The Women Of Beauty

The author of “The Black Beauty Myth” Sirena Riley has encountered multiple experiences concerning body image throughout her life. At a young age, she started to feel the pressure to have a perfect body. The struggle of making herself perfect ultimately lead to eating disorders for instance, bulimia and compulsive exercising. In her journey from a young age to her college years she has learned better ways to deal with negative body image through therapy. In her article, she states “I was in three body image and eating disorder groups with other young women on my campus. I was always the only black woman.” (Riley 2002, 229) This quote supports her belief that black women have body image issues but are not open to seeking help or expressing

The Beauty Myth’s central argument is the growing standards of physical beauty of women as they grow stronger. This standard has affected women in many ways, such as in the workplace, culture, and religion. The standard has taken over the work of social harassment. The beauty myth expands the belief an unbiased measurement of beauty exists and that women want to express it and men would want that women. The author, Naomi Wolf, states that the beauty myth is not about women themselves, it is about the power of men and their society. The myth supplies power to multibillion dollar cosmetics industries and it keeps women from rising too high in the workplace. Within this book, Wolf shows how the beauty myth functions and affects women in the workplace, media, sex, religion, culture, violence against women by men, and by women themselves in the configuration of cosmetic surgery and eating disorders.

As of recently, the media has been flooded with positive interpretations of beauty standards all over the world. According to various sources, beauty ideals, in women especially, are socially constructed in order to judge a person’s value based on physical attractiveness; therefore, it is highly encouraged that people pay attention to their looks and take care of themselves, in order for others to create a positive first impression of one’s character. It is no secret that beauty standards vary from one culture to the next and it is difficult to establish a universal principle of what is considered beautiful. Many countries’ ideals contrast one another and, as a result, allow for stereotypes to emerge. This is the case between American

Near the middle of her article, Perry argues that even though statistics show black girls having the highest self-esteem of their physical appearances, the rate will fall as they “move into adolescence and their bodies come under scrutiny” (138).

In Killing Us Softly, Kilbourne gives the example of the common advertising image of a black women in a jungle setting, wearing a leopard skin. In most media, white women are considered the “standard model” of what is desirable, both from the perspective of what a women should look like, and

Who are we? What defines us? In America, we are defined by our class, what we do and most importantly – how we look. Since the birth of our nation, a notion of “race” has been rooted to our core personas. In fact it can enforce stereotypes of class and careers. It is evident that Black Americans are un-proportionally living in poverty and without easy access to achievement. This harsh reality is not helped by our media-driven society. In a world so heavily integrated with mass media hysteria, we scroll past posts that can have the countering effects of degradation or empowerment through our identities. While movements of Black Power can be painted through media, it also not hard to see the difference between the ways in which Black Americans are manipulated within the lens of media. They are portrayed as fitting a certain stereotype – uneducated, violent and intriguingly exotic. For example, while women in general face the enemy of “sex sells”, black women have this experience intensified. These women are portrayed as exotic sexual beings. They are objectified and degraded with the intent of women of color being seen as sexually gratifying, but nothing more. The parallels to the mindset one hundred years ago is uncanny – black women, black men and black children are seen as objects to appropriate and use for the media’s benefit. We can see this through our some of our “greatest” stars. Miley Cyrus, the Kardashians and even Justin Timberlake have taken a culture and twisted

In recent years, historians and scholars, specifically Susannah Walker, Noliwe Rooks, and Amoaba Gooden, have begun to assiduously examine African American beauty culture from a racial and gender perspective. Accordingly, these historians and scholars now suggest that African American beauty culture was profoundly influenced by the racial and gender politics of the early twentieth-century time period. For example, in her book titled Style & Status: Selling Beauty to African American Women, 1920-1975, historian Susannah Walker asserts that African American beauty culture was distinctly unique from other forms of beauty culture because it “explicitly reflected and articulated twentieth-century racial politics in the United States.” Similarly, Amoaba Gooden, a pan-African studies professor at Kent State University, surmises that racialized notions of feminine

Many black girls go thru social identity issues on a daily basis. Skin color has created division even within black people because fairer skin tones are highly praised in the Negro community. Discrimination is used everywhere against black girls with a deeper skin pigment per example, makeup brands neglect the commercialization of darker shades of foundation, hair products for women of color

