Essay about The Window

It still holds true that man is most uniquely human when he turns obstacles into opportunities. This is evident in Jeannette Walls’ memoir, The Glass Castle, which reiterates the story of Jeannette who is raised within a family that is both deeply dysfunctional and distinctively vibrant. Jeannette is faced with numerous barriers throughout her life. Despite the many obstacles set forth by her parents during her childhood, Jeannette develops into a successful adult later in life. One of these obstacles is the lack of a stable home base moulds her into the woman she grows up to be. Throughout her life, Jeannette must cope with the carelessness of her

“No human being could have passed a happier childhood than myself. My parents were possessed by the very spirit of kindness and indulgence. We felt that they were not the tyrants to rule our lot according to their caprice, but the agents and creators of all the many delights which we enjoyed. When I mingled with other families I distinctly discerned how peculiarly fortunate my lot was, and gratitude assisted the development of filial love.”

In this both heart wrenching and slightly humorous memoir, journalist Jeannette Walls tells the bittersweet story of her rather dysfunctional and poverty stricken upbringing. Walls grows up in a family trailed by the ubiquitous presence of hunger and broken homes. Throughout the memoir she recounts memories of moving from one dilapidated neighborhood to another with her three other siblings, insanely "free sprinted" mother, and incredibly intelligent yet alcoholic father. The author focuses on her unconventional childhood with parents who were too lazy and self-absorbed to obtain decent jobs. Although Walls's childhood gushes with heartbreaking tales of searching through dumpsters for food, she remains as unbitter as possible and

In March 1982, The Atlantic magazine ran an article titled “Broken Windows” by George L. Kelling and James Q. Wilson. [1] The authors of this now famous article wrote, “Social psychologists and police officers agree that if a window in a building is broken and is left unrepaired, all the rest of the windows will soon be broken.” One broken window, left unrepaired, is a signal that the building is abandoned and that no one cares, so breaking more windows means nothing. The authors continue, “Vandalism can occur anywhere once communal barriers—the sense of mutual regard and the obligations of civility—are lowered by actions that seem to signal that ‘no one cares.’”

"Baraka" showed the beauty and destruction of nature and humans. Its key was to show urban life and technology compared to the environment. The film made the viewer compare the things found in nature against

The river represents the period between life and death. Another part of this symbol is the air representing life and under the rocks and waterfall representing death. Just as the transition from life to death is in motion, so is the rushing of the water. Both have a beginning and an ending point, but the part in the middle is constantly moving, swirling and churning. As the girl loses hope for survival and the waterfall is approaching, the narrator states, “[S]he becomes part of the river” (45). The girl now crosses over the borderline of life and death, and she is about to be swallowed up by the falls of death and can never return to life. However, when the diver goes into the river to save her, he comes out saying that “he’d never enter that river again” (47). He encounters the spiritual eccentricity of the edge of death when he looks into lifeless girl’s animated eyes, and he can not fathom that experience. Another symbol that is introduced twice is the gurgle of the aquarium, which symbolizes the attempt to understand nature’s cycle of life. As she floats downstream, the girl remembers “her sixth-grade science class, the gurgle of the aquarium at the back of the room”(45). During this moment, all of her thoughts are puzzled, and she cannot understand the death awaiting her. Later on, after sleepless nights, the diver is in the empty school where “the only sound the gurgle of the aquarium” (48). This moment is the point at which he decides

The water is symbolic of romantic love as an overwhelming and transforming force that changes in form and changes the people involved. The wave is large, unpredictable and spans out as far as the eye can see. The movement of an all-encompassing emotion like love is impossible to contain, much like water. It is free flowing and goes on forever. “Love was a game, a perpetual creation (Paz, 2). Love and water are both creations of the divine and humans tend to use and abuse them. However, humans are emotional and social animals who need both love and water to survive. Waves have a way of hitting humans all at once, just like love. It renders humans excited and full of surprise at first “wave of surprise” (Paz, 2) like a crashing delight. It also leaves us always wanting more. We have an unquenchable thirst for love and affection, thus we chase it even in its most sinister forms, like an abusive relationship. The narrator is accepting of the wave 's presence when she appears in his home where he was once hesitant of the idea of her in his life. Love also transforms and can change us, like water changes states. It can become overwhelming and hard to breathe, but it is often all around us and

