The Writings Of For My People By Margaret Walker Alexander

It is strange that two of the most prominent artists of the Harlem Renaissance could ever disagree as much as or be as different as Zora Neale Hurston and Richard Wright. Despite the fact that they are the same color and lived during the same time period, they do not have much else in common. On the one hand is Hurston, a female writer who indulges in black art and culture and creates subtle messages throughout her most famous novel, Their Eyes Were Watching God. On the other hand is Wright, who is a male writer who demonstrates that whites do not like black people, nor will they ever except for when they are in the condition “…America likes to see the Negro live: between laughter and tears.” Hurston was also a less political writer than

Alice Malsenior Walker, an African American born into poverty, came into this world on February 9, 1944 in Eatonon, Georgia. She was the youngest child of eight children born to Willie Lee and Minnie Tallulah Walkers. Both of her parents were sharecroppers as well as expert story tellers. Things were not easy for the Walkers and Alice often witnessed her mother’s frustration of having the burden to take care of eight children with little means. Even though children of share croppers were usually made to work the fields, Alice’s mother made sure that her kids received an education. Alice was brilliant at writing poetry.

Zora Neale Hurston is a trailblazer. Back then people ridiculed her, but she felt the pride and dignity within herself. She was seen as an African-American grandmother in many images of black women writers (Showalter 221). Her talent for African-American literature excited the new readers who were constantly reading her literary works (“Hurston,” Feminist). Occasionally, both black and white supporters reviewed her books (McKay). She demonstrates a larger pattern of white American culture to be substantially inspiring in her interest with politics (“Hurston,” Authors). The works of Hurston would affect on her literary work that is shared through others. Understanding Zora Neale Hurston’s typical themes and concerns in her body of literary

In a time when Africans were stolen from their native lands and brought through the middle passage to a land that claimed was a free country, a small African girl, who would later be known as Phillis Wheatley, was sold in Boston in 1761. In the speech, “The Miracle of Black Poetry in America”, written by June Jordan, a well respected black poet, professor and activist, wrote the speech in 1986, 200 years after Phillis walked the earth, to honor the legacy of the first black female poet for the people of the United States. Jordan, passionately alludes to the example of Phillis Wheatley’s life, to show the strength and perseverance of African-American people throughout difficult history and how they have overcome the impossible.

Phillis Wheatley drew attention in the 18thcentury for being a black slave, and a child prodigy who was able to write poems and songs. She was born in Gambia, Africa, and brought to Boston as a slave when she was a child, and became slave and companion to John Wheatley’s wife. As she grew older, John Wheatley’s wife viewed her as a feeble and brilliant girl who deserves to be educated and felt great affection toward her. Therefore, Susanna Wheatley’s daughters taught Phillis how to read and write, so she delivered her honest opinions through her writings (Baym and Levine 763). Then she became the first African American writer to publish a book of poetry while other slaves were forbidden to learn how to read and write. Her ability to write and read gave her freedom of expression and enabled her to become a free woman. Her literacy influenced her surroundings in numerous ways. She was acknowledged by many people for her great poetical talents (“Phillis Wheatley, the First” para 3). In the poem “On Being Brought from Africa to America,” Phillis Wheatley appeals to ethos and pathos, uses suitable diction and a metaphor to demonstrate that the discrimination of Africans is barbarous, and encourages people to not judge by physical characteristics, but consider innate qualities.

After her husband’s passing in 1829, a turning point in Stewart’s life includes the time when she met David Walker, the author of the book, “An Appeal to the Colored People of the World”, and after his passing, she carried on his idealisms about slavery through her own work (PBS). “She went through a religious conversion in which she became convinced that God was calling her to become a ‘warrior’ ‘for God and for freedom’ and ‘for the cause of oppressed Africa’” (African American Registry). Her early life shaped who she grew up to be: an influential, strong black woman who was not afraid of society’s staggering labels and

The Revolution released the potential for America to become very democratic; allowing space for political and social struggles to spread ideas of freedom and challenge the old way of doing things. Ideas of liberty invigorated attacks on both British and domestic American foundations and so did the beliefs of equality in the Declaration of Independence, which caused many in society who were seen as the substandard bunch such as women, slaves and free blacks to question the sanction of their superiors.

