The Writing Style of Elie Wiesel Essay

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The Writing Style of Elie Wiesel In the memoir Night, Elie Wiesel uses a distinct writing style to relate to his readers what emotions he experienced and how he changed while in the concentration camps of Buna, during the Holocaust. He uses techniques like irony, contrast, and an unrealistic way of describing what happens to accomplish this. By applying these techniques, Wiesel projects a tone of bitterness, confusion and grief into his story. Through his writing Wiesel gives us a window into the complete abandonment of reason he adopted and lived in during the Holocaust. Wiesel uses a black irony to emphasize the absence of normality in the concentration camps. As Eliezer marches into Auschwitz he notices a sign with the caption,…show more content…
However, he uses ambiguous details to describe how the man dies, only saying, “Falling back onto the ground, his face stained with soup… then he moved no more” (57). The very descriptive explanation of when and where the bombing occurred is not as important as the moment the man dies, yet Wiesel chooses to describe the less important event more than the other. By not telling us how the man dies he leaves us wondering and makes us conclude how and even if the prisoner dies. By making us examine the death of the prisoner more closely we are left with a deeper impression of the event. The sudden change from a peaceful day of rest to one of chaos is another way of showing the confusion Eliezer feels. The scene of the dying man resonates in our mind and shows us the horrors of the concentration camps. Wiesel also beautifully illustrates the desperation of the prisoners in Buna by telling us about a man who would risk death just to have a bit of extra soup (57). One last writing technique Wiesel employs is an almost unrealistic quality to the way he describes some events. As Eliezer travels to a new camp he is forced to stay in a shed, cramped together, one on top of another with the rest of the Jews. There he hears the sound of a violin, “in this dark shed, where the
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