The Wife Of Bath Tales And Chaucer's The Canterbury Tales

Anne Sexton was a junior-college dropout who, inspired by emotional distress, became a poet. She won the Pulitzer Prize as well as three honorary doctorates. Her poems usually dealt with intensely personal, often feminist, subject matter due to her tortured relationships with gender roles and the place of women in society. The movies, women’s magazines and even some women’s schools supported the notion that decent women took naturally to homemaking and mothering (Schulman). Like others of her generation, Sexton was frustrated by this fixed feminine role society was encouraging. Her poem “Cinderella” is an example of her views, and it also introduces a new topic of how out of touch with reality fairy tales often are. In “Cinderella”, Anne Sexton uses tone and symbolism to portray her attitude towards traditional gender roles and the unrealistic life of fairy tales.

Most observers now agree that witches in the villages and towns of the late Sixteenth and Seventeenth Century New England tended to be poor. They were usually not the poorest women in the community, but the moderately poor. Karlsen tries to show that a woman who was vulnerable was most likely to be accused of being a witch. Even women who had gained wealth because of the death of a husband were prime candidates.

“The Devil in the Shape of a Woman” was an excellent book that focuses on the unjusts that have been done to women in the name of witchcraft in Salem, and many other areas as well. It goes over statistical data surrounding gender, property inherence, and the perceptions of women in colonial New England. Unlike the other studies of colonial witchcraft, this book examines it as a whole, other then the usual Salem outbreaks in the late 17th century.

Carol Karlsen 's "The Devil in the Shape of a Woman” was written to provide the reader with an understanding of the role of the “witch” in colonial New England. During the early colonial period, pilgrims lived in a male-dominated society and the classical witch hunts were conducted in an attempt to maintain this societal structure. Since these hunts were placed under a religious guise, it was simple for these individuals to act as if they were maintaining the safety and justice of society. Karlsen explains that in many instances, women who were labelled as witches were often females that had managed to acquire great economic and social status and society. In fear of these women, the neighborhood targeted them and called them witches to weaken their power. Independent of guilt, women who were accused of witchcraft could not possibly recovered. If they claimed their innocence, they would be stoned or burned to death because the counsel would decide that they were not being truthful. If they admitted to their guilt, their place in society would be marred and they would be embarrassed for partaking in these evil acts. Through this violence, men have been able to maintain their place in Puritan society. In her book, Karlsen aims to provide the reader new insight into the witch trials, demonstrating the societal, rather than religious causes for this well-known historic tragedy.

Reginald Scot explores the common perceptions towards witches in the late sixteenth century, which he claims they were commonly old, lame, full of wrinkles, poor (Levack 2004: ?), although not necessarily solitary (Larner 1984: 72). Scot claims that their appearance often caused alarm among many in the community and caused the neighbours to find truth in witches utterings. One could argue women were often ascribed with such stereotypes, for they were both physically and politically weakened, and were unable to distance themselves from accusations (levack 1984: 127). It is apparent the oppression of these women could represent an attempt to maintain hegemony in a patriarchal society in the late sixteenth century. Coincidentally, most women accused of sorcery often lived out of the constraints of male authority, where they would live alone, perhaps for the rest of her life.

The authors use of imagery paints a disconsolate scene of the struggles of young women. Anne Sexton grew up in a rather dismal home, noting abuse and neglect. Her parents were moderately wealthy, but mentally unavailable. Her depression took a turn for the worst after the birth of her first child. Since that severity wasn’t always there to haunt her, it

The witchcraft phenomenon of the Renaissance period was shaped by a wide range of cultural factors; witchcraft was not necessarily subject to a single cohesive idea or concept, and it was often instead a conglomeration of many different societal concerns, concerns which spanned through all spheres of society. Textual evidence from this period provides insight into the way in which witches were conceived, and how witches were dealt with, while visual images present a companion visualisation of the tensions, which influenced created the witch, and the imagery, which came to be associated with witchcraft.

