The Wheat Field With Cypresses Distinctively Visual Analysis Essay

In this painting, two visual elements stand out over all the rest. These elements are that of color and texture. Color in art is an element that has to be phenomenal in order to get recognition and true appreciation from the viewers. In this painting, the colors are rich, vivacious and standout as dark, but bold representations of the uniqueness of it all. The use of brown and yellow and green and grey and white all come together in a harmony of color and unity. As for the texture in the painting, it is that of brisk and roughness that is nature. The sharp edges of the bucks rack and the cold, rough edges of the dead tree show

Daniel Ridgway Knight was an odd American artist who loved to paint relaxed French peasants in luscious landscapes. Ironically, he lived during a stressful time when the Industrial Revolution displaced numerous farmers and polluted the environment. He seemed to ignore the harsh truth and shut himself in his imaginary serene world. For instance, In the Premier Chagrin, translated as The First Grief, Knight paints two healthy girls conversing on a stone wall in front of gorgeous fields. At first, it appears as merely a pretty painting that is nicely contrasted to show depth and realism. Yet, with a closer look, this contrast in the colors and lines of the landscape and the figures creates tension to suggest the painter’s conflict between longing for serene freedom and feeling trapped within the stiff society.

Beside the pile of straw which has a wheel leaning against it, a farmer is stooping to collect timbers. Before a thatched cottage in the middle of the painting, several farmers carrying farm tools and riding horses silhouetted in the shadows. They form in groups as if they were discussing some deliberate issues. On the other pile which sits in the other side of the sandy road, a slightly stout farmer with a straw hat is sitting on straws to have a rest. Beside him, an older villager leaning on his stick and a comparatively shorter man who is carrying a basket are talking to him as if they were pleading him for some reason. The trees extend along the sandy road in a diagonal line, creating a spatial demarcation. In the far end of the road, there is a vague tall building with pinnacle roof. The sky above, which takes up nearly half of the painting, is pale and dusty, suggesting the end of the day in a hot arid climate.

Vincent Van Gogh is one of the most infamous and influential artists of all time. When I saw that Van Gogh’s painting “Olive Trees With Yellow Sky and Sun” was on display at the Minneapolis Institute of Art, I knew I had to choose it for this paper. Before doing the research for this assignment, I didn’t know much about Vincent Van Gogh, but the fact that pretty much everyone knows his name and recognizes him as a huge part of art history, it made me naturally really curious about him.

     Van Gogh's use of line really gives depth and character to the piece. The first line that caught my eye was the line outlining the bottom of the bed. The strong stroke really gives you a sense of distance between the bottom of the frame and the floor. Had it been a thin line like those to depict the floorboards, it would look like the bed was sitting directly on the floor. His use of brush strokes and the thickness of them vary immensely in the painting to create depth. The strong strokes of

In the painting "Irises" Van Gogh portrayed the part of the field, very often dotted with flowers. Here we see not only the iris, which gave the name of a masterpiece, but also other colors. Of course, the irises are central to the composition. There is no background, but warm soft shades of the earth depicted blurred stripes and a warming glow beds of flowers. That glow enters with a picture of the outside world and gives it visibility and tenderness. Using different shades of green, yellow and purple colors, he creates a real rhythm of lines properly attached in drawing completeness. Rich and gentle at the same time

Pieter Brueghel's painting tricks the observer. The viewer is first drawn left, where a red-shirted farmer and his horse, plowing a hill, descend into shadows. The eyes then wander

Van Gogh got excited over the look of these trees and painted them. Some of his paintings of the trees represented life, others represented how he felt about Christ in Gethsemane, and others represented a combination of both of these things. An example of an art piece that had a lot to do with religion was Olive Trees with Alpilles in the Background (Fig. 6). This piece was painted with Christ in Gethsemane in mind. He wanted to create a piece that used a more purer and serence sense of nature without using religious imagery. With this piece “he wanted to show it was possible to paint the meaning of Christ in the Garden of Olives, the garden of Gethsemane where Christ prayed the night before his crucifixion, without aiming straight for the historical Garden of Gethsemane.” Vincent had done religious paintings before, he actually painted Christ in the arden of Olives twice before, but both times he decided not to paint the images of Christ since, as he said in a letter to his brother Theo, he did not want to “do figures of such importance without a model.” Van Gogh actually had begun to avoid doing religious work around this time for both aesthetic and moral reasons. Van Gogh had rejected what he believed to be his parents’ narrow religionious views and went for a much different view, one where life itself almost didn’t seem to matter of have purpose, something close to Nihilism. Vincent instead tried to find meaning in the cycles of nature and how they related to the

Another main focal point in this canvas was subject matter. This is where the objects or events are described. The artist gives us different objects such as the old couple seems displayed as depressing. Or you can observe it as normal couple, walking across the river, enjoying the night. He also gives us a boat which could possibly be giving us a correlation because the boat looks like it’s broken or about to sink. There is also another interpretation with the object that Van Gogh displays which is, the stars. Depending upon which way you want to take it, they look like flowers or fireworks. Also, there is a sense of false appearance with the houses. If you stare at just the bank you will notice that it is just a bunch of bright lights but if you pay attention to the water close to the bank, you will acknowledge the darkness or shadow of the houses.