As a darker-skinned African-American, I am told every day that my shade of color is not beautiful in society. Social institutions such as my peers (classmates and sometimes friends), school, media, etc. have all had some influence on my perceptions on what is/is not beautiful. There is a lack of diversity in film, T.V. shows, music videos, music, social media apps, etc. If there is a black woman publicized she is of lighter skin, sexualized, and exhibits European features. Globally, there is a

When a person thinks of culture, they do not typically think of ‘white American’ culture. That is, of course, because very few things in American culture were created here originally, even the language. White American culture is based off of appropriation. For many American people, culture is what they see of another race or ethnicity. Many times, the conclusions they come to based off of their observations is the only knowledge they have of another culture and, at times, this is used to belittle the minority’s culture. In Leslie Savan’s essay, “What’s Black, Then White, and Said All Over?”, she explores the impact African American vernacular, or black English, has had on modern American English. As she states, “It’s a black thang has become everybody’s thing” (Savan 435). While she discusses black English’s growing popularity and its daily usage by white people, specifically in pop culture, she also highlights the fact that, when used by black people, it is used as a way to demean them. This is the ignorance within white culture. Like black Americans, Muslim women are being degraded due to the lack of knowledge on the significance of their traditional headdresses which leads to

Feeling beautiful deals with many factors but it has become incumbent with focus being placed on the physical aspects of person Una Marson writes about beauty and how it drives many women into changing their features and making those features fit into the standard of beauty. Her poem, “Kinky Haired Blues” speaks about that notion, of women wanting to assimilate to what the norm is. Specifically women of ethnic minorities, she talks more about Black Women and the pressure for them to bleach their skin and to iron their hair. Matters such as race are at forefront of the issues in her society and of the society we currently live in today. Una Marson’s poem “Kinky Hair Blues” speaks to the idea of beauty and the standard of beauty. And how many

“You would look so much prettier with your hair straight!” is a comment my sister of mixed descent has been receiving from her classmates since childhood. Straight hair is a Eurocentric beauty standard that has been pushed onto my lighter skinned sister for most of her life. I am of a darker complexion however and therefore am complimented often on my naturally curly hair. This leads to the question; do black beauty standards differ from white ones? The answer to this query is explored in Maxine Craig’s work Ain’t I a Beauty Queen? She claims that in many regards, though not all, the answer is yes. While Craig does a good job of defining the historical moments that lead to black beauty standards today, she lacks an explanation as to why darker skin tones are stigmatized the way they are and neither does she factor in how many people consider personality when determining beauty.

A common argument against the existence of cultural appropriation is; “Well, how about when Asian people who dye their hair blonde, or when African Americans straighten their hair?” This is not appropriating ‘American culture’ but assimilating to it. Assimilating is adopting the dominant culture in order to be successful and carry out day to day life. Instead of questioning why people of color are forced to fit in, we should be asking why the American standard of beauty is so

It 's not a mystery that society 's ideals of beauty have a drastic and frightening effect on women. Popular culture frequently tells society, what is supposed to recognize and accept as beauty, and even though beauty is a concept that differs on all cultures and modifies over time, society continues to set great importance on what beautiful means and the significance of achieving it; consequently, most women aspire to achieve beauty, occasionally without measuring the consequences on their emotional or physical being. Unrealistic beauty standards are causing tremendous damage to society, a growing crisis where popular culture conveys the message that external beauty is the most significant characteristic women can have. The approval of prototypes where women are presented as a beautiful object or the winner of a beauty contest by evaluating mostly their physical attractiveness creates a faulty society, causing numerous negative effects; however, some of the most apparent consequences young and adult women encounter by beauty standards, can manifest as body dissatisfaction, eating disorders that put women’s life in danger, professional disadvantage, and economic difficulty.

This is prominent in the African American community; it is often taught at a young age that if you are of darker complexion or have a curlier hair texture you are not as pretty as the lighter complexioned girl that you might know. It is assumed that the media is to blame for this way of thinking. Youth and teens are self conscious enough without these negative “airbrushed” and unrealistic images put forth in the media.