The Yellow Wall Paper By Charlotte Perkins Gilman

In 1892, a short story by the name of “The Yellow Wallpaper” was written by Charlotte Perkins Gilman, a well-known author and feminist of the late 19th century. The story was initially inspired by her personal experiences and the actions that followed after. Although the story was correlated to actual events, many of the scenes described in “The Yellow Wallpaper” prove to be exaggerated in comparison to the author’s experience. Similarly, the author and narrator of the story (who goes by no name) both suffer from the same condition known as neurasthenia, misconstrued to be identical to hysteria. The story was created