The Weekend Peter Cameron Analysis

is quite a lot of prejudice whether it is to do with sex, age, status

In the essay by Judith Butler, Besides Oneself: On the Limits of Sexual Autonomy, she describes the social norms of society slowly changing and designing new social norms of society by the awareness of Gays,

In the 1980’s and 1990’s, society wasn’t the most accepting of places for people who were different from the “social norms”. Now I know, people today still struggle with trying to fit in and be “normal” but it was different. Being a gay man living in San Fransisco at the time, which had a large gay population, Richard Rodriguez had a hard time dealing with the discrimination he faced. Richard Rodriguez was an American journalist who wrote and published a memoir about his life as a gay man. In October of 1990, Rodriguez published his memoir “Late Victorians” in Harper’s Magazine, a critically acclaimed publication of the time. In his memoir, Rodriguez describes what it was like to realize he was gay and watch as the country changed to become a more accepting place. He does this by setting up how things can change and then explaining the actual ways things change for the gay population.

Life for most homosexuals during the first half of the Twentieth century was one of hiding, being ever so careful to not give away their true feelings and predilections. Although the 1920s saw a brief moment of openness in American society, that was quickly destroyed with the progress of the Cold War, and by default, that of McCarthyism. The homosexuals of the 50s “felt the heavy weight of medical prejudice, police harassment and church condemnation … [and] were not able to challenge these authorities.” They were constantly battered, both physically and emotionally, by the society that surrounded them. The very mention or rumor of one’s homosexuality could lead to the loss of their family, their livelihood and, in some cases, their

What can be said of the menacing literary masterpiece that is A Portrait of the Artist as a Young Man is that the gender issues Joyce so surreptitiously weaves into Stephan Dedalus’s character create sizable obstacles for the reader to overcome. Joyce expertly composes a feminine backdrop in which he can mold Stephan to inexplicably become innately homosexual. As Laurie Teal points out “… Joyce plays with gender inversion as a uniquely powerful tool of characterization.”(63) Stephan’s constant conflict with himself and what he wants generate a need for validation that he tries to simulate through day dreams and fantasies but is ultimately unable to resolve. Through exploring the tones of characterization and the character development of

This approach to queer subtext has been has always been a part of Western media as we as we explored in the film “The Celluloid Closet” (1995). Queer representation for many years was an continuous uncategorized personification that was vaguely acknowledged but to those who understood the subtext, it became an undercurrent of complex coded information that eventually paved the way for the integration of queer identification within the hetero film storylines. Doty speaks about this and also mentions that at some point in time representation of queer culture and sexuality

A peculiarity he mentions after explaining the search for a specific gender partner is how, in the South where he is, gay men tend to seek “masculine” partners, which defeats the idea of gender roles in same-sex relationships. The concept of gender is defined as “the identity and roles associated with, and/or appropriated by specific persons, regardless of their biological sex,” (Rich, 2016). While the concept is different across cultures and time, a constant happens to be the grouping and automatic attribution of roles based on a person’s biological sex. The author challenges the idea of gender roles associated with biological sex, however, saying that these men in the South tend to seek boyfriends who are sporty and have other classic masculine characteristics. Mays comments that there are few actions or characteristics that can be classified as gender neutral as these can be in present-day society. Thus, in their case, if both partners will exhibit these masculine qualities, they will both, in turn, be forced to take up women’s roles to live normal lives, for example cooking and cleaning, which would lead to the canceling out of masculine or feminine qualities.

As hardworking women living of the prairie, Mrs. Hale and Mrs. Peters can relate to Mrs. Wright’s situation. They know personally that long days of doing laundry, cooking, and cleaning can become very tiresome (Hedges 91). They realize that living on the prairie can force a woman to be confined to her own house for weeks at a time, and because Mrs. Wright never had children, the grueling loneliness that she suffered must have been excruciating. Mrs. Hale and Mrs. Peters both experience the constant patronization and sexual discrimination that most women in the early twentieth century lived with. They empathize with the difficulties of Mrs. Wright’s life and almost immediately a bond is formed with a woman they do not even know.

