Essay on The Wife of Bath: Illustrating Courtly Love

Often at times people can feel disconnected from themselves, from the world, or even friends and families; Therefore, causing tension in relationships. Which was displayed in “The Wife of Bath’s Tale” when the knight searches all over the world to find out what women most desire in a man. Also in “One Amazing Thing” there are various stories from different characters that have had trouble with personal stories and how one gender or religious belief can be more dominate than the other.

All through Canterbury Tales, women are dealt with as objects in everyday life. In the “Miller’s Tale,” an old man marries a younger, attractive women for her looks. In the “Wife of Bath’s Tale,” a virgin woman has her virginity and innocence taken from her by what is suppose to be a noble and honorable knight and when his punishment is later to marry an older, less attractive women, all respect for his newly wife vanishes. A woman’s level of recognition in Canterbury Tales are through her class in society, whether she is young and beautiful, or old and disgusting, and her degree of experience in life. Women are not desired for their intelligence, wisdom and capabilities which might of kept a relationship deceitful-free. The “Wife of

Geoffrey Chaucer’s “The Wife of Bath’s Tale” is an important part of his most famed work, The Canterbury Tales. One of the most respected highly analyzed of all of the tales, this particular one is important both for its character development and its prevailing themes. It seamlessly integrates ideas on society at that time with strong literary development. This work stands the test of time both because of its literary qualities and because of what it can teach us about the role of women in late Medieval society.

Two conflicting disciplines are prevalent throughout Arthurian Legend; that of chivalry and that of courtly love. The ideal of each clash throughout the medieval tales, and it is impossible to interfuse the two models for society. Chivalry is a masculine code, an aggressive discipline, whereas courtly love is based upon women - their needs, wants, and desires. The consistent problem if Lancelot and Guinevere’s adulterous relationship in different tellings of the affair relates back to the differences presented in chivalric code and courtly love ideals.

The Wife of Bath begins the prologue to her tale by boasting of her experience in marriage. She has married five men already, and ignores the idea that this is a reproach to Christian principles. She is merely adhering to the Christian principle of "be fruitful and multiply." She cites the case of King Solomon, who had multiple wives, and tells the group that she welcomes the opportunity for her sixth husband. She also points out that Jesus never lays down a law about virginity, and essentially states that we have the parts for sex and should use them as such. The Pardoner objects to the Wife of Bath's musings on marriage, but she decides to tell

“The courtly lady…possesses a curiously hybrid gender. While maintaining stereotypically female sexuality, she also holds, in principle at least, the status of a feudal lord.” Burns’ statement insinuates a reversal of power dynamics between man and woman in the courtly love lyric, implying that the woman’s stereotypical beauty and sexuality in courtship, is a gateway to subverting and overpowering the lovesick male, making her a superior lord. The Amour Courtois lyric is deemed inconsistent with the representation of woman as an empowered “feudal lord” due to the sheer objectification of femininity and beauty. Poets such as Geoffrey Chaucer and William Dunbar commend a woman’s aesthetic appeal or satirise the lack of it, thus elevating medieval misogynistic expectations of physical beauty as a feminine necessity that objectifies women under the control of man’s advances. Throughout courtly love lyrics female beauty is a purely frivolous and superficial trait lacking predominant depth, to render woman as a “lord” would be poetically conflicting as the only power exemplified by female subjects in courtship is through the idolisation and sexual lust of the male devotee.

By the mid-fourteenth century, courtly love became an accustomed behavior. The heart of courtly love grew to demand a knight’s complete obedience to his mistress under his honor and courtesy, by means of taxing ordeals to prove his enduring commitment to her. The resulting relationship would be characterized by full expressions of mutual lust and love. Fast-forward to America during the Roaring Twenties and romantic love had long become the basis of most marriages, but the great Jay Gatsby revives the medieval style of courtship to address his deep affection for his beauteous lover.

