The Werewolf Carter Essay

Throughout the story however, It becomes apparent the narrator isn 't just one of those weird ' 'dog people ' ' (like myself). The humanized wolf is seen by some of the other people in the story exactly like she does. In the second paragraph of the story she mentions this, an old man named Grady - who lives next to a community garden and Bessie, a homeless woman who lives out of a shopping cart are also acquainted with the wolf. It seems to me that the narrator isn 't trying to teach us good morals for animal equality with the tale. She is trying to get another point across with the constant presence of the being throughout the story, and the highlighting of the certain

We could assume that every wolf was once a man. At the beginning Carter explains how wolves are “carnivore incarnate and he’s cunning and ferocious”, but yet she also explains how “melancholy” a wolf can be because “the beasts would love to be less beastly if only they knew how” (110, 112).

In Seven Monster Theses, Jeffery Cohen develops an idea that “monsters” are essential to society. In fact, they construct what is “normal”, “rational”, and “civilized”. Specifically, “monsters” are foundational to how we view ourselves. “Monsters” contain all the traits deemed unacceptable and odd. It can be concluded that every outlier is a “monster”. In St. Lucy’s Home for Girls Raised by Wolves, Karen Russell tells the story of a pack of wolf girls who are transitioning into young ladies. Russell delves into society’s need for conformity, gender roles, and change. The story is told from the point of view of the middle wolf girl, Claudette, and follows her on her journey from wolf to woman. In relation to Jeffery Cohen’s idea of monster culture, Claudette’s journey applies to Thesis IV “The Monster Dwells at the Gates of Difference” and part of Thesis I “The Monster’s Body is a Cultural Body”. Claudette is torn between two worlds and she has to learn how to successfully “move between the two cultures”. Through Cohen’s theses, Karen Russell uses character development and dialogue to depict the inner and outer battle of societal femininity and individualized femininity and the consequence of accepting either side. The presence of “monsters” are essential for this acceptance.

Upon first reading “St. Lucy’s Home for Girls Raised by Wolves,” it might seem like an imaginative fantasy and nothing else. The story focuses on the daughters of a pack of werewolves, and it takes place in a world where the werewolves and their daughters are nothing out of the ordinary. But upon closer examination, this is a story rooted in reality. This inventive tale parallels several real world phenomena. Karen Russell uses allegory in “St. Lucy’s Home for Girls Raised by Wolves” to objectify western society’s views of people outside of that society and of outsiders in general, and compare them to the views that people have of wild animals.

In the excerpt “St. Lucy’s Home for Girls Raised by Wolves” by Karen Russell the narrator speaks as a half wolf half human mind set. She discusses the improvements and difficulties of living in captivity after being free and wild their entire lives. There are three (3) main characters, Mirabella (youngest), Claudette who is the middle child of the three (3) sisters, and last but certainly not least, Jeanette. These girls are few of an entire “pack” of half human half wolf. The pack is referred to as a whole throughout the duration of this excerpt. They experience difficulty in the transition of the “wolf-identity” into more of a “human-identity”. This short story exemplifies how the difficulty of change after being exposed to ones “tradition” for so long differs for each “person” wolf or not.

Because the key to change is acceptance and the girls, including the main narrator, do not fully accept themselves in their new way of life, the transition from a wolf to a human life is never complete, leaving them in a place where they feel they do not belong. As readers, “the growing pains, the victory over culture shock, are so suggestive that we don't know where our sympathies lie. [We don’t know if we] should… admire civilized existence or primitive warfare” (Irving

The idea behind The Wolves is a portrait of liberty, life, and the pursuit of happiness for nine girls who just want to play some soccer. We can see this throughout the play whether it’s when they are talking about serious issues like the Khmer Rouge or when they are all just goofing off eating orange slices. The scene that really shows this idea is

The folk tale of “Little Red Riding Hood” has numerous variations and interpretations depending on what recorded version is being read or analyzed. “Little Red Cap,” by the Grimm Brothers, and “The Grandmother,” as collected by Achille Millien, are different in numerous ways: the depth of the narrative structure, characters involved, length – yet, the moral lesson is largely unchanged between the two versions. One of the more glaring differences between the two versions is the way that the narrator and the actions of the characters are used to describe the young girl, female, and the wolf, male. Being either female or male are matters of biological makeup. The characteristics of femininity and masculinity that are associated with being

