The Wrongful Representation Of Africa In Western Film

When I began reading Chapter 1 of “Mistaking Africa,” it reminded me of our first class meeting. Professor Crowley asked us to do the same exercise Curtis Keim talks about in the text. Professor Crowley asked us what comes to mind when we think about Africa. It is a great exercise and allow us to express our perceptions of Africa. Even in class, it took me time to think about what comes to mind when I hear the word Africa, because I have not really heard much about it besides the common misconceptions: “Africa is a primitive place, full of trouble and wild animals, and in need of our help” (5). I frequently see the UNICEF commercial with Alyssa Milano, who asks her viewers how it would feel to be able to save a child’s life for fifty cents a day. The commercial precedes to play really depressing music and shows a slideshow of undernourished children, who fend for themselves in

The 1987 film documentary Ethnic Notions directed by Marlon Riggs, identifies the evolution of African American cultural depictions through ethnic stereotypes and caricatures in American culture. I feel Ethnic Notions exposes the roots of false generalization from the beginning and presents a series of classifications for racial depictions that still are noticeable in today's society. These racial depictions identified with in this film begin in the mid 1800's and continue thought to the 1960's. I now after viewing Ethnic notions agree that there are generalizations and depictions that are exaggerated in American popular culture and entertainment.

Between America and other European nations, stereotypes and misrepresentations have ultimately plagued the continent of Africa. To every side there is often another story, yet unfortunately for the many countries of Africa, they are ultimately victimized and suffer through further oppression. According to Curtis Keim’s book Mistaking Africa, Keim suggests that Africa is essentially under the public microscope, it tends to be scrutinized, and compared to European nations and America. Keim elaborates on human natures need to group people, places, and things, which creates the theory of superiority or dominance over races, cultures, and even religions.

The history of African Americans in early Hollywood films originated with blacks representing preconceived stereotypes. D.W. Griffith’s 1915 film, Birth of a Nation, stirred many controversial issues within the black community. The fact that Griffith used white actors in blackface to portray black people showed how little he knew about African Americans. Bosley Crowther’s article “The Birth of Birth of a Nation” emphasizes that the film was a “highly pro-South drama of the American Civil War and the Period of Reconstruction, and it glorified the role of the Ku Klux Klan” (76). While viewing this film, one would assert that the Ku Klux Klan members are heroic forces that rescue white women from sexually abusive black men. Griffith

According to Tukachinsky, Mastro, and Yarchi, prior to 1930, the role of Blacks on screen were seen involving mostly in criminality and idleness (540). That role still persists until the present, with Blacks usually have to withstand to “longstanding and unfavorable media stereotypes including sexually provocative females and aggressive male thugs” (Tukachinsky 540). 1970’s movies such as The Mack, Black Caesar and Coffy have reinforced this stereotypic image of the black community. The

Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were

If you view Africa as a whole, both blacks and whites should be viewed the same. Mr. Kurtz, being an example, can also be viewed as a cannibal as it is strongly believed by the Company that he has become a savage, like the Africans. My point being that the blacks confining from eating humans, does not show Conrad’s as a racist but quite the contrary. Mr. Kurtz’s involvement of the African customs and beliefs

Africa is a continent plagued by misinformed and false stereotypes, rarely being seen or portrayed as what it really is. Countless amounts of myths and ideas are formulated based off of single stories or one-sided stories from the region, often without a second thought. These stereotypes give Africa an overall negative image to the rest of the world and suppress the reality that is hidden behind the slew of stereotypes. The belief that all of Africa is poor and undeveloped is an uninformed statement that harms the reality and worsens the image of the continent by perpetuating an incomplete idea into the world.

The myth and stereotypes about Africa are not anything new and they are very present in our daily lives and the way Africa is portrayed. For example the reason why many people today think that Africa is bleak land of poverty and diseases is because early writers, historians, and geographers talked about Africa in that way. Because these stereotypes are so readily available, they infiltrate people’s daily thinking. Furthermore this makes people less likely to actually seek to really learn about Africa because they feel that their [inaccurate] suffice for their worldview of Africa. This is in turn leads people completely ignoring anything that contract their already established ideas.

“Most people pronounced his last name ‘Mee-show,’ though some who knew him insist it was ‘Mi-shaw.’ The correct pronunciation of his name is only the beginning of the ambiguities and mysteries associated with Oscar Micheaux”

One does not need a scholarly critiquing faculty to decipher the sad story of Africa depicted on the cover page. A glance is more than enough, provided one is not hyperopic. However, if you wish to go beyond a glance, and try to raise her head and look deep into her eyes, tears may possibly roll down your cheeks!

In today’s world of global trading, multinational corporations that are looking to expand on profits turn out to operate against the welfares of the world’s poorest countries. In the documentary, “Stealing Africa,” the film director, Christoffer Guldbrandsen, brings forward the concerning economic attention of the country of Zambia, located in South Africa. Zambia is known as the third largest copper reserves across the world, owned by multinational corporations globally. Due to such a heavy abundance of natural resources in Africa, the majority of the economy of Zambia revolves around the mining industry, which is like the backbone of the country. As the natural resources in Zambia remain rich, multinational companies, specifically Glencore, grew in investments resulting in the guilt of tax avoidance and undervaluing copper, which resulted in a downfall for the revenue of copper in the nation of Zambia. Guldbrandsen talks about the country of Zambia’s abundance of natural resources, yet their struggle to remain above the poverty line, as it is ranked in the top 20 poorest countries. Guldbrandsen insists that due to privatization starting from the year of 2001, the mining industry in Zambia has taken a downfall. Although the country of Zambia is very rich in resources, maintains the top copper mine in the world, a person a day lives below a dollar and almost eighty percent of the population remains unemployed.

After the message was interpreted at the Reproduction stage. The dominant audience does not just get the message of the film, but they also get to connect to the ideology behind the production of the film. And as it reinforces, the stereotype of Africa, it also helps

The Black Actor in the play simply serves to highlight the racism and inhuman treatment of whites towards blacks under the apartheid government. The Black Actor is not one character but transforms into many characters, therefore acting as a symbolic representation of a whole. The Black Actor in this play transforms from an oppressed servant to a freedom fighter.

In my reading of Things Fall Apart, it has better informed me of a culture that I did not know of before, and by reading it helped correct some broad misconceptions that I previously held of the people and their cultures of Africa. Reading the novel also gave me another perspective on the effects of imperialism/colonialism by the Europeans on the Africans. I believe Achebe has succeeded in enabling the West an opportunity to have them "listen to the weak" (Achebe interview), but whether or not Western society decides to listen will come down to the individual within the society--if they do choose to listen to the call of the "weak." In this essay I will share