The Yale University Art Gallery

The Carleton University Art Gallery’s current exhibition We Are Continually Exposed to the Flashbulb of Death: The Photographs of Allen Ginsberg (1953-1996), is a linear timeline of the lives, romances, and works of the American Beat generation. The exhibition, curated by Barbara Fischer and John Shoesmith, is a survey of Allen Ginsberg’s photographs, which capture the freedom, artistic creations, and the open sexuality of this group. The organization of the exhibit, along with the added captions below each photograph, create a narrative of a past generation, both capturing and reflecting on an era.

The Virginia Museum of Fine Arts in Richmond at a glance is a modern metropolitan building that displays a vibrant exhibition of Byzantine art found in the Medieval and Byzantine wing. They are grouped together because they share a progression of time occurring in the heart of Europe roughly from the 1300s until the fall of Constantinople in 1453. The exhibit begins with displays of medieval art of Western Europe. It further progresses to Byzantine art arranged in broad categories ranging from pre-Christian art, liturgical material, secular material and a display of coptic textiles. Although small scale, a few art pieces prominently featuring the human figure stood out in particular.

On November 7, 1883, an exhibition organized by “May Wright Sewell, her husband Theodore, and a small group of art-minded citizens” (History, 2017) began what would one day become the establishment now known as the Indianapolis Museum of Art. Since that first exhibition, the IMA has gone through several identity changes. They were first named, the Art Association of Indianapolis. Their next identity was as the John Herron Art Institute, which opened a whole new chapter, as they became “a campus featuring both a museum and an art school.” (History, 2017) Today, the IMA is one of the largest encyclopedic art museums in the nation. The IMA has had various leadership and staff over the years that have lent to how the museum operates today.

The North Carolina Museum of Art (NCMA) holds many works of art from all types of cultures from around the world. The Torso of an Emperor in the Guise of Jupiter from Roman culture and the Torso of Aphrodite from Greek culture, are but two of them. It is unknown who the artist was for either of them, but the work has lived on for centuries. During the time period the gods were known for their perfection- like body and extraordinary looks. Since the sculptures highlight only the torso of the body it represents that only image matters and the brain does not.

For this project, I chose the Tampa Museum of Art. My daughter Annabelle, who is eleven, accompanied me. She is an aspiring young artist who loves to paint and assemble collages. This paper will describe our trip, the museum’s activities, and what was on exhibit. After which, I will choose two works of art and preform an analysis on them. I will employ the formal elements and the principles of design to engage the first piece, “The Great Journey”. With my second choice “A Group of Cubans who left Manzanillo are Rescued at Sea”, I will discuss how applying an alternative contextual analysis would help in understanding the meaning behind the painting more.

The Carnegie Museum of Art was a museum created to focus on the art of tomorrow rather than already popular art and artists of today. A necessary part for that dream of Andrew Carnegie to become a reality is having a place to house these art pieces. While of course he could have just found an empty warehouse and placed all the art there that would neither have given the pieces of art justice nor would anyone want there personal collection to be placed on display there. Instead, in order to have a successful art museum you have to house the art in a place that does it justice. Museums heavily rely on their architecture to accurately portray and supplement the showpieces within the museum. Carnegie’s art museum

Countless art has been sought-after throughout history. Explorers, scientists, art collectors, politicians, and entrepreneurs from Western nations have sought out and removed art from the lands of great civilizations, often with the assistance and participation of local people and governments. Even as cultural property faces immediate danger today in conflict zones like Syria and Mali, there is circumstantial evidence that some nations are awakening to the political and foreign policy benefits that can flow from the repatriation of cultural patrimony. While on a different scale from World War II, historic structures, religious monuments, and other priceless ancient times continue to suffer collateral damage and manipulation in armed conflict. Relics have been stolen, smuggled and sold in what is a reported multibillion dollar underground market. They have become the illicit prizes of private collectors and the subject of legal claims against museums. Of the countless museums subject to legal claims, The Metropolitan Museum of Art in New York City happens to be one of them. “The Metropolitan Museum has acquired thousands of works and objects of art from the antiquities”. “For the past several years, the government of Turkey has warned U.S. and foreign museums (including The Metropolitan Museum of Art), that unless ancient objects from Turkish soil are given up on demand, Turkey will stop lending artworks” (The Committee for Cultural Policy, 2015). Turkey continues to up the