In Alfred Hitchcock’s Rear Window, L.B. Jeffries, played by Jimmy Stewart, becomes completely obsessed with spending all of his waking hours watching his neighbors from his wheelchair. He even uses a camera to better his view and thus enhances his role as both a spectator and a voyeur. This contributes to the creation of a movie being played right outside Jeffries’ window. In this “movie within the movie” his neighbors’ lives become the subject for the plot. Each window represents a different film screen, each which is focused upon only when Jeffries directs his attention to it. He witnesses both the anxieties associated with the beginning of a marriage and the heartache of relationships ending. The

When forced to give up so much, the Joad family begins to question their faith. Several religions share the belief that water has the power to cleanse and purify oneself. When the Joad family arrives in California, all of the men bathe in a river, symbolizing their rebirth. They are purging themselves of the past and focusing on their future and their aspirations. When they submerge themselves in the water, all of their tribulations such as Granpa’s death and the loss of their farm, will be left behind in order to focus on what’s to come. The water also symbolizes a new start for the Joad family. Steinbeck writes, “He cupped his hands full of water and rubbed his face...dusty water ran out of his hair and streaked his neck” (284). The

In the movie, Rear Window, Alfred Hitchcock uses the story of a cripple free lance photographer, Jeff Jeffries, to explain the twisted sense of society in the 1950’s. Hitchcock uses clever things from the way the apartments are being filmed to the dialogue between Jeffries, Lisa, and Stella to show societies interest in pain, tragedy, and discomfort, and in the end you see how tragedy is what makes everyone happy.

In Alfred Hitchcock's 1954 classic thriller Rear Window, Jimmy Stewart stars as L.B. Jeffries, a world traveling magazine photographer accustomed to living a fast pace active lifestyle. When Jefferies injures himself taking a risky picture he is immobilized, confined to a wheelchair inside his apartment for two months. Bored with his uneventful life he becomes completely obsessed with the lives of his neighbors spending the majority of his waking hours watching them from his window. To obtain a better view he begins using a telescopic lens from one of his cameras. By watching his neighbors through the camera he assumes the role of both a spectator and a voyeur. This contributes to

In this essay, I shall try to illustrate whether analysing the movie Rear Window as a classical example of the Freudian concept of voyeurism, is appropriate. Voyeurism is defined in The Penguin dictionary of psychology as:

The thoughts and emotions that occur in connection with water are triggered by the lake, and they help Ruth choose transience over any other form of existence. When water floods Fingerbone, the boundaries are overrun, exposing the impermanence of the physical world, and the world’s own natural push towards transience. Water shifts the margins, warning us that the visible world only shows us part of the whole--or perhaps even a mere reflection of a false reality. After the fantastic train wreck in which Ruth’s grandfather perished, the lake sealed itself over in ice, changing boundaries again, while it concealed, like a secret, the last traces of the victims with the illusion of its calm surface. The lake, a source of beauty and darkness, life and death, is “the accumulated past, which vanishes but does not vanish, which perishes and remains” (172). Water carries the symbolic possibility for rebirth– the flood causes the graves in the town cemetery to sink, “so that they looked a little like…empty bellies," suggesting that the dead were born into the receding waters (62). As water and death are so pre-eminent in Sylvie’s consciousness, in dream, she teaches Ruth to dance underwater, to live a life of transience to be

The world is being sickened by the needs of man in today's society. People, love to live in luxury without knowing the consequences of their actions. This is because man lives at a pace set by himself, and not one that is naturally set by nature. This is shown excellently in a quote inside of the novel Silent Spring by Rachel Carson. The Quote states, “the rapidity of change and the speed with which new situations are created follow the impetuous and heedless pace of man rather than the deliberate pace of nature.” The Earth is experiencing such rapid and disastrous change due to the wants of man. Man demands too much from the earth and not only is this changing the Earth, but it is also depleting many non renewable resources

Insignificant droplets of water plunging to the ground, gradually elaborating into a system which proclaims its existence with such scintillation and momentous significance, the river. The river that carries the same inexorable rate which we live our lives by, parallels to the current of an unstoppable river. Shifted to different directions by the different obstacles encountered, the river finds different routes to get to the destination it desires and life mimics its nature as many avenues close and others open. But the river carries on and does not pass through the same obstacle twice, it does not struggle or brawl the happenings opposed to it, it simply takes another path and learns from its mistakes. The river symbolizes life. In the book Siddhartha by Herman Hesse. The river plays a significant role on a reflective surface which redirects his actions into the eyes of the protagonist, Siddhartha.