The World Of Conducting Instrumental Music

Musical conductors are individuals that help direct a musical performance. They will ensure that the band is in the right tempo and that each section of the ensemble enters the performance at the correct time. The conductors may use hand gestures or a baton in order to guide the band. Many people believe that musical conductors are beneficial and help improve a band’s performance. However, Russian composer Igor Stravinsky disapproves of the usage of musical conductors as he believes that they are useless. Through comparisons and sarcastic language, Stravinsky criticizes the egotistical personalities and deceitful nature of musical conductors.

During a musical performance many elements to be looked are not easily recognized by the average critic. A musical performance has multiple interactions taking place between the music, text, performers, audience, and space that all can contribute to a great performance. Overwhelming majority of the audience does not realize so much can be looked at during a single performance. At a performance by the University of Maryland Marching Band I was able to analyze the Musical Sound, Contexts of the Performance, and Interpretation of the Performance.

Joanne Lipman’s memoir And the Orchestra Played On is about the lasting bonds music can have on members of a community who engage – whether it be as listeners or musicians – in music together. She reflects on the death of her beloved childhood music teacher, Mr. K, and the coming together of his student for one final concert. Lipman ties her introduction and conclusion together to develop her message. In both, someone is searching for music: Lipman for her viola, and a girl only known as the sister of a boy whose funeral Lipman and the rest of the orchestra player at over 30 years previous. Lipman suggests that the search for music is actually a search for belongingness because the bond of music gives

This contrasts the motives of the composer and the conductor, which should be to keep the integrity of the piece of music, but as mentioned above, Stravinsky believes that the conductor's are usually for personal gain.

Having looked at the emotional effect this music has on people, it is now worth looking at the specific churches within the Sydney diocese to get a greater understanding on a smaller level as to how the music is played and what effect it might have. To do this, there have been visits to said churches to see what goes on, this is like a large scale of the participant observation methodology. This was a very useful in developing an understanding for how different churches of the same denomination were going about music as part of the service. There is some clear information that has come out from attending these churches. Firstly, and worth noting, the churches run very similar services, across most of the churches the structure of songs is the

This journal is about the musical piece composed by a man named Benjamin Britten titled The Young Person’s Guide to the Orchestra. This piece was surprisingly interesting to me as it created different feelings of emotions through the instruments volume, sync, and rhythm. I do like various instrumental styles of music, however, I was hesitant about listening to a classical style orchestra. Throughout the piece it seemed the sounds would constantly change, which reminded me of the early black and white cartoons that relied on classical style music to show the emotions they were trying to make the audience feel. For example, I remember a scene from an episode of the old cartoon Popeye, when there was fast paced instrumental music in the background while Popeye was saving Olive Oyl from a dangerous situation and they both were running to get to safety. The xylophone from Bitten’s composition is what made me think of that exact episode of Popeye and Olive Oly running to get to safety.

Auer, Leopold. Violin playing as I teach it, New York: Frederick A. Stokes Company, 1921.

To conduct a band, even one as prestigious as the United States Navy band, it needs a conductor to guide the band and help them improve.

For a future occupation, I would like to apply to be a music director. A music director is someone who leads a musical group or an orchestra. This career is one that I think According to Occupational Outlook Handbook, a typical schedule for a music director are “rehearsals and recording sessions are commonly held during business hours, but performances take place most often on nights and weekends. Because music writing is done primarily independently, composers may be able to set their own schedules”(OOH).

In a typical symphony Orchestra, there are four groups of related musical instruments called the woodwinds, brass, percussion, and strings (Got this info via.google) Each of those groups are lead-or controlled- by a conductor so they would all perform their notes with an unbreakable synchronization . Within this symphony, there will be one instrumentalist who gets to break out of this group and play a solo. Only to fall back in unison with the rest of his band mates. The individuals in the audience listening to the music will either be effected in a negative or positive way. In an Orchestra there is a centralized control (the conductor), conformity (the band members following the conductor) and uniformity (all of the band members playing one

This statement is pointing at the increased disconnect between the likes and preferences of the youth population or rather the younger entrepreneurs and the ideas that are increasingly propagated by the orchestra players. It should be noted that a large number of individual donors and institutional funders are questioning the continued investment in orchestras, yet the musicians continue to build their hopes on the efficiency of renewed fundraising efforts without considering the change or dynamic nature of the feelings of younger generations regarding this type of music. In essence, the orchestra musicians simply want to ignore their current need for gratification and instead pay attention to ideas that are alien to them. This should point to what is already wrong with the orchestra world of music. Of course, there are people who are attracted to it simply because it sets them apart from the masses who would not feel at ease paying excessively for a type of music that does not offer gratification to their immediate needs. However, a vast majority would only feel comfortable paying for music that appeals to their souls. Essentially, it should be clear that the financial problems that are attributable to the

Attending a NY Philharmonic Orchestra is similar to analyzing a company that makes music. Each person in the orchestra is a crucial part of its whole entity. The conductor plays a huge part as a leader and all the musicians create a sense of unity by being able to work together to put on an amazing show. Leadership from the conductor guides the musicians, while each team member brings their own specialty to the table to be molded into a successful philharmonic orchestra.

Orchestral concertos for trumpet serve as a substantial component to the trumpet repertoire. Some of the most notable composers have written for this genre ranging from Joseph Haydn to Henri Tomasi. Although orchestral concertos have had a lasting impact on the trumpet repertoire, concertos for trumpet and wind band are often overlook and underperform. There are many factors that have contribute to these circumstances one being the lack of performance opportunities in a professional setting. Unfortunately, there are not many performance opportunities for wind bands outside of public schools and universities settings. Therefore, these circumstances somewhat limit the reach to wide audiences. In addition, many of these pieces have yet to be recorded

Orchestra concerts are an example of music being presented in an emotional and artistic manner. Often people, mainly think of contemporary music when they hear about orchestra concerts. Music composed in the late 1970s to 1990s. But its music extends to much further than that. Scores have been performed from many composers in grand concerts that originate from many sources. These sources include movies, television shows, and even video games. The level of emotion that these concerts express varying from excitement, sadness, intensity, and many others. As a listener, you feel absorbed in the dramatic conducting of the composer and the unity of the orchestra as a whole. Even the setting of the concert can be cinematic as other displays show the grandeur of an orchestra. Our bodies were meant to take in the sounds of music more so than the images. What we derive happens automatically as we drown in the mixture of emotions orchestra has to offer.

This afternoon, I went to the music concert hall where is located in the music building for the listening hour, a small noon-time concert which is performed by the staff and students from the music majors. Since it is a free noon-time concert, most of the audiences just wear the t-shirts and jeans to the concert. Dresses are not required for the concert. The performance today is given by the Ananda Jazz Ensemble. They have played “Running Away”, composed by Bob Marley; “Madalena”, composed by Ivan Linz; “Conejitos y Ananda”, composed by Abi Romero; “La Bikina”, composed by Ruben Fuentes; and “Chukaro”, also composed by Abi Romero. Because this is a Latin Americdan Journey, all of the music performed is jazz music. All pieces played in the concert are an ensemble of piano, bass, and drums. During the concert, I was trying to be a perceptive listener; I enjoyed the music with concentration and paid attention to the music’s unity and variety, such as the dynamics and tempos. I also tried to associate the music with a picture when I listened to it and understand the emotion in the music.