In Chaucer’s “Franklin Tale” the plot revolves around a married couple: the knight, Arviragus, his young wife, Dorigen, and a young squire, Aurelius who importunes and attempts to Dorigen. The characters can be said to oscillate between desire and their ego honor which affects what they say and do. Lacan’s definition of desire tells us that we desire for recognition from this “Other.” Our desire is to become what the other person lacks. Duby’s model of courtly love is a concept that focuses on chivalry, nobility and women being at the center. In this paper, I will examine what the story reveals about the relation each character has to his or her desire, how they act in accordance to their desire and the role magic or illusion plays in the plot and how it affect characters’ relation to desire.

Throughout literature, deep relationships can often be discovered between a story and the author who writes it. Relationships can also be found in stories about a husband and wife. In Geoffrey Chaucer's The Canterbury Tales many of the characters make this idea apparent with the stories they tell. In “The Pardoner’s Tale”, a distinct relationship can be made between the character of the Pardoner and his tale of three friends. Also, the Wife in “The Wife of Bath’s Tale” boldly declares her relationship towards her husband.

In The Canterbury Tales, the Wife of Bath gives an in-depth look on her life and understanding on the world as she perceives it. During her Prologue, we learn that what she calls experience stems from her first three marriages, but during her last two there is a shift in power. The Wife of Bath demonstrates her understanding and power throughout her first three marriages both physically and emotionally and the contrast of her lack of control in her last two, thus revealing the true meaning behind what she believes is experience during these marriages. The Wife of Bath’s authority can be viewed as realist when paralleled to the chain of being because of the emotional control she has over her previous husbands and the simple fact that she

In The Canterbury tales, Chaucer uses The Wife of Bath as a representation of what it was like for Women in the Middle Ages to be striped of equality and bow to the otherwise male dominated society. For the representation of women Chaucer uses the Tales of “The Scholar”, “The Second Nun “The Reeve’s”, and “The Franklin” and many others in a very dry, pretentious manner to steer readers into the view of how a women of the Middle Ages should be as a so called “virtuous” wife or woman. The concept of marriage plays a major part in manifesting the idea of the issues of inferiority of women. The perception rendered as women having to be obedient and inferior figure to their husbands or male counter parts. Chaucer

In The Canterbury Tales, Geoffrey Chaucer tells “The Knight’s Tale”, a story of the two knights Palamon and Arcite who fall deeply in love with Princess Emily, a member of Theseus’ kingdom. Even though both knights are imprisoned within a tower, each finds a way to escape jail and try to win Emily. Ultimately, this leads to a duel between the two knights for which the prize is the hand of Emily. Chaucer uses the knights to reflect the very male-oriented time period through the strong chivalry and courtly love displayed towards Emily, when in reality, he was trying to expose the flaws of the chivalric code, which led to the deadly feud between two fellow knights. Essentially, Chaucer is holding up a magnifying glass to what people of the

love” makes evident Chaucer’s skewed views of love and marriage with underlying tones of misogyny. He expresses these views throughout the work, however, the theme of love and sex is most evident in the sub-stories of The Wife of Bath and The Miller’s Tale.

The Wife of Bath uses bible verses in “The Wife of Bath’s Prologue.” Further, she employs the verses as an outline of her life to find reason in God to justify her actions. Nevertheless, the purpose of the verses differs within each stanza of the poem. The Wife of Bath is a sexually promiscuous, lustful, and manipulative woman. She marries men one after the other as they get older and die. In order to combat and overthrow the speculation and criticism being thrust upon her by societal norms because of her marriages, the wife turns to specific bible passages to find reason in life and support for her actions (Article Myriad.com). When the wife is having sex quite frequently and with different men she is said to be fruitful and multiplying. According to the wife, this is what she is told to do in the bible passage, which she has misinterpreted. Ironically, The Wife of Bath is using a predominantly male dominated book to back up and support her reasons for women being equal to men (Article Myriad.com). Not only has she referred to the benefits of adultery through the bible, she has also attempted to undermine the power of men in the very same way she has attempted to prove that the genders are equal. From this, it can be interpreted that although the wife claims to be providing evidence for women being equal to men, she is actually saying that women are better than men. She misinterprets the readings of the bible and male written passages on purpose in order to suit her needs.

The investigation into whether or not Geoffrey Chaucer was ahead of his time in terms of his views on feminism has been up for debate for hundreds of years. The Wife of Bath’s Prologue is just one solitary