When having to choose two works of art to compare and analyze, it had occurred to me that one of my all time favorite artist has always been Vincent Van Gogh. After searching through countless of Van Gogh’s magnificent works of art, I knew I wanted to analyze ‘Houses in Auvers’. Once I chose my first painting, the second piece fell right into place. Since Van Gogh was a painter in the post impressionist movement, deciding to choose another painter from that movement worked out well. I chose, ‘Auvers, Panoramic View’, painted by Paul Cezanne. A majority of people admiring these paintings would realize at least two elements: houses, and the beauty. Although, looking beyond the beauty of the town, there are many more comparisons.

Vincent Van Gogh was a master of the Post-Impressionist art movement; he created works that conveyed strong emotions through the simplest of elements. In Avenue of Poplars in Autumn, Van Gogh again shows his mastery of brushwork and color, giving the viewer a scene of a person walking from a home near dusk down an avenue lined with spindly poplars. Made in October of 1884, the painting seems to accurately reflect the season with red and brown leaves stubbornly adhering to the trees. The initial feeling of this piece is one of peace and calm. Autumn is a time for being with family and avoiding the cold. But the longer the viewer looks, the more they realize that this painting seems to show the opposite of a serene scene, creating an uneasy atmosphere. The feeling only grows when they see the shadows that lick the edges of the trees, the bar-like ruts in the road, and lone figure that walks steadily away from the empty house. In Avenue of Poplars in Autumn, Van Gogh strives to create a forbidding and frightening atmosphere through dark and contrasting colors, limited space, skewed balance, straight and diagonal lines, movement, and the subject matter of the painting, all to represent his emotional response to the scene.

A great artist once wrote, “If you hear a voice within you say 'you cannot paint,' then by all means paint, and that voice will be silenced”. This artist was Vincent van Gogh, soon to be an appraised artist known all around the world for his works, such as Starry Night. He is one of the very first artists of the post-impressionist style than is now adored in every continent. However, there is much more to the man than one painting. Creating a full timeline that stretches beyond Gogh’s life, this paper will discuss the life of Vincent van Gogh and the impression he made on the world.

His painting is a landscape of a town surrounded by factories as smoke pollutes the air. This painting is like Corinth’s in that it is oil on canvas as well as there are visible brush strokes as Van Gogh paints what he sees and tries to give the world a glimpse into the world from his perspective. Van Gogh’s color choice is always interesting because everything seems to be from a limited palette. In “Factories at Clichy” he uses bright greens and yellows in the grass and it makes the field glow with light and warmth where the factories and the actual city get darker the further away the town grows. The closer buildings are bright with bold red roofs which pulls the audiences eyes to the city almost to forget about the field. While it is difficult to see, there are two small figures in the center of the painting, the eyes are drawn to them after they meet the focal point of the tallest smoke tower and they follow down to the two small figures, possible lovers, who are in the field outside of the

One of Vincent Van Gogh’s most world renowned paintings is his landscape oil painting Starry Night. The painting displays a small town underneath an unusual yet still extremely beautiful night sky. In this night sky, Van Gogh utilizes an array of colors that blend well together in order to enhance the sky as a whole. The town is clearly a small one due to the amount of buildings that are present in the painting itself. In this small town most of the buildings have lights on which symbolize life in a community. Another visual in Starry Night is the mountain like figures that appear in the background of the illustrious painting. Several things contribute to the beauty of Van Gogh’s painting which are the painting’s function, context, style, and design. Van Gogh’s utilization of these elements help bring further emphasis to his work in Starry Night.

Vincent Van Gogh is a well-known artist to people because of one of his paintings, The Starry Night. Van Gogh has painted many other pieces during his lifetime including one that is currently on display at the Minnesota Institute of Art, Olive Trees. This painting is part of a series of olive tree paintings consisting of a total 18 pieces of art. The one at the Minnesota Institute of Art was painted November of 1889 and is known as “Olive Trees with Yellow Sky and Sun”. Through a contextual analysis of this piece a lot can be discovered about its meaning. When this piece is compared to other artwork by Van Gogh even more fascinating details emerge about this piece of art.