Original fairy tales restrict the opportunities of female protagonists, allowing their fate to be controlled by male characters and society’s restrictive expectations of women. Authors such as Perrault of ‘Little Red Riding Hood’ were quick to provide advice to their suggestible female readers in moral that girls should not try to drift from the path that society has laid out for them. Thus they became ‘parables of instruction’ (Carter) to indoctrinate the next generation in the values of a patriarchal society. Fairy tales of this time consistently remind us that those of the female sex will not prosper if they choose to ignore and defy the social constructs. Pre 1900s, the roles of women were entirely predetermined. A clear female dichotomy was established portraying them as either ‘the virgin’ or ‘the whore’. Stereotypical perceptions of women reduced them to biological functions and stated that they should acquire the role of wife and mother – objectified to such an extent where they were essentially their male counterpart’s possession. Both authors scorn the importance placed on domesticity and conformity, stressing the vital nature of being able to choose and uncover the consequences of societal ignorance. Carter highlights to her literary audience a passive generation of women who face the inability to vocalise their thoughts and opinions in the context of oppressive patriarchy. Within her work ‘The Company of Wolves’ “The

In “Monster Culture”, Jeffery Cohen develops an idea that “monsters” are essential to society. In fact, they construct what is “normal”, “rational”, and “civilized”. Specifically, “monsters” are foundational to how we view ourselves. “Monsters” contain all the traits deemed unacceptable and odd. It can be concluded that every outlier is a “monster”. In St. Lucy’s Home for Girls Raised by Wolves, Karen Russell tells the story of a pack of wolf girls who are transitioning into young ladies. Russell delves into society’s need for conformity, gender roles, and change. The story is told from the point of view of the middle wolf girl, Claudette, and follows her on her journey from wolf to woman. In relation to Jeffery Cohen’s idea of monster culture, Claudette’s journey applies to Thesis IV “The Monster Dwells at the Gates of Difference” and part of Thesis I “The Monster’s Body is a Cultural Body”. Claudette is torn between two worlds and she has to learn how to successfully “move between the two cultures”. Through Cohen’s theses, Karen Russell uses character development and dialogue to depict the inner and outer battle of societal femininity and individualized femininity and the decision of accepting either side. The presence of “monsters” are essential for this acceptance.

A werewolf in folklore and mythology is a person who shape shifts into a wolf, either purposely, by using magic or by being placed under a curse. Werewolves were known in almost all European countries and cultures. Werewolves are only second in line to vampires in popularity.

There was a time when society did not consider men and women as equal. Men were considered as the superior human being and the dominant figures of authority in the house while the woman had to be a subservient. Alice Munro uses some interesting details in “Boys and Girls” to hold the readers captive. She takes us on a journey in an era where the male child was deemed more important than the female child. “Boys and Girls is a story about a girl’s struggle in accepting the role society has forced upon her in such a vivid manner that it draws the reader to want to know what happens next. In “Telling Tails,” by Tim O’Brien, he illustrates what a good story should be by using story examples. O’Brien believes that “Boys and Girls” is good story because the author uses a well-imagined plot, striking and dramatic elements, and the ability to reach deep into the heart of readers.

This is no lapse in consistency by Carter; the carnivorous wolf may be a man that has even worse intentions for the flesh. The narrator warns, "If you spy a naked man among the pines, you must run as if the Devil were after you" (2234). Since the man is naked, his true nature, which is more frightening than a wolf, is revealed. Carter metaphorically emphasizes the danger of women being deceived by the false appearance men present in action and personality. Red Riding Hood is deceived by the friendly, handsome hunter: letting her guard down, she allows him to accompany her through the woods while "laughing and joking like old friends" (2235).

In addition, the Grimm's version provides another male character "the huntsman", the savior of the story, a brave and strong man at the time that he goes into the grandmother's house and cuts the wolf's belly in order to rescue the women. In brief, men are portrayed as superior and intelligent in contrast with the weak and ignorant women which argues the patriarchal society of that era.

Folktales has created men as the most powerful character in most stories but that does not mean always as there’s a difference in Grandmother’s tale and Little Red Riding hood. Different genders have different expectations according to their characteristics. The Red Riding Hood and Grandmother’s tale has produced ideas such as how a girl’s life is looked upon in the past and how the male has the upper hand in most situations according to the stories. This essay will argue about how the girl’s gender played a major role in the context of the story and how the wolf is represented by a male character and why the male is not always the most powerful character in all stories and the comparison