The human condition, or what it means to be human, is a term the encoumpasses the innate and unchangable aspects of human nature. It is the unique and inherent features of being human, uninfluenced by factors such as race, class, gender or time. This idea has been examined through literature for hundreds of years by the likes of Shakespeare, who through his philosophical depth has given profound insights into human nature. As Noam Chomsky expressed “it is quite possible- overwhelmingly probable, one might guess- that we will always learn more about human life and personality from novels than from scientific psychology.” Darren Aronofsky’s 2008 film The Wrestler, due to its emotive exploration of what it means to be human, is strikingly compelling and speaks to the audience on a human level. The film is a poignant portrayal of a washed-up wrestler, Randy, in the twilight of his career. Through Randy, Aronofsky is able to explore intrinsic characteristics that define the human condition such as humans need for relationships and connections, search for recognition, and awareness of the inevitability of death. Cormac McCarthy’s The Road is an exemplary novel which discusses the human condition and where these ideas are also seen. Texts that explore what it means to be human are most compelling as they impart knowledge about aspects of human nature that reside in us all, and rous strong feelings of interest among the reader or audience. Sociality is essential to human
In the first 20 seconds of the match, I had the first take-down. I was working crossfaces, cheap tilts, and everything else I knew after my takedown. Then, I did what I do best and gave him a swift, hard crossface and cradeled him up. Squeezing with all my strength and might it took about 7 seconds of him being on his back and he was pinned! It took a total of 55 seconds to pin my first opponent at state.
Cormac McCarthy’s brain child “The Road” is a postapocalyptic novel that illustrates the harsh reality of the world. This story serves as a truth that humans, when stripped of their humanity will take desperate measures in order to survive. The reader learns; however even when it seems all hope is lost good can still be found in the world. The son character of this story illuminates this philosophy. He is a foil of his father and shows how even a person never accustomed to the luxury of a normal life can still see goodness.
A man and his son travelling alone amidst the ruins of a previously prosperous nation; a young man venturing into a treacherous land to tie up the loose ends in his life; a broken ranch hand that suspects he had a conversation with death: in the most desolate and uncertain environments, the surrounding world can lend a bleak and lifeless perspective to one’s struggle to survive. In lands without accompaniment from other humans, the will to live can be as difficult to muster as shelter for the night or the first meal in days. Cormac McCarthy explores the difficulties of survival under the tension of barren landscapes and youthful inexperience and their effects on the loss of innocence. Gained maturity enables humans to persist and stay hopeful, even in the least hopeful situations. These environments and mindsets play an important role in the messages of three novels by Cormac McCarthy: The Road, The Crossing, and Cities of the Plain.
Wrestling is a sport with a long history and offers many benefits in today’s world. This paper will explore the history of the sport of wrestling as the sport of wrestling has been around since biblical times. There are many facts and myths about wrestling. This paper will take you through the history of wrestling and address the benefits it provides to children and athletes of modern times. Wrestling can change lives, let’s learn how.
In the novel, The Road, Cormac McCarthy illustrates the expressions, settings and the actions by various literary devices and the protagonist’s struggle to survive in the civilization full of darkness and inhumanity. The theme between a father and a son is appearing, giving both the characters the role of protagonist. Survival, hope, humanity, the power of the good and bad, the power of religion can be seen throughout the novel in different writing techniques. He symbolizes the end of the civilization or what the world had turned out to be as “The Cannibals”. The novel presents the readers with events that exemplify the events that make unexpected catastrophe so dangerous and violent. The novel reduces all human and natural life to the
As I sit here with my eyes closed, I imagine a tropical breeze. The warm wet air slides over my face. The humidity seems almost heavy enough to crush me. As I take a deep breath, the realization that this is no tropical air comes crashing in. Instead of the refreshing scent of the ocean, or tropical plants, the taste of salt from sweat and a smell of the human body fill my lungs. The daydream is over. A shrill whistle sounds and the voice of coach Chuck booms through out the room, breaking the peace that was comforting the pain in my shoulder and bringing me back to reality. I was not on some humid island paradise, but rather in the explosive atmosphere of the Hotchkiss High School wrestling room.
Humanity is one of the many virtues we as humans believe we are born with. However, living in a world much like the one described in both The Hunger Games and The Road novels, some may argue that turning off one’s humanity is a necessity. Nevertheless, both novels prove that while some characters had to turn off their humanity in a horrific world like The Hunger Games and The Road, the two main characters of each book demonstrated how a barbaric world could not take that virtue from them.
