The White Doe by Francesco Petrarch Essays

Analyse (tell me how the poet creates this image - choice of words, literary devices, implication etc)The idea of a freezing, harsh climate is emphasized with "winter's city" and "winter's leaves". The poet uses words like "death" and "terrible" to highlight the freezing, barren winter.

The atmospheric conditions may represent the hardships that the couple had to go through in their relationship, and may also be used contrast the unpredictability of the outside world compared to the steady relationship that the couple have. ‘A Youth Mowing’ is also a poem about relationships, this time it is between a younger couple. The river ‘Isar’ is a symbol of freedom, it represents the way that the men’s lives are. However, this sense of liberty is broken by the ‘swish of the scythe-strokes’ as the girl takes ‘four sharp breaths.’ Sibilance is used to show that there is a sinister undertone to the freedom that the boy has which will be broken by the news that his girlfriend is bringing. She feels guilty for ‘what’s in store,’ as now the boy will have to be committed to spending the rest of his life with her, and paying the price for the fun that they had.

The Man from Snowy River holds plenty of language devices that help capture the mood and setting of the poem. ‘The old man with his hair as white as snow’ makes use of simile to help describe one of the men on a horse. The simile makes the line more interesting and less monotonous by showing what he looks like rather than straight-out telling. The man is made out to be strong and fierce but the similarity of his hair and snow juxtaposes this power as snow is thought to be delicate and beautiful. Another technique is the metaphor “And the stock-horse snuffs the battle with delight.” This hints that the drovers must be prepared for the dangerous job ahead of them, if

The seasons in the poem also can be seen as symbols of time passing in her life. Saying that in the height of her life she was much in love and knew what love was she says this all with four words “summer sang in me.” And as her life is in decline her lovers left her, this can be told by using “winter” as a symbol because it is the season of death and decline from life and the birds left the tree in winter. The “birds” can be seen as a literal symbol of the lovers that have left her or flown away or it can have the deeper meaning that in the last stages of our life all of our memories leave us tittering to our selves.

In the poem there is also an idea of man verses nature, this relates to the survival of the fittest. John Foulcher shows this through the use of first person point of view. For example in the second stanza “Then above me the sound drops” this again possesses sensory imagery creating a deeper human aura throughout the poem. Foulcher further uses a human aura to build a sense of natural imagery for example in the last stanza : “I pick up these twigs and leave them” adding closure

The use of connotative words in this piece is the foundation of this poem and it provides an idea of what this poem is going to be about. In the first stanza he describes the woman as “lovely in her bones,” showing that her beauty is more than skin deep comparing her virtues to a goddess of “only gods should speak.” In the second stanza, the reader can see and feel the love between the two people. The woman taught him how to "Turn, and Counter-turn, and Stand," showing that she was the teacher in the relationship and taught him things he thought he never needed to know. The speaker shows how when they are together, she was “the sickle” and he was “the rake” showing that this woman taught him what love is.

In the beginning of the poem, the narrator states that “all night [she is] the doe,” (i, 1) while also being aware of the hunter’s presence. Despite this knowledge, she is “burning to meet him,” (i, 6) and is consequently greeted by a jacklight and “then slung like a sack in the back of his pickup.” (ii, 11-12) This portrays the narrator as a victim, an innocent creature. Enjambment foreshadows her impending fate when she “have

First, the poet uses metre, a style that emphasizes the use of a specific structure, which is an appropriate way of presenting poems with positive themes such as love. In this case, the poet achieves metre through the use of a uniform number of syllables in every line of the first stanza (10 syllables per line). This approach not only makes the poem memorable in recitation and listening but also relaxes the listener which is important in understanding the subject matter. Petrach uses a qualitative metre, which concentrates on the use of uniform syllabic arrangement. As a result, he creates an aesthetic euphony thus making the listener and the reciter to enjoy the presentation of the poem. The technique is appropriate in the presentation of a love sonnet. Equally, the first two stanzas have four lines each, but the last two stanzas have three lines each. This aspect aligns with the two perspectives presented in the poem, the first being his great affection for Laura, and the second is an expression of the pain he experiences as a result of the unreciprocated love. Furthermore, he has been unable to express his feelings to her, which compounds his pain evident in the words “I had love's tinder in my breast unburned, was it a wonder if it kindled there?” (Lines 8 – 9).

Driving down a narrow mountain road, “Traveling through the dark,” the narrator of the poem encounters a deer. This line might fool the reader into believing the poem has a happy theme however, the first word of the second line reverses this belief. The deer is actually “dead on the edge of the Wilson River Road” (2, 911). The traveler decides to send the deer over the edge of the canyon,

The third stanza introduces the fawn within the doe, a sharp contrast between the scene of darkness and death with life and birth. However, this concept of birth and life is nothing to be celebrated, for Stafford reveals this discovery in a negative tone:

The structure and tone of the poem enhance the conflict and hopelessness the speaker is feeling towards the woman he loves and desires. For the first twelve lines of the poem there is an “abab” rhyming pattern. This ties into the despairing and desirable tone and how the rhyming scheme can be an example of the speaker constantly going back and forth between emotions for this women. For example, “And that mine eyes take no delight to range About the gleams which on your face do grow.” (Gascoigne 3-4) are two phrases that contradict the speakers feelings. Stating that his eyes take no delight in range can refer to the speaker finding no use or happiness in looking at the woman. Although, he then mentions the gleams upon her face growing, giving the audience the idea that even though the speakers love for the woman causes him deep despair, he still desires her enough to describe her features in attentive detail; in this example the gleams on her face. This shows the back and forth pattern and the speakers struggle when it comes

The last line changes the whole perception of the poem. It tells the reader, she was telling the story to someone she cares greatly for. “As free as I would feel when your love would surround me.” (Line 16) It is now realized that the speaker was comparing her strong connection to the woods to another person. This poem is a free verse poem. The author uses

This strong metaphor compares the narrator to the elephant who feels their fate is death. The third part of line 4 is the fine timbers that directly relate to the house previously mentioned. The purpose of the house fortifies the idea that what’s inside is of value. The house is nothing without its fine timbers and it is merely for protection and shelter. Just like a pregnant woman is for her unborn child. The fifth line represents the rising loaf like a child growing inside a womb. It is a pun on a familiar saying to pregnancy of a bun in the oven. “Money’s new minted in this fat purse” plays with the idea that the purse has no great value in itself but contains valuable things inside. Line 7 explores the narrator’s feelings towards having a child. She feels like “a means”, as if she is just a way for the baby to be born. As a mother she is just “a stage” and a platform but not a performance. She is “a cow in calf,” where many cows are separated from their offspring and have little to do with their mum. The final lines seem to break away from the rest of the poem and have a tone of darkness. After eating “a bag of green apples” one might feel sick especially since green apples are considered sour. The fruit is also unripe, signifying that the narrator is not ready to have a baby. Another point that can be found is that it is easy to see the resemblance of this line and Eve from the Bible. Eve was tempted to eat an apple and was cursed with the

The poem can be seen as a parable relating to Anne’s relationship with Henry VIII. When Wyatt speaks of the deer as the possession of the sovereign, not to be pursued by others, he is accepting that Anne has been reserved for the king alone. Wyatt would have been forced to withdraw as a suitor after the King had shown interest in her. This is made evident when Wyatt says: “I leave off, therefore, / Since in a net I seek to hold the wind” (7-8). He realizes the impossibility of being with Anne. It is a clever description of Henry’s possessiveness and Wyatt’s disappointment and feelings of helplessness under the circumstances.