The Weary Blues Poem By Langston Hughes

This paper examines the perspective of Langston Hughes and how his style of writing is. It looks at how several interrelated themes run through the poetry of Langston Hughes, all of which have to do with being black in America and surviving in spite of immense difficulties. Langston Hughes is one of the most influential writers because his style of work not only captured the situation of African Americans; it also grabbed the attention of other races with the use of literary elements and other stylistic qualities. Langston Hughes became well known for his way of interpreting music into his work of writing, which readers love and enjoy today.

The survival of the Black American family is a revolutionary act. The system of slavery purposefully separated and destroyed black families. Yet, in the face of obstacles, the Black family as an institution survived. Langston Hughes and Robert Hayden show the power of connection, love, and learning between the Black parent and the Black child. Many Black poets write about the Black experience in America, but few capture the interactions between Black parent and Black child the way Langston Hughes and Robert Hayden do in their poems “Mother to Son” and “Those Winter Sundays”, respectively. Langston Hughes and Robert Hayden use metaphors and imagery to portray the lessons Black children learn from Black parents.

Writing during the emergence of the “New Negro” movement, Claude McKay and Langston Hughes work to reconcile black life in white America. The trope used by the two poets within “The Harlem Dancer” and “The Weary Blues” is that of a performance and a single speaker’s recollection of it. While both depict an African-American performer presumably consumed by the isolation and oppression of their condition, the intensity of the performances prove to be vastly disparate. Hughes’ “The Weary Blues” features a much more transcendent performance than that of McKay’s “The Harlem Dancer” not only because of the relationship between the audience and the performer, but the degree of ubiquity in descriptions of the performer and the poetic form through

Langston Hughes is an extremely successful and well known black writer who emerged from the Harlem Renaissance (“Langston Hughes” 792). He is recognized for his poetry and like many other writers from the Harlem Renaissance, lived most of his life outside of Harlem (“Langston Hughes” 792). His personal experiences and opinions inspire his writing intricately. Unlike other writers of his time, Hughes expresses his discontent with black oppression and focuses on the hardships of his people. Hughes’ heartfelt concern for his people’s struggle evokes the reader’s emotion. His appreciation for black music and culture is evident in his work as well. Langston Hughes is a complex poet whose profound works provide insight into all aspects of black

The poetry of Langston Hughes, the poet laureate of Harlem, is an effective commentary on the condition of blacks in America during the 20th Century. Hughes places particular emphasis on Harlem, a black area in New York that became a destination of many hopeful blacks in the first half of the 1900ís. In much of Hughes' poetry, a theme that runs throughout is that of a "dream deferred." The recurrence of a"dream deferred" in several Hughes poems paints a clear picture of the disappointment and dismay that blacks in America faced in Harlem. Furthermore, as each poem develops, so does the feeling behind a"dream deferred," growing more serious and even angry with each new stanza.<br><br>To understand Hughes' idea of the"dream deferred," one

Right after the World War I, the majority of African Americans moved from South to the North of the United States. New economic and artistic opportunities led them to create and identify themselves in their own culture and heritage. This movement is well-known as the Harlem renaissance. It was accompanied by new lifestyle, music styles, and plenty of talented writers. This paper discusses two poems from this period: Heritage, written by Countee Cullen, and The Weary Blues, written by Langston Hughes.

Perhaps the most popular piece of Blues poetry that incorporates the technical devices of the genre is Hughes’ Weary Blues. The poem highlights how Jazz affected everyday life through its exaggerated musicality. This is created through internal rhymes, alliteration and consonance which creates a similar rhythm to a Blue song. The Blues influence can further be seen by the twelve bar stanzas and repeated use of rhyming couplets which create a musical atmosphere. Hughes often refers to music in his poetry and it seems to pose as a metaphor for feelings that can’t be spoken, and these disenfranchised feelings often dominated Blues songs. It showed where language failed, music could take over. We can see that Hughes used music to inspire a generation and give them a

“The Harlem Renaissance was a time where the Afro-American came of age; he became self-assertive and racially conscious… he proclaimed himself to be a man and deserving respect. Those Afro-Americans who were part of that time period saw themselves as principals in that moment of transformation from old to new” (Huggins 3). African Americans migrated to the North in great numbers to seek better lives than in the South as the northern economy was booming and industrial jobs were numerous. This movement brought new ideas and talents that shifted the culture forever. Black writers, such as Langston Hughes, used their work to claim a place for themselves and to demand self-respect in society. Poems that Langston Hughes wrote captured the essence of the complexity of a life that mixes joy and frustration of black American life through the incorporation of jazz and blues in order to examine the paradox of being black in mostly white America, the land of the not quite free.

     Jazz music is often associated with long, lazy melodies and ornate rhythmical patterns. The Blues, a type of jazz, also follows this similar style. Langston Hughes' poem, "The Weary Blues," is no exception. The sound qualities that make up Hughes' work are intricate, yet quite apparent. Hughes' use of consonance, assonance, onomatopoeia, and rhyme in "The Weary Blues" gives the poem a deep feeling of sorrow while, at the same time, allows the reader to feel as if he or she is actually listening to the blues sung by the poem's character.

Langston Hughes’ poem “Mother to Son,” written in 1922, tells the story of a young mother giving important life lessons to her son. It conveys the struggles and hardships that the mother was forced to endure throughout her life, while portraying her as a woman who never gave up hope and got through the hard times. The strength and resilience she shows is a testament to the power of a mother’s love and willingness to do anything for their family. Hughes is able to portray this love and emotion with the use of various literary elements, such as rhymes and metaphors.

In this poem we are introduced to the relationship of blues music with poetry and how the two can affect one another. For this poem Hughes gives a clear image of his feelings towards music and a good start to how

(Hughes line 9). In the singer’s era, the impression of black and white coming together to form harmony would be unlikely, but he has reached this goal by creating the melodic tune that comes out of the piano. Since he was in a time where class distinctions with African Americans were quite rigid, and he was a busboy, struggling with his emotions, his past incidents inspired and motivated him (“Langston Hughes” 1 of 3). Hence, with deep imagery during the course of the poem, Hughes epitomizes his struggles and differences within his society by comparing it with a similar man’s struggling situation of life using strong imagery. It is apparent that the woe conveyed through his writing shows his struggles, and displeased attitude towards society and

In exploring the problem of identity in Black literature we find no simple or definite explanation. Nevertheless, it is generally accepted that it is rooted in the reality of the discriminatory social system in America with its historic origins in the institution of slavery. One can discern that this slavery system imposes a double burden on the Negro through severe social and economic inequalities and through the heavy psychological consequences suffered by the Negro who is forced to play an inferior role, 1 the latter relates to the low self-estimate, feeling of helplessness and basic identity conflict. Thus, in some form or the other, every Negro American is confronted with the

In Langston Hughes's poem, the speaker acts as a mouthpiece to subtly discuss the harsh reality of the jazz musician and the continued oppression African-Americans faced (Hughes). The speaker is a nameless observer who notices the singer’s relationship with his song (Hughes ). The speaker’s pain mirrors Hughes's pain as a writer as they are both forced to follow the conventions of writing. In the beginning, the speaker complies with these conventions, using the oppressor’s colloquial terminology and language, such as “Negro” and “black man” ( ). The first stanzas centers around the speaker’s observation of the jazz singer and his song. For instance, the speaker states: