The Yellow Wall Paper By Charlotte Gilman

Many intellectual artists, who are widely acclaimed for their literary work, live in a world characterized by “progressive insanity” (Gilman 20). Charlotte Perkins Gilman was one such individual. A writer during the early 20th century, Gilman suffered from bouts of deep depression, due part to her dissatisfaction with the limitations of her role as wife and mother. Her writing, particularly her famous story “The Yellow Wallpaper” reflects experiences from her personal life. In doing so, “she achieved some control over both her illness and her past” (Lane 128). Many people still admire the fact that Gilman wrote her piece “to save people from being driven crazy;” however, perhaps she

“The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, is a great example of early works pertaining to feminism and the disease of insanity. Charlotte Gilman’s own struggles as a woman, mother, and wife shine through in this short story capturing the haunting realism of a mental breakdown.The main character, much like Gilman herself, slips into bouts of depression after the birth of her child and is prescribed a ‘rest cure’ to relieve the young woman of her suffering. Any use of the mind or source of stimulus is strictly prohibited, including the narrator’s favorite hobby of writing. The woman’s husband, a physician, installs into his wife that the rest treatment is correct and will only due harm if not followed through. This type of treatment ultimately drives the woman insane, causing her to envision a woman crawling behind the yellow wallpaper of her room. Powerlessness and repression the main character is subject to creates an even more poignant message through the narrator’s mental breakdown. The ever present theme of subordination of women in “The Yellow Wallpaper” is advanced throughout the story by the literary devices of symbolism, imagery, and allegory.

In Charlotte Perkins Gilman’s story, The Yellow Wallpaper, the setting is very symbolic when analyzing the different the meanings of this book. The main character in the story is sick with nervous depression. In the story, John, her husband, and also a physician, takes his wife to a house in the middle of the summer and confines her to one room in hopes of perfect rest for her. As the story progresses, it is made clear that confinement, sanity, insanity, and freedom are all tied together and used to make the setting of the story symbolic.

In Charlotte Perkins Gilman’s short story “The Yellow Wallpaper,” she discusses some of the issues found in 19th century society such as women’s oppression and the treatment of mental illness. Many authors throughout history have written stories that mimic their own lives and we see this in the story. We see Gilman in the story portrayed as Jane, a mentally unstable housewife who cannot escape her husband’s oppression or her own mind. Gilman reveals a life of depression and women’s oppression through her short story “The Yellow Wallpaper.”

Charlotte Perkins Gilman was born in 1860, in the city of Hartford, CT. She would later move to California. She would end her own life in 1935, after she was diagnosed with breast cancer. She fought for women’s rights and was an advocate of socialism. She wrote novels, poetry and short stories. She was a woman who was educated; her writing reflected her knowledge, relating to her strong thoughts on woman’s rights and independence and how women of Victorian times suffered from this lack of rights. In her short story “The Yellow Wallpaper”, Charlotte Perkins Gilman conveys her views on feminism and how women are treated through characters who represent this treatment. The characters she uses help the reader really get drawn into her story;

“The Yellow Wallpaper” is about a woman driven insane by postpartum depression and a dangerous treatment. Nevertheless, when you study the protagonist, it shows that the story is more about finding the protagonist’s identity. The protagonist’s proposes of an imaginary woman, which at first, is just her shadow against the bars of the wallpaper. The pattern shows her identity, expressing the conflict that she experiences and eventually leads her to a complete breakdown of what is her identity and that of the imaginary shadow.

All throughout history there has been a stigma around mental illness and feminism. “The Yellow Wallpaper” was written by Charlotte Perkins Gilman in the 1900’s. “The Yellow Wallpaper” has many hidden truths within the story. The story was an embellished version her own struggle with what was most likely post-partum depression. As the story progresses, one can see that she is not receiving proper treatment for her depression and thus it is getting worse. Gilman uses the wallpaper and what she sees in it to symbolize her desire to escape her depression and the controlling nature of the patriarchal society of the twentieth century. The story shows an inside look into the thoughts and feelings of a person with a mental illness such as depression. Gilman also uses symbolism to showcase how the male figures in her life had control over her well-being more than she did. Both her husband and doctor hindered her from healing by not listening to her when she expressed what she felt would help her. She does not clearly say that she feels overwhelmed by the patriarchal society of the 1900’s; however, one can infer this by her wording and actions throughout the course of the story. Charlotte Perkins Gilman uses “The Yellow Wallpaper” to reveal the truths of a woman’s everyday struggles in a patriarchal society and also the deeper struggles of a woman with depression.