According to Elizabeth Lowell, “Some of us aren't meant to belong. Some of us have to turn the world upside down and shake the hell out of it until we make our own place in it.” Sometimes what every situation needs is an outsider to flip the script and create a new outlook on everything. In Shirley Jackson’s novel, “We Have Always Lived in the Castle,” the speaker, Merricat, is an outsider of society on many levels, such as mental health, gender, and that she is an upper class citizen in a poor area. Although Merricat is mentally unstable, her outsider’s perspective criticizes the social standard for women in the 1960s, indicating that social roles, marriage, and the patriarchy are not necessary aspects in life such as it is not necessary to have the same outlook on life as others.

Douglas describes Sophia Auld’s change “under the influence of slavery” her “cheerful eye, under the influence of slavery… soon became red with rage” her “voice, made all of sweet accord, changed to one of harsh and horrid discord; and that [her] angelic face gave place to that of a demon” (Douglas 78). Despite her good nature, his mistress succumbed to the power that came with being a slave owner. One’s nature may play a part in his disposition, but who one actually becomes depends on his or her temptations and environment. Bradbury conveys this through the mindless culture of his world that “nips most of them,” “the queer ones” who are “exceptionally bright” and think for themselves, “in the bud.” Simply exposure to the school environment suppresses the intelligence and curiosity in children and them empty, pleasure driven drones. They are corrupted by their society, not necessarily by their own disposition. Thus both authors show In summation, Douglas and Bradbury similarly express the importance of one’s environment and situation to their his or her

An examination contrasting the diaries of Donald Vining and Martin Duberman in understanding gay consciousness against the matrimonial hegemony

Two Diaries, Donald Vining’s A Gay Diary Vol. Two and Martin Duberman’s Gay in the Fifties look into the everyday life of gay males in the post-World War II Era. While World War II increased freedom for men to sexually explore within the male community, post-World War II extended the freedom of exploration but also created a subsequent backlash against homosexual practices. Vining and Duberman’s diaries document an extension of gay freedoms in the post-World War II period. Although Vining and Duberman give contrasting accounts of their lives as gay males in the postwar period, common themes could be drawn in the form of friendships, sexual activity, relationships, and backlash by heteronormative society.

George Chauncey’s Gay New York Gender, Urban Culture, and the Making of the Gay Male World 1890-1940, goes where no other historian had gone before, and that is into the world of homosexuality before World War II. Chauncey’s 1994 critically acclaimed book was a gender history breakthrough that gave light to a homosexual subculture in New York City. The author argues against the idea that homosexual men lived hidden away from the world. Chauncey’s book exposes an abundant culture throughout the United States, especially in New York. In this book Chauncey not only shows how the gay population existed, but “uncovers three widespread myths about the history of gay life before the rise of the gay movement which was isolation, invisibility, and internalization.” Chauncey argues against these theories that in the years 1890-1940, America had in fact a large gay culture. Chauncey book is impactful in the uncovering of a lost culture, but also works as an urban pre-World War II history giving an inside view of life in the city through sexuality and class.

The interaction of men and women in a city poses opportunities and limitations. The ideas about gender and how female and male characters are depicted in a story, together with gender behaviour, that have shifted over the years in different cities, positions and literary work. The Dubliners (1914) by James Joyce (1882-1941) demonstrate individuals trying to contest or escape paralysis in Dublin. A contrast from Langston Hughes (1902-1967) with 'Pushcart Man ', and Jack Kerouac with the 'The Town and the city ' in the city of New York. Their work is central to demonstrate the sense of the mix of cultures, perceptions of segregation, and the restriction and possibility of the city. This essay will discuss the 'ways in which relations between the sexes are depicted in the set texts, and consider the literary techniques the writer used to create a particular portrayal.

In her essay titled “Compulsive Heterosexuality and Lesbian Existence,” Adrienne Rich claims that any alternative to heterosexual outcome is discouraged by society. The essay claims that Western tradition has used the heterosexual family model as the basic social