The Watchers Research Paper

The viewer’s eyes are meant to stay on the picture, but we surge upwards towards the blue sky. When I look at the painting I travel into the man eyes. It raises questions like what he has been through or what stands in front of him.

The community of Jews, as well as goyims, is acknowledging Asher 's rebellion and individuality. Those who mostly dislike or find the paintings atrocious would be the orthodox Jews, such as Asher 's parents. Hushed whispers is converted into silences when Asher ' parents are noticed looking at the paintings. It is obvious that Asher has violated the standard of Jewish religion by depicting his parents in a Christian-based painting. The community is shocked by this and can see the Jewish shame. Readers note the feeling of eyes, stares and silences repeating motifs. The public stares and points out that," That 's them." In the elevator, a man also stares at Asher and his parents. Eyes often tell a story; it is able to reveal happiness, sadness, excitement or boredom. In the museum, the eyes and stares reflect Asher 's shame upon his parents.

Together, the museums from the college, trustee offices, and the woman’s apartment act as an effective method to convey the narrator’s views of power and how others duped him into thinking differently from what he believed. Often the narrator is not allowed to view the museum settings he encounters without the preconceived ideas from others like Dr. Bledsoe and the Brotherhood, which together impacts the narrator’s thoughts on his own invisibility. The narrator’s preconceived notion of power and success is what really draws the narrator to form his observations in the museum settings. Without these elements from the museums, portions of the narrator’s narrative towards his path of disillusionment would be incomplete. The museum setting collectively showcases the narrator’s thoughts on his perception of power and authority. Therefore, from Ellison’s various influences of art and museum settings, the narrator’s museum observations reflect the perception of the struggles of invisibility and views of disillusionment the narrator gains from authoritative

When we enter the Spencer Museum, we were brought to different locations in museum to review five pieces of art works. After much consideration, I personally chose “Haunted by the Ghost of Our Own Making” by Hollis Sigler as the central theme of my essay. Like many other abstract canvas in the museum, “Haunted by the Ghost of Our Own Making” is not necessary the most powerful in conveying its message to the audience without artwork description provided by the museum or a narrator, as compare to other pieces like Above Ground Movement by the Young Female Activists who captured photographs with meaningful and relatable events.

Lacey, a blind peasant and the object of extensive observation by the creature prior, and the

It was 3 o’clock on a tuesday. Seeing that it was nearing closing time, all exhibits in the museum were nearly empty. Room after room of artwork had no one in them, except for the few security guards scattered here and there. Wanting to see everything, I left behind my family and rushed through the vast museum.

One of the many reasons I think The Watcher is an excellent addition to a classroom collection is the versatile ways in which it could be incorporated into a lesson. Topics covered in the book touch on why we study chimpanzees, habitats, endangered species, and animal advocacy, all of which would be great subjects for study. In incorporating this into a lesson plan, however, personally I would choose to use this book during a lesson on endangered species. An important concept we see presented in Janes story is that she immersed herself into the chimpanzee's natural habitat without interfering or destroying their home. Her actions are an important lesson in conservation and in addition to this book, the students could read additional stories

The Watchers, or Watchtowers are evoked to watch over and guard and witness the rites performed in witchcraft. In some traditions, the Watchers or Watchtowers are the elements, water, air, fire and earth. Each of these elements have their own specific calling for these rites, but they usually are all called or evoked. Each of these elements are matched up with the four quarters as well as their

7 People now turned 7 inmates. Locked up in 7 cells in 1 unknown prison. All of them convicted a crime, and each of them holds 1 from the 7 deadly sins.

I glanced at the painting hurriedly, and then closed my eyes. Why I did this was not at first apparent even to my own perception. But while my lids remained thus shut, I ran over in my mind my reason for so shutting them. It was an impulsive movement to gain time for thought- to make sure that my vision had not deceived me- to calm and subdue my fancy for a more sober and more certain gaze. In a very few moments I again looked fixedly at the painting. (par 3).

Just a gaze. An inspecting gaze, a gaze which each individual under its weight will end by interiorising to the point that he is his own overseer, each individual thus exercising this surveillance over, and against, himself. A superb formula: power exercised continuously and for what turns out to be a minimal cost. (Foucault) ”

I wondered more deeply what the piece was about and what it’s abstract shapes were aiming to represent. I had to question whether the sadness it reflected was merely from the museum, or if this sorrow was genuinely an intrinsic feature of the work. However, after viewing other works in the museum and experiencing similar sensations, I arrived at the conclusion that this particular perception was a common thread throughout the entire gallery.

The painting reflects Kurtz final words. The painting is showing a woman blinded folded in the dark and holding a light It is describing how Europeans was blind because they did not see the pain that came along with the things they were doing.

This painting is divided into three equal parts by the arches in the background and the characters correspond to each of these arches (TV12). The father is in the middle portion of the painting. The lines of perspective created by the tiled floor, draws our attention to the swords that the father is holding and the vanishing point lies just behind the handles of the sword. Our angle of vision is such that we are looking directly at the main figures groups, particularly the father. A single light source from the left of the picture illuminates the characters and also focuses our attention to the father holding the sword. This creates a ‘theatrical’ effect. The background is simple and stark so our attention is focussed on the figure groups in the painting. The painting has a wide tonal range that makes the composition logical and balanced. The colours used in this