Women’s Rights has been a point of contention for a very long time. Especially during the late 19th and 20th century, it was a seemingly unorthodox idea in a patriarchal society. This is what makes Charlotte Perkins Gilman’s The Yellow Wallpaper a feminist piece still analyzed to this day. It was a story that was arguably ahead of its time, as was Gilman, with her utopian feminist ideals. She wrote the book with some introspection of her own postpartum depression. The Yellow Wallpaper has been deemed a classic feminist literature piece due to its layers of deeper meaning, achieved through Gilman’s use of symbolism, character, and setting, construed by many to represent the struggles faced by women in the late 19th century.

An anonymous author once said, “What consumes your mind, controls your life.” In the story, “The Yellow Wallpaper” by Charlotte Perkins Gilman, the narrator is suffering from severe depression, at the very least and constantly tries to get better. While trying to get better she becomes increasingly fixated on the yellow wallpaper that encompasses her in her room. It gets to the point where the wallpaper is all she thinks about and slowly, it starts to control her life. The yellow wallpaper in this story is a representation of the narrator’s relationship with her disease.

Written in 1892, Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” tells the experience of a nervous woman named Jane who falls into psychosis during the “rest cure” treatment prescribed by her husband John. The rest cure admits the patient to bed rest with limited activity for the body and mind allowed; Dr. S. Weir Mitchell advocated the rest cure and is mentioned by name in the short story by Gilman who had him as her doctor (Gilman 80). During Jane’s rest cure, she is banned from creative work like writing her thoughts but finds “great relief from writing on dead paper”, even if it includes hiding her banned writings from being discovered. The one main complaint Jane has in her writings is the yellow wallpaper that surrounds the room without pattern or end and slowly grows more bothersome to Jane during her rest cure. Jane describes how the colors remind her of disgusting yellow things, how even the wallpaper smells up the rental house, and shakes by a woman within the wallpaper (Gilman 85-86). With nothing to occupy Jane’s mind the wallpaper becomes an obsession that torments her anxiety and consumes her sanity towards the end of her rest cure. Gilman experiences the same madness from her rest cure treatment as Jane in “The Yellow Wallpaper”. The horrid treatment of “rest cure” from doctor Silas Weir Mitchell led author Charlotte Perkins Gilman into writing “The Yellow Wallpaper,” sharing her experience of madness resulting from her treatment to represent the

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

The constant act of avoiding the worth women have in society spirals down to the core fact how women are envisioned inferior to men. In The Ways We Lie by Stephanie Ericsson, the simple declaration, “We lie. We all do. We exaggerate, we minimize, we avoid confrontation, we spare people’s feelings, we conveniently forget, we keep secrets, we justify lying to the big-guy’s institutions.” Depicts how far lies have come to fit in the spectrum of society, which has inevitably caused women to lose their voice in established lies – mistaken as truths – into thinking that the unfair treatment they receive is what they deserve.

treats her like a child and just like a child she is kept in this

The Yellow Wall-Paper by Charlotte Perkins Gilman has several elements that classify it as a Gothic Story. One such element is a setting in a castle. While this story does not take place in a castle, Gilman’s use of “ancestral halls” illustrates a grand home. She goes on to clarify that the home can be rented very cheaply, and is usually untenanted. Over all Gilman’s description allows the reader to feel like something is wrong with the house.

The perception of the Other in literature can take on several forms and on one line of thought it is considered to be “an individual who is perceived by the group as not belonging; as being different in some fundamental way” (The City University of New York). The group sees itself as the standard and judges those who do not meet that standard. The Other is almost always seen as a lesser or inferior being and is treated accordingly. They are perceived as lacking essential characteristics possessed by the group. For an example, Charlotte Gilman’s short story “The Yellow Wall-Paper” portrays a woman narrator as being the Other. The gender division, an important component of the late nineteenth-century society, is exemplified in “The Yellow Wall-Paper” much more significantly than in the typical “American” literary work. It attempts to shed light on the fierce alter egos and divided selves of the dominant tradition. However, the narrator seems to contradict the traditional feminine roles and becomes hysterical as her way of revolting. Gilman effectively uses the narrator’s intuition, obedience, and secret rebellion to challenge the authority John embodies as a husband and physician. This also engages the basic issue of late nineteenth-century assumptions about men and women. In this aspect, this essay aims to explore in detail the gender otherness present within the story and how this contrasts the central idea of what it is to essentially be “American”.