Wrestling is a sport about hard work and dedication. Some people say that wrestling is the hardest sport in high school because the sport is mostly a mind game. If you let someone get in your head or the workouts get in your head, then you have already lost the fight. Just like in any situation in your life, if you let the situation get the better of you, you lost.
Cormack McCarthy’s novel, The Road, is set in a post apocalyptic world, where humanity is struggling to survive. Through his simplistic writing style and powerful symbolism, McCarthy tells a story about the human condition as well as what it truly means to be human. Though it is set in a wasteland this novel still manages to project hope through the love of a boy and his father. The following passages are quotes that spoke to me stylistically or symbolically while I was reading.
Hope and humanity are two very important aspects of human nature and without it, life would be very catastrophic to mankind. Cormac McCarthy is the author of The Road. The Road is a dystopian story of an adventure of a father and his young child over a period of several months, over a scene impacted by an unspecified disaster that has demolished a large portion of human advancement and, in the mediating years, all life on Earth. The Road, is plagued by absence such as an absent hope and absent humanity. These absences reveal that without hope and humanity people can’t survive. Cormac McCarthy argues that without hope and humanity, humans can't continue to survive because when people lose hope, they lose their ability to dream for the future and humanity as a universal emotion, people must it have in order to survive for a long time.
It is remarkable how differentiated works of literature can be so similar and yet so different, just by the way the authors choose to use select certain literary devices. Two different novels, Brave New World, by Aldous Huxley, and The Road, by Cormac McCarthy, display these characteristics because of the ways the authors institute such mechanisms. Brave New World describes a futuristic era where humans are genetically manufactured for a certain job predestined to them before they are artificially created, and where common human emotions, desires, wants, and needs have all been modified to support a deemed utopian society where everyone lives and works together in harmony. The Road describes a post-apocalyptic
For ages, people have been debating the idea of human morality and whether or not at its core humanity is good or bad. This philosophy is explored in Cormac McCarthy’s novel, The Road. The road is the story of a man and boy living in a post-apocalyptic world. Some cataclysmic event has crippled Earth’s natural ecosystem, leaving the skies engulfed in ash and the ground devoid of much life. The duo aim to journey south as a way to escape being frozen to death in the oncoming winter. During their journey, the boy and man come across different people and places that give them a better understand of what humanity has become and where they stand on that spectrum. Throughout The Road, McCarthy revisits the idea of being the “good guy” when there is no longer a need to, “carrying the fire” as it’s detailed in the book. The dichotomy between the boy’s moral conscience and the man’s selfish ideals helps develop McCarthy’s idea of humanity losing its selflessness in the face of danger.
Civilization is the basis of life, driving human interaction in everyday life. The texts, Frankenstein by Mary Shelley and The Road by Cormac McCarthy, depict civilized and uncivilized situations, which reflect on and elaborate characterization. This can be seen explicitly with the creature (Frankenstein) and the boy (The Road). Both novels address the civilized and uncivilized in different approaches, however similarly emphasize the significance of the character’s traits and development. The ways that each character approaches civilized and uncivilized situations and behaviours, relate to the character’s experiences and emotions directly in the case of the creature, contrary to the inverse relationship in the case of the boy. The
It has been said that there are only about 18 or so themes that describe the human condition. This quote was made in reference to Shakespeare, and posited that all of the books and movies that we digest and assimilate can be shown to have their roots in these canonical themes. In Cien Anos, Marquez addresses several of these themes in the subtle and interlocking
What makes Cormac McCarthy’s post-apocalyptic novel The Road stick out from most dystopian works is that The Road takes place not before or during but after the end. The novel follows a man and his son as they survive the dangers of what once was the United States after an unspecified calamitous event. There is not much left of the world: no food, no animals, and no hope. Many readers will ponder how someone could still be motivated to keep moving forward under such circumstances. If we were living in the same conditions as the man and the boy, this question might seem more imperative. But arguably it is a question that can be applied to today: what, if anything, makes human life valuable or worthwhile? Through the dialogue between the characters, the novel provides two conflicting arguments that serve as potential answers for this question. The first argument is hope, which is associated with the Christian religion, while the other argument is futility, which has a nihilistic outlook of the ravaged world. This paper will examine the Christian imagery and nihilistic arguments contained in the novel and how the moral systems of the two conflict. While at first The Road might present itself as a powerful challenge to both Christian and nihilistic views of the world, in the end, the novel never explicitly reject either worldview.