Essay on The Wife of Bath by Geoffery Chaucer

The disparity in the outcomes of the hag's marriage and Alison's marriages in Geoffrey Chaucer's "The Wife of Bath's Prologue and Tale" depends in part on the women's differing expectations of their husbands. The hag's modus agendi depends on a knight's obligation to honour his pledge, whereas Alison's modus operandi depends on her husbands' conduct after marriage, i.e. on her circumstances. Having saved the knight's life, the hag asks the knight to permit her to be his wife. Moreover, she wants to be his love. The knight must marry, since marrying the hag lies within his might. Since the hag's definition of being his wife includes her loving him, he is duty-bound to

In "The Miller's Tale," the character of Alison is introduced as the 18-year-old wife of a carpenter who is much older than the woman. The author's description of the young wife seems to suggest that she was so wild, beautiful, and desirable that the old man had a difficult time containing his jealousy.

Geoffrey Chaucer’s “The Wife of Bath’s Tale” is an important part of his most famed work, The Canterbury Tales. One of the most respected highly analyzed of all of the tales, this particular one is important both for its character development and its prevailing themes. It seamlessly integrates ideas on society at that time with strong literary development. This work stands the test of time both because of its literary qualities and because of what it can teach us about the role of women in late Medieval society.

In her tale Dame Alice claims once again that the most important thing to a woman is to have control and dominance in a relationship with a man. This is seen when the knight returns to the castle to answer the queen’s question, saying "a woman wants the self-same sovereignty over her husband as over her lover, and master him, he must not be above her" (174-176). As part of a previous arrangement the knight is saved, but must marry the old hag. The woman knows that her new husband is upset that she is old and ugly, so she decides to give him a choice. The hag questions the knight as to whether he would rather have her old and faithful or young and unfaithful. The knight tells the hag that the decision is hers to choose what she thinks will be best. Because the knight was wise enough to give the woman the choice to choose for herself the old hag was able to become young, beautiful and good. The Wife’s tale demonstrates that life will be better for a man when he gives his

"The Wife of Bath", in the collection of Chaucer’s Canterbury Tales, illustrates the stereotypical image of a women in medieval times ("The Portrayal of Gender in The Wife of Bath's Prologue and Tale.") The tale characterizes women as lustful and greedy burdens on men. However, to readers today, "The Wife of Bath" represents a strong minded feminist woman who is confident and open about her sexuality. Narrated by a character called Alisoun, "The Wife of Bath" reveals an insight to a woman’s point of view in medieval times. Alisoun begins her long prologue by declaring that she follows the rule of experience; announcing that she’s a self–proclaimed women. Throughout the her tale Alisoun questions and challenges the idea of power and authority in medieval society. Through Alisoun, Chaucer gives women a voice to express their call for equality and their need for power. By using description and characterization, Chaucer gives readers an insight to a society in which women are starting to express their desire to have power ultimately arguing that in order for men to be happy women need to have sovereignty in medieval times.

Often, the most memorable female characters are those who break out of the stereotypical “good wife” mold. When an author uses this technique effectively, the woman often carries the story. In Geoffrey Chaucer's Canterbury Tales, he portrays the Wife of Bath, Alison, as a woman who bucks the tradition of her times with her brashness and desire for control. Chaucer effectively presents a woman's point of view and evokes some sympathy for her.

In the time period of the 14th century, many woman faced inequality. Women were not viewed to uphold the same quota as men. Most females were viewed as passive to males and were not able to make many demands in their relationships or make any contributions to their own survival or life. In the “Wife of Bath Tale”, written by Geoffrey Chaucer, Chaucer gives an insight into the struggles of a woman. Chaucer gives a voice for women who cannot speak for themselves. He creates a tale for the Wife of Bath that includes and questions the societal views of women. Written in the words of a woman, Chaucer undermines what it means to be a female in the fourteenth century who desires independence and

     During the time period in which Chaucer wrote The Wife of Bath women were most commonly seen as prizes won by men. They were treated merely as objects of housework and sex. Although, women of Homer’s time period were not degraded as severely, both periods did not allow the due respect women should have received. The Wife of Bath is an exact antithesis of this view. The Wife of Bath, known as Alison, is the complete opposite of the typical woman of that time. In fact, she acts more like the husband in the marriage. She tells stories of how her first three husbands suffered greatly at her hands. Alison also goes on to describe how