Both Zora Neale Hurston and Langston Hughes were great writers but their attitudes towards their personal experience as an African American differed in many ways. These differences can be attributed to various reasons that range from gender to life experience but even though they had different perceptions regarding the African American experience, they both shared one common goal, racial equality through art. To accurately delve into the minds of the writers’ one must first consider authors background such as their childhood experience, education, as well their early adulthood to truly understand how it affected their writing in terms the similarities and

“We were all ranked together at the valuation. Men and women, old and young, married and single, were ranked with horses, sheep, and swine. There were horses and men, cattle and women, pigs and children, all holding the same rank in the scale of being, and were all subjected to the same narrow examination.” Fredrick Douglas’s account of slavery in America revealed the reality of worst case of the abuse of human rights. In 1865, slavery was abolished. In the aftermath of slavery, African Americans struggled against prejudice because of their race. However, black women in particular suffered because they faced not only discrimination based on race but also gender. African American women were subjected to two types of prejudice because they

The essay "In Search of Our Mother's Gardens" by contemporary American novelist Alice Walker is one that, like a flashbulb, burns an afterimage in my mind. It is an essay primarily written to inform the reader about the history of African American women in America and how their vibrant, creative spirit managed to survive in a dismal world filled with many oppressive hardships. This piece can be read, understood, and manage to conjure up many emotions within the hearts and minds of just about any audience that reads it. However, Walker targets African American women in today's society in an effort to make them understand their heritage and appreciate what their mothers and grandmothers endured to

     Alice Walker is an African American essayist, novelist and poet. She is described as a “black feminist.”(Ten on Ten) Alice Walker tries to incorporate the concepts of her heritage that are absent into her essays; such things as how women should be independent and find their special talent or art to make their life better. Throughout Walker’s essay entitled “In Search of Our Mothers’ Gardens,” I determined there were three factors that aided Walker gain the concepts of her heritage which are through artistic ability, her foremothers and artistic models.

Many artists are also historians, people who record first-hand experience of history, making note of important events to which many will make reference. Artist do this through music, writing, and orally through passed-down stories and legends. In the area of writing, there are many different types which display historical understanding. These categories divide into poems, prose, short stories, and long stories. The category which touches more on the personal and emotional side of historical reference is poetry. Two major poets, born about by the Harlem Renaissance which nurtured many new artists, predominately black, were Gwendolyn Brooks and Robert Hayden. These two poets and writers were greatly influenced by the Harlem Renaissance, a time in which African Americans were displaying their capabilities in the department of entertainment. Their poetry captures two main ideas in that it reflects struggles faced by African Americans in that time, and expresses universal human longings. Two poems to which the focus will be geared are Gwendolyn Brooks’ “The Explorer,” and Robert Hayden’s, “Frederick Douglass.” Each of these poems recognize the subservient nature black people were forced into. These texts also display the want each person has for individuality through freedom. These poets are wonderful examples of historians through poetry, because each of these poems contains abundant information and

African American literature is the body of work produced in the United States by writers of African descent. This particular genre traces back to the works from the late eighteenth century by writers such as Phillis Wheatley to later reaching early high points with slave narratives and the Harlem Renaissance, and thus continuing today with authors such as Colson Whitehead and Maya Angelou. Among the themes and issues explored within African American literature are the roles of African Americans within the larger American society, African-American culture, racism, slavery, and equality. African American writing has also tended to incorporate oral forms such as spirituals, gospel music, jazz, and rap. Dating back to the pre-Revolutionary War period, African American writers have engaged in a creative dialogue with American letters. The result is a literature rich in culture and social insight. These pieces offer illuminating assessments of American identities as well as its history. Since the time of early slavery African American literature has been overlooked within the literature criticism. This essay thrives to show that within the English profession African American literature does belong alongside the great works such as A Christmas Carol by Charles Dickens and poetry as A Road less taken by Robert Frost. I will dive deep into history to not only investigate what critics think about African American literature, but why is it not held to a higher standard just as American

The theme of double consciousness pervades the poetry of the Harlem Renaissance. Reasons for expressing double-consciousness stem from historical, cultural, and psychological realities facing African-Americans realities that continue to define the sociocultural landscape in the United States. In Countee Cullen's poem "Heritage," the opening line is "What is Africa to me?" The narrator ponders what it means to be of African heritage, especially given the astounding number of generations separating ancestral ties from life in twentieth century America. Moreover, slavery tore apart families and communities, rendering African identity into a fragmented entity and African-American identity even more inchoate. The Harlem Renaissance represented a revolutionary shift in the way that the sons, grandsons, daughters, and granddaughters of slaves begun to conceptualize the African-American culture. African-American identity is naturally one of double- or even multiple-consciousness, and this consciousness is conveyed throughout the literature of the Harlem Renaissance.

Richard Wright’s plead in the Blueprint for Negro Writing could be very well summarized in one of the famous words from Thomas Kempis, “Be not angry that you cannot make others as you wish them to be, since you cannot make yourself as you wish to be.” In this popular essay, Richard Wright denounced the Negro writers as he perceived them to be merely begging for the sympathy of the bourgeoisie instead of striving to present a life that is more worth living for the Black Americans (Mitchell 98). This paper argues that Richard Wright was justified in his assessment that literature was so concentrated on pandering to white readers thereby neglecting the needs of the “Negro