The Wind Of The Willows, By Kenneth Grahame

All heroes around the world go through a journey of their own. Those journeys can be a physical, , mental, emotional journey, and lots more. These types of personal journeys are demonstrated in an epic poem, The Odyssey, by Homer, an interview, The Hero’s adventure by Joseph Campbell and Bill Moyers, a short poem, Courage by Anne Sexton, a graphic novel, The Odyssey by Gareth Hinds. They all show how journeys can be transformative and show a person’s strengths and/or weaknesses.

The use of a journey narrative as both an archetypal plot device, and a technique that facilitates and informs character development, is an enduring literary trope, likely as old as literature itself. The mere fact that journey narratives have persisted in literature, without inherently being regarded as overused, outdated, or clichéd, is indicative of the impact and influence this technique has when executed effectively. Additionally, this is testament to its adaptability, and capacity to complement and integrate within various styles and genres. Conventional journey narratives often follow a basic structure, contributing to reader expectation that a vast, far-reaching journey should be inherently reflected by vast emotional progress, and

The paths taken in each person’s lifetime can associate with any factor or situation that one may come across. For example, one could come across a path that stands for tradition and the effect of traditional beliefs on a society like the one represented in “Dead Man’s Path.” Another example could be a path that stands for the power of love and the effect of unselfishness that makes one continue with life like the one represented in “A Worn Path.” An additional example could be a path that stands for overcoming doubts of beliefs as these may uphold or tear one apart like the path represented in “Young Goodman Brown.” No path is easier than another and they all hold a spectacular significance in each person’s life. Therefore, in this independent

Novelist and poet, Rainer Maria Rilke once said, “The only journey is the one within”(Rainer Maria Rilke Quotes). Meaning, what makes a journey important is how one changes and learns from the experience. The claims made in this quote are well proven in relatively new literature and even one of the oldest poems still studied today. The Odyssey is a famous, well known epic poem. It was written by the renowned poet, Homer, in ancient greek times. The Odyssey follows a man known as Odysseus, he just left fighting in the Trojan war after years. Odysseus has quite the adventure due to the gods’ and goddesses’ constant manipulation, all in the hope of reaching his homeland, Ithaca, and beloved family. Quite the opposite, much younger and shorter “The Journey” is a poem written by Mary Oliver in the 1900s. This poem relays what a journey really is and the purpose of going on journeys. Despite the differences between The Odyssey and “The Journey”, the two both use figurative language to convey a very similar message. People embark on journeys to fill an empty void and learn what they appreciate in life.

It is presumed that journeys are uplifting experiences, with the implication that new knowledge and greater insight allow travelers to gain wisdom and solidify a coherent view of the world. Yet, experiences through journeys can result in new knowledge clashing with preconceived beliefs, potentially disabling the traveler’s epistemology. Furthermore, a traveler cannot ignore this conflicting knowledge and return to his prior self at the conclusion of his journey. These themes are explored in Robert Gray’s poems

The “closure––” that is offered within the swamp momentarily of pauses the passage. The en dash leaves “closure” open-ended, yet nonetheless grounded to the swamp. The juxtaposition with the intention behind the rhetorical “closure” and the word’s physical connection to the en dash creates tension and an ambiguous dependency on the rest of passage, or the swamp itself. If the swamp metaphorically abstracts life, then Oliver’s transition from progressive to submerging voice mirrors one’s focus on the deeper layers of their life, where a profound interpretation exists beyond the surface. Ironically, the course of life that was considered “pathless” and “seamless” shifts when the individual provides meaning. Playing with scale offers descent into life’s core, as the “pathless, seamless, peerless mud,” encompasses every corner of the swamp. Though the “path” is still daunting and unclear, mere admittance of a “path[‘s]” nonetheless contextualizes its existence. Mentioning of the path may reflect Oliver’s own belief about fate and progress. The end is not clear, yet “peerless,” forward movement continues. Gradation of “foothold, fingerhold, mindhold,” physically embodies spiritual descent into the swamp. The drive to attain a stronger connection with an idea, an ultimate “mindhold,” are vulnerable approaches to appreciating the swamp, yet the humility within a slow pace provides means for full immersion and “sink[ing] silently,” into