In so much that the Wife of Bath fights back against the oppression against women, she in turn ends up treating her husbands in the same oppressive manner. It is interesting to note that in her rants against men being the controlling force in marriages, she herself was a bully to her husbands. This makes it difficult to interpret Chaucer's intentions in creating a strong women character advocating for her due rights. By vocalizing her thoughts and what were most likely many women's thoughts of his day, he gives an identity and power to those without a

In The Canterbury Tales, the Wife of Bath gives an in-depth look on her life and understanding on the world as she perceives it. During her Prologue, we learn that what she calls experience stems from her first three marriages, but during her last two there is a shift in power. The Wife of Bath demonstrates her understanding and power throughout her first three marriages both physically and emotionally and the contrast of her lack of control in her last two, thus revealing the true meaning behind what she believes is experience during these marriages. The Wife of Bath’s authority can be viewed as realist when paralleled to the chain of being because of the emotional control she has over her previous husbands and the simple fact that she

Chaucer’s “Wife of Bath Prologue and Tale” focus on the story telling of a woman who has experienced her fair share of marital issues. She is depicted as a promiscuous woman, married five times and had plenty of male suitors, the Wife was not like any other woman during this era. Although her reputation was how most perceived her, she was not a fan of being scrutinized for what she considered as her duty as a woman; to not remain single. This is seen through the depiction of women in society, how marriage ought to be in the eyes of religion, and how men were to view a woman like her. The language that is used throughout Chaucer’s prologue and tale allude to the evolution of women as well as how they struggled to gain any recognition in

In The Canterbury tales, Chaucer uses The Wife of Bath as a representation of what it was like for Women in the Middle Ages to be striped of equality and bow to the otherwise male dominated society. For the representation of women Chaucer uses the Tales of “The Scholar”, “The Second Nun “The Reeve’s”, and “The Franklin” and many others in a very dry, pretentious manner to steer readers into the view of how a women of the Middle Ages should be as a so called “virtuous” wife or woman. The concept of marriage plays a major part in manifesting the idea of the issues of inferiority of women. The perception rendered as women having to be obedient and inferior figure to their husbands or male counter parts. Chaucer

The manifestation of Chaucer’s perceptions lie in the actual tale as well as the prologue of The Wife of Bath when power is no more than momentarily relinquished to a man non-consensually through rape. Power is hastily regained by women when the rapist’s fate is put

Chaucer's "The Wife of Bath's Prologue and Tale" is a medieval legend that paints a portrait of strong women finding love and themselves in the direst of situations. It is presented to the modern day reader as an early tale of feminism showcasing the ways a female character gains power within a repressive, patriarchal society. Underneath the simplistic plot of female empowerment lies an underbelly of anti-feminism. Sometimes this is presented blatantly to the reader, such as the case of Janekin's reading aloud from "The Book of Wikked Wives" (The Wife of Bath's Prologue and Tale 691). However, there are many other instances of anti-feminism that may not scream so loudly to the reader. This

Misogyny is not only visible in the Miller’s tale, but also in the Wife of Bath’s tale through the very superficial standards set for women by men. The old woman asks that the knight marries her in return for giving him the answer to the riddle and he reacts in disgust and horror, “‘...to take me as your wife…‘Alas and woe is me!...I am ugly and poor…my damnation! Alas, that any of my birth should ever be so foully disgraced!” (Chaucer, “The Wife of Bath’s Tale,” 199-213). The knight is visibly distraught, using words such as “damnation” and “disgraced” when the old woman expresses her wish to marry him. He displays these emotions not because she wants to get married, but because she is ugly and poor. He is worried because an ugly wife will mar his reputation and is a poor reflection of him. This translates to the misogynistic society during the time period where women were seen as property to be shown off, rather than people who deserved respect. The recurring theme of misogyny in these two tales shows that Chaucer does not feel sympathy for the opposite gender, but instead belittles their plight.