Perhaps illness so influenced the artistic style of Van Gogh, but the picture turned out completely different to all that the artist wrote so far. This is not a Van Gogh, who was known. In the canvas, there is tension, anxiety, dense colors and warm shades of olive-mustard. On the contrary, here there is some kind of lightness, airiness, and transparent weightlessness. On the manner of execution, the pattern resembles Japanese prints: iris field full of peace, a lightness, and transparency. "Irises" are simple and unique, they are striking in their serenity and the ability to remove the internal stress of everyone who saw at least reproduction. Painting simply breathes watercolor, translucency and make to look at it more than one hour.

The artwork is one of the main ways to express the culture of a region or a country. Therefore, art has played a very important role throughout history. When talking about art, the first thing that comes to most people’s minds is probably that art is a painting or it is a sculpture. However, art has many forms of expression, and it closely connects to human’s daily life. Besides paintings and sculptures, art is everywhere around us. I am always interested in how people have linked art with daily life throughout history. For this reason, the two pieces of artwork I chose from my visit to the Museum of Fine Arts are both objects that can be used in everyday life: one is the mixing bowl and the other is an incense burner. Though they are from different cultures, have different making processes, and have a different purpose in usage, they both are good examples to show how artists tried to apply art using different techniques to human’s daily life.

The Virginia Museum of Fine Arts is an art museum in Richmond, Virginia and was built on March 27, 1934. The Virginia Fine Arts Museum is one of the top art museums in the United States. They have a vast collection of exhibits including American, African, East Asian, Ancient, 21st century and many more. My favorite exhibit is The McGlothlin Collection of American Art. This exhibit caught my eye as soon as I walked in the door. There were many astonishing paintings that had a lot of emotion, but one stood out from all the others. The artist, Beauford Delaney, painted Marian Anderson.

The building at 111 South Michigan Avenue, home of the Art Institute of Chicago, was opened in 1893 as the World’s Congress Auxiliary Building for the World’s Columbian Exposition. The building was passed on to the Art Institute after the end of the exposition. Designed in the Beax-Arts style by Boston firm Shepley, Rutan, and Coolidge, building has become an icon for chicagoans an tourists alike. The Modern Wing, the Art Institute’s latest and largest addition to date, opened on May 16, 2009, and was designed by Pritzker Prize-winning architect Renzo Piano. The 264,000 square foot addition now houses the museum’s collections of modern European painting and sculpture, contemporary art, architecture and design, and photography. The new

Los Angeles is a beautiful city filled with many classy shops, modern houses and many diverse restaurants base from China, Korea, America as well as many other different countries. However, there is a museum that located right in the heart of Los Angeles where 6th street and Wilshire Boulevard parallel with each other. This is a very interesting place with many tourists and people visiting each day. The museum is a familiar attraction for many LA locals, and it is also the largest art museum in the Western United States named Los Angeles County Museum of Art (LACMA).

This source is about the Palace of fine arts and its background history. Palace of fine art is a museum that helps people with mural paintings. This building also contributes to the world’s fair because It helps people with art. Also, It was builded to showcase artworks. This building “...at the 1893 World’s Columbian Exposition was designed for Charles B. Atwood for D.H. Burnham & Co.” The Palace of fine arts is now the Museum of Science and Industry.

A group of us Arts and Music students used the day on Wednesday to go into the city to visit the Boston Museum of Fine Arts. It was a cold, breezy day so we were all bundled up in jackets and hats. As we got off the E train and walked toward the museum, its appearance was not what I expected it to be. The museum was an elegant, beautiful building made of what looked to be marble; not the big, brick monstrosity I had expected. Once we walked into the museum, it was even more elegant on the inside. The marble staircase had sculptures on each side leading up to the rotunda where white Christmas lights were strung around the banister in decoration for the Christmas season.

The second is the Yale's Art and Architecture Building, designed in 1958 by architect Paul Rudolph. This building was an exploration of scale and space, bringing the urban and site context to the forefront of the architect. Using light and dynamic texturing of the facades to deliver a building that may have been before its time.