The War Film Genre

The author, Tim O'Brien, is writing about an experience of a tour in the Vietnam conflict. This short story deals with inner conflicts of some individual soldiers and how they chose to deal with the realities of the Vietnam conflict, each in their own individual way as men, as soldiers.

The rambunctious behavior of the soldier’s triumphant victory is a strong message visually for the viewer. These soldiers struggle to find their identity and once the war ends, the identity they’ve build at war vanishes, (McCutcheon, 2007). As a result, they essentially lose a part of them selves, (McCutcheon, 2007). When they return home, many soldiers struggle with psychological issues that prevent them from resuming their once regular lives, (McCutcheon, 2007). The images of soldiers celebrating at the end of war give the viewer a taste of this problem. This also allows the viewer insight to the deeper issues surrounding an American soldier’s mental stability and mentality. Through this image, along with many others throughout the film, the viewer is able to dig deeper and truly analyze what they are seeing.

In the movie Platoon, the author, Oliver Stone, tells us a story about an American soldier in Vietnam during the war. The story is mostly based on his own experience when he went there. Even though the story is fictional, he keeps it really realistic and the more close possible to what was reality in Vietnam. He shows how that war was hell for the soldiers we sent there and also for the local population. Oliver Stone produced Platoon to show his disapproval of the war in Vietnam, because that war harmed the American soldiers that went there and also the population that they were supposed to protect. To deliver his political message, Stone used different elements of a movie like the structure of the plot, cinematic techniques and

There are two types of people that fight in wars; those who consider their patriotic duty an honor and those who entered the war by force. In 1990, twenty years after returning from the Vietnam War, Tim O’Brien published The Things They Carried, a disturbing and remorseful collection of short stories that gives detailed, yet fictional, accounts of the horrific events that occurred during the war. Later in 2012, after his tour of duty, Chris Kyle released American Sniper, a humble and passionate memoir that describes what Kyle had to face during his tour. While The Things They Carried utilizes symbolism and similes to inform the reader about the horrors of war, American Sniper uses flashbacks and imagery to demonstrate that some people “come alive” during the war.

Film makers use many historical events to spark up and idea for a movie. One historical event that is commonly used is war. One advantage a film maker has when using war as a movie plot is that there is already a lot of drama in war. This may seem like a good advantage for the film maker, however focusing on all of the drama of war leaves much of the actual info. When watching a war movie, you may feel like you have an understanding about the war, but when you really compare a war movie to an actual war you find that there is a lot of factual information left out. One may ask why would directors and film makers leave out the facts of war and focus on the drama? After reading The Faces of Battle by John Keegan and reviewing war movies

First, the reader must understand just what makes a good "war story". The protagonist of the novel, Tim O'Brien, gives us his

The Viet Nam War has been the most reviled conflict in United States history for many reasons, but it has produced some great literature. For some reason the emotion and depredation of war kindle in some people the ability to express themselves in a way that they may not have been able to do otherwise. Movies of the time period are great, but they are not able to elicit, seeing the extremely limited time crunch, the same images and charge that a well-written book can. In writing of this war, Tim O'Brien put himself and his memories in the forefront of the experiences his characters go through, and his writing is better for it. He produced a great work of art not only because he experienced the war first hand, but because he is able to convey the lives around him in such vivid detail. He writes a group of fictional works that have a great deal of truth mixed in with them. This style of writing and certain aspects of the book are the topics of this reflective paper.

Growing up, many young boys idolized the war heroes in movies such as Saving Private Ryan and American Sniper. However, the glorified heroism that is depicted in these films is far from the reality that is war. A more realistic rendition of war is seen in Tim O’Brien’s short story, The Things They Carried. Throughout the story, O’Brien uses metafictional characters to portray the physical and emotional burdens carried by American soldiers who were forced to conform to societal expectations upon being drafted for the Vietnam War. The literary elements O’Brien uses throughout the story to convey this theme are symbolism, imagery, tone, and inner conflict of the protagonist.

In this essay, I will discuss how Tim O’Brien’s works “The Things They Carried” and “If I Die in a Combat Zone” reveal the individual human stories that are lost in war. In “The Things They Carried” O’Brien reveals the war stories of Alpha Company and shows how human each soldier is. In “If I Die in a Combat Zone” O’Brien tells his story with clarity, little of the dreamlike quality of “Things They Carried” is in this earlier work, which uses more blunt language that doesn’t hold back. In “If I Die” O’Brien reveals his own personal journey through war and what he experienced. O’Brien’s works prove a point that men, humans fight wars, not ideas. Phil Klay’s novel “Redeployment” is another novel that attempts to humanize soldiers in war. “Redeployment” is an anthology series, each chapter attempts to let us in the head of a new character – set in Afghanistan or in the United States – that is struggling with the current troubles of war. With the help of Phil Klay’s novel I will show how O’Brien’s works illustrate and highlight each story that make a war.

Steven Speilberg's Saving Private Ryan The opening 30 minutes of “Saving Private Ryan” is significantly effective as an example to the war film genre. It begins brilliantly with battle between the American and German forces. As the American troops were approaching enemy lines, the representation of the soldiers is that they are just ordinary human beings, not gung-ho. The conscripts were full of anxiety and fear.

Since 1968, there have been at least 25 films made that portray the events of the Vietnam War. Historians have to ask themselves when watching these films, "Did the fictional character represent historical figures accurately? Is this how a soldier would react in this situation?" The point of view of the director of the film can change with simple alterations in camera angles. For example, a view from the ground of a battle seen can show how the innocent people had the war in their own backyards. The view from a helicopter can show Viet Cong firing rounds at American troops and the troops can't tell the difference between the innocent and the enemy. The audience feels empathy and sympathy for the person from whose point of view the

Peter Pilgrim. He is associated, by virtue of his name, with the side of good

War has been present since the beginning of human history. Likewise, war movies have been present since the movie industry began. Just like most other genres of film, war films have been created as a form of entertainment to profit a person or organization. More people are willing to spend their money and time on a feeling of action, excitement, heroism, and patriotism than gruesome and horrid images of real and common human destruction. Propaganda has been used by governments for a very long time and when motion pictures came into existence, governments almost immediately saw the new medium as an opportunity to influence the public. Governments such as the United States of America, cooperate with the movie industry to

There is a movie made in 2002 called Windtalkers that was about the Navajo code talkers. This was the first time a lot of people had ever heard of the bravery and sacrifice of the American Indians during World War 2. Of course this is a Hollywood so liberties are taken for dramatic purposes but it served its purpose of exposing the masses to the invaluable contribution to the war effort. The government by this time had, had a long track record of horrible abuse to the American Indians, but that did not stop them from enlisted and making the same sacrifices as everyone else. Sadly the treatment of the American Indians would still be the same as far as the government was concerned. The treatment from the government and other soldiers as well as the contributions to the war effort became a turning point for both

Military science fiction has grown up over the years. Gone are the days when a simple plot would suffice. Readers demand more of an intricate story, something they can proverbially sink their teeth into. They do not want something that can be read in hours. Because of this demand, story plots are more complex today than in previous years. In the stories presented this semester, storylines varied, but there was always once central theme: survival. Characters were built up more to accommodate the intricate plots. Themes have matured and reflect current world events. All these work together to provide the backbone of the stories.