The Works Of Georges Seurat

One of the last topics we discussed in class turned out to be a form of art that probably interests me more than almost every other type of art that we have discussed this entire semester. That form of art is the impressionist style of painting. I really love all the different brush strokes that form different images for different people. I also enjoy much of the images that the impressionists painted, because they are usually very relaxed and mellow images that put you into a comfortable place. The post-impressionist period, especially very early post-impressionist, is even better I think. I think it’s better because it is just a little more refined and puts more emphasis on the figure and form of different objects. Since I enjoyed the post-impressionist’s

He is quoted as continuing to describe these images as being defined by a "band of color, circling the empty center". He said that while there are some basic similarities to work that he was doing two decades ago that featured rectangles that outlined an open center. These new paintings are far more about emptiness than color, according to the artist.

Art is the theme of art, this means that the main reason artist design different types of art works is to bring about the visual satisfaction. One of the major reason as to why artist paint, draw or design their works is to have something to have look at. Therefore, before a viewer analyses a piece of art, he or she has to look at it as the first and foremost

When making objects, we imitate reality, producing imperfect versions of perfect forms. If our perception of reality is already one step removed from truth, then art is one step

Alexander Nehamas believes that the attracted properties of art and beauty lies within our feeling and emotions. In his account, he explained that even though a higher or more abstract ideas of beauty can be found, the fundamental principles we used to judge the quality of the art is not purely intellectual but, rather, the desires plays as a part of the appreciation. He emphasized that the beauty of the artwork provokes individuals to possess in a way that we want to know more about the painting whether from our lust or other forms of emotion (7). In another word, Nehamas reasons that emotional properties of the beauty attracts observer’s attention. To further clarify Nehamas’ argument, he pointed out that the beauty are capable of being deceptive

George-Pierre Seurat was born on Decemeber 2, 1859 in Paris, France. He was the son of Chrysostom-Antoine Seurat and Ernestine Faivre. He was the youngest of 3 children. His father was a bailiff and a native of Champagne and his mother was Parisian. They were middle-class. The family relocated temporily to Fontainebleau in 1870, while the Franco-Prussian War and the Paris Commune rebellion. When Seurat was a little boy he began to take interest in art and was encouraged by his uncle, Paul Haumonte, who is a textile dealer and amateur painter. ("The Art Story.org - Your Guide to Modern Art")

George Seurat was born on December 2, 1859 in Paris. He was one of the three children of Chrysostome-Antoine Seurat and Ernestine Faivre. This also means that George comes from a prosperous family that made several sculptors. Unfortunately, he lived with his mother and two siblings which had to be temporarily relocated to Fontainebleau, where they stayed during the Franco-Prussian War and the subsequent Paris Commune rebellion in 1870. However, George’s interest in art was encouraged by his uncle, Paul Haumonté, a textile dealer and amateur painter.

The use of colors and its monochromatic scheme is prominent in the painting. The painting is mostly different shades and tints of blue, used for every

Together they share an extreme amount of unresolved tension. Their dynamic relationship encourages the sense of urgency within this painting. This extreme dynamism is represented in the colors of black and white. These two tones are the highest contrast of value within the entire painting and within the color wheel itself, therefore, a viewer’s eye will go straight towards these two tones and automatically begin comparing them and creating a relationship between the two figures just on the tones alone. Everything that is in this painting is important, every figure has something to contribute and every stance and action has a

Paul Gauguin was a French artist who helped perfect a type of painting. First of all, Eugene Henri Paul Gauguin was born 1845 in Paris, France. When Paul was a young child his family moved to Peru. Paul later got jobs on a cargo ship, in the French navy, and as a merchant. He later married a Danish woman named Motte-Sophie Gad and had children. Next, Paul began painting as a hobby. Paul started painting as a hobby then became serious about it. He quit his job as a stockbroker and moved away from his family to pursue his dream. Paul was invited to showcase a painting in the Impressionist’s fourth exhibition. Last, Paul had a different type of style than other paintings. Paul used flat colors and exotic landscapes for his paintings like Tahiti.

All the parts of the painting are perceived to belong together. The painting is balanced; every part of the composition feels equal on all parts. Because the painting is balanced, a sense of calmness and security is demonstrated. Through the painting, there appears to be little

The most important trait in defining art is its beauty. As complex as the term “art” can be, the term “beauty” is nearly just as complicated. In order to understand art more clearly it is important to understand beauty. “We label an object beautiful because it promotes an internal harmony or ‘free play’ of our mental faculties; we call something ‘beautiful’ when it elicits this pleasure.” (Freeland 8). As defined above, beauty is not a direct message. It is something that subconsciously allows man to feel good and pleasurable. There is “an internal harmony” when we observe something beautiful that allows us to take away a deeper understanding of a work of art regardless of it being “nice looking” or “ugly”.

Art can be a thing of beauty that causes energy and excitement. Art is what caused

In A Portrait of the Artist as a Young Man, Stephen Dedalus defines beauty and the artist's comprehension of his/her own art. Stephen uses his esthetic theory with theories borrowed from St. Thomas Aquinas and Plato. The discourse can be broken down into three main sections: 1) A definitions of beauty and art. 2) The apprehension and qualifications of beauty. 3) The artist's view of his/her own work. I will explain how the first two sections of his esthetic theory relate to Stephen. Furthermore, I will argue that in the last section, Joyce is speaking of Stephen Dedalus and A Portrait of the Artist as a Young Man as his art.

I think that the end result is truthfulness. Every artist must be sincere and truthful if he wants to be a great and true artist over and over again art is predictable to request and bond with human being feelings. Art can awaken aesthetic or ethical feelings. The amount of skillfulness that the artist has will influence over the capability they have so they can to generate an emotional response and by this means make available new insights. Art tends to smooth the progress of spontaneous slightly than coherent thoughtfulness, and frequently it is knowingly shaped with this purpose. Art calculatedly serves no other function. As a result of this forward motion, works of art are hard to pin down, refractive to attempts at arrangement, for the reason that they can be respected in more than one way, and are often vulnerable to many dissimilar interpretations. Even art that to every appearance depicts a commonplace proceedings or items may encourage manifestation upon prominent themes. Conventionally, the uppermost achievements of art make obvious a high intensity of ability or fluency within a medium. This characteristic might be considered a point of contention, since many contemporary artists (particularly, theoretical artists) do not themselves produce the moving parts they envisage, or do not even produce the labor in a straight, affectionate wisdom. Art has a capacity of transforming: predominantly confers