashurst’s saying of having border sheriffs holding AR-15 rifles (Walsh), Munita shows the picture focusing on Ashurst’s, a Republican Trump supporter’s, face. By setting Ashurst’s room as the blurry background and specifically emphasizing the Republican’s facial feather, Munita shows the commitment of presenting individual’s stories again. Ashurst looks away from the camera in the photo, and gazing at the direction where the light comes from. The behavior of not facing camera indicates that the featured person is thinking and possibly being emotional, and his face of being lit implies that the man is facing a big decision, and his firm gazing indicates that he is not going to change his position. He looks at the light in a way that he is confronting something, and he is going to fight for his interests. In addition, the exposure of the wrinkled face, tanned skin due to the long time of outdoor working, the typical cowboy hat, make us wonder how life was for the old man, how stereotypical his way of living is to a person in Arizona. The mere focus on Ashurst’s face enables us to want to know more about the man’s life, and with the willingness to get a deeper understanding of what he had to go through, we can understand that Ashurst’s defensiveness about cultural heritage of

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