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The Woman Warrior By Maxine Hong Kingston

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Throughout the novel The Woman Warrior, by Maxine Hong Kingston, the past is incorporated into the present through talk-stories combined into each chapter. Kingston uses talk-stories, to examine the intermingling of Chinese myths and lived experiences. These stories influence the life of the narrator as the past is constantly spoken about from the time she is young until the novel ends and she becomes an adult. Kingston incorporates two cultures. She is not a direct recipient of Chinese culture, but she has her own sense of talk-story, that she learns from her mother, which tells the old Chinese stories with a sense of myth, in a new American way. This is a way of weaving two cultures together, bringing the Chinese past into her present American life. Chapter one titled, “No Name Woman”, is an example of the narrator referring to her mother’s talk-stories and a prominent illustration of incorporating the past into the present. This talk- story is culturally based to express information about the past. In “No Name Women”, the narrator explains that her mother, Brave Orchid, would use the stories to give lessons on life that would stick with her children. She represents a bridge figure with one foot in the past, her Chinese culture that she relays on to the family and one foot in the present, her assimilation to American life. The bridge that Brave Orchid acts as brings together the two cultures and allows her to incorporate the family’s Chinese history into their present

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