In the passage, the author relates a story about an individual seeking life in the woods trying to comprehend the essentials of life. The narrator in the story leaves go of all life’s futilitys in order to seek life’s treasures. This is the central theme of the passage. The author uses first person point of view to portray his thoughts and highlight the central theme. The narrator relates, “I went to

These incredible works provide for the readers a glimpse in to the past. These works of literature brought about great insight to the discussion questions from this section. To start, discussion thirteen talk about are journey and how it relates to our destination. One’s own destination is defined by their journey. In Harte’s

In The journey by Mary Oliver she uses figurative language to convey metaphors throughout the story. She uses metaphors to also convey a theme which is” Life is An ongoing Journey that all people must undergo and how people must become independent and not rely on others.” Mary Oliver causes the reader to fully experience the barriers in life. Ultimately showing the real world survival, and to show one’s need to find his/herself dependent on knocking down the obstacles in their way. For example oliver includes “The Road Not Taken”, she uses this, because it shows comparison of a physical journey to a spiritual journey towards tackling a barrier or problem in life, this shows to be independent because its not your peers road to tackle the problems

The destination was beautiful, but without the journey I wouldn’t be who I am today. The journey is crucial because of the experience people go through. In the short story, “The Ugly Duckling”, a baby swan grows up thinking he's a duck. The events of him thinking he's a duck lead him to believe he is very ugly.

Journeys allow the individual to connect with what surrounds them, as it forces them to rely heavily on themselves. Although journeys may not be personal, our knowledge on the nature of them broadens after every single one. Through ‘The perks of being a wallflower’ the film adaptation by Stephen Chbosky and the Shakespearean play ‘King Lear’, both protagonists venture out on an emotional journey of self discovery. Journeys commonly incite a realisation of an individuals characters and their inner emotional journey. This is conveyed through a series of events, allowing the character to develop for the better.

Many people believe that a journey leads to a development of identity, of who we are as a person. Along the same lines, our values and characteristics evolve over time, as we make changes throughout our lives. Therefore, the liaison that identity and journey, share is a journey of obstacles and internal and external trials. Thus, helping us grow by maturing and helps develop valuable life skills as a result, learning new experiences. This journey will help us see what makes us different from one another and whom we want to identify. Throughout this journey, we will develop qualities and go through failure. The failures will help us not to give up, but keep going, and that is going to be a key point on shaping our identity. For example, this will help us identify if we are a strong or weak-minded. This odyssey may aid you by appreciating life and finding peace in the things that made you miserable. Furthermore, journey and identity connect because we have to go through an internal, external, and transformative journey to shape our identity to self-define, who and what we are. In other words, how this journey sets us apart from other people.

In Kenneth Grahame’s The Wind in the Willows, Grahame is able to combine two seemingly opposite themes to really grab the attention of his audience, the children reading his book. Those two themes are adventure and the importance of home. While the majority of children love the idea of going out for joyrides on Toad’s horse-drawn caravan or taking action in a mastermind plan to free Toad Hall of the weasels, at the end of the day what children need and want is home. By home I do not just mean a home, but all the things that a home can provide, such as family, comfort, safety, and a place to belong. I think Grahame does a great job of exploring the adventure genre stories children love while still maintaining the importance of the ordinariness

Journey’s are inherently about change. Endeavouring through new surroundings and meeting new people as well as the ambience of unfamiliar, foreign cultural environments, evokes a dramatic sense of transformation in the way one interacts around others as well as a change of self, throughout and beyond the journey. William Shakespeare’s pastoral comedic masterpiece, As You Like It (1603) and T.S Eliot's well renowned historical poem, Journey of the Magi(1927) both vividly illustrate this life-changing perspective of a journey. Orlando in As You Like It embarks on an inner journey that develops and ultimately reconstructs his understanding of his self-worth and importance in the draconian structure of the court. Similarly, Eliot’s poem explores the life altering aftermath

The author, Spencer Johnson, uses the maze as a tool to convey the ways we handle change in our lives. Many times we face the same dead ends and long daunting