When people think of witches today, there is an image of the characteristics of an old, haggard woman. The connotation of women and witches is significant throughout history especially in early modern Europe. The early modern period was the beginnings of the witch- hunt panics and rooted the characterization and oppression of witches. The moral righteousness through the patriarchal system in place led a clear disportionate between females persecuted as witches. The patriarchal system in place was misogynistic which led to characterizing and stigmatizing of women through the values of the church.

Prior to the fifteenth century, rural European women were highly revered and respected pillars of rural community life; not only considered mothers and wives, but seen as community leaders, physicians, and sources of strength and wisdom. Women had a special and imperative role in rural life, and even those that lived on the fringes of society were well respected as the village healers and wise women. These old women would possess the wisdom of the ages and pass it on to others. This respect for women quickly deteriorated, however, during the witch hunts. The belief spread that women were morally weaker than men and driven by carnal lust, therefore making them more susceptible to being tempted by the Devil, and thus practicing witchcraft. (Levack p. 126) As people took this belief to heart, it is apparent that society would be affected indefinitely by such intolerance.

Every author, poet, playwright has a subtle message that they would like present to their audience. It may be a lifelong struggle that they have put into words, or a multiple page book that took a lifetime to write. A poet by the name of Anne Sexton sought out to challenge society’s views of women by writing “Her Kind”. A poet, a playwright, and an author of children’s books, Anne Sexton writes about the conflicts of a social outcast living in modern times. She voices the hardships she faces through three different speakers in her poem. At the end of the poem, the woman is not ashamed nor afraid of whom she is and is ready to die in peace. In Anne Sexton’s poem “Her Kind”, the main idea the speaker is depicting is the multiple stereotypes placed on a woman, by society. Sexton’s vivid use of imagery paints a picture of the witch, house wife, and mother cliché, while also implying the poem is autobiographical as Sexton went through her own personal struggles during her life.

The poem “Her Kind” by Anne Sexton describes different scenarios of a woman. In the poem, Anne Sexton uses three different characters to explain that she has been each of them in some way. Society places a gender role on what women are allowed to be and how they should behave, condemning the women who do not conform, trying to change them into society’s perfect view of what a woman should be. While this poem shows the author describing herself in terms of the supernatural, it ultimately shows that rebellion against societal norms for women comes at a cost, sparking judgement from a society that sees women as common housewives. Her imagery in the poem represents how she is seen as a disfigured and

Everyone has a story. Certainly Chaucer believes so as he weaves together tales of twenty nine different people on their common journey to Canterbury. Through their time on the road, these characters explore the diverse lives of those traveling together, narrated by the host of the group. Each character in the ensemble is entitled to a prologue, explaining his or her life and the reasons for the tale, as well as the actual story, meant to have moral implications or simply to entertain. One narrative in particular, that of the Wife of Bath, serves both purposes: to teach and to amuse. She renounces the submissive roles of a woman and reveals the moral to her story while portraying women as sex seeking, powerful creatures, an amusing thought

Many literary critics throughout the years have labeled the Wife of Bath, the "gap-toothed (23)" character of The Canterbury Tales by Geoffrey Chaucer, a feminist. She is a strong-willed and dominant woman who gets what she wants when she wants it. However, this is not the definition of a feminist. A feminist is someone who believes that women and men are equal, while also is able to recognize and appreciate the unique characteristics of both sexes. A feminist celebrates what it means to be a woman, and a feminist is definitely not what Chaucer meant his character to be interpreted as. If anything, the Wife of Bath could safely be called a sexist. She constantly emphasizes the negative

Karen Ocampo November 29, 2017 Mr. Watkins Period 6 The value of women throughout the years Throughout the years of writing history women have been visualized as many ways; in some books women are highly praised while in others they are only objects to men. In the 14th century where the canterbury tales takes place, women were expected to be submissive towards men; they were so dependent to their husbands that when it came to legal status, women were not considered a legally competent adult.

Didactic literature is a work of writing that has been around for many centuries. It can come in all types of forms- novels, plays, poems, etc. The main similarity that all didactic literature have in common is their message. They all aim to impact their audience with a message or moral that usually involves religion, philosophy, history, or even politics. In a way, didactic literature always tries to improve a part of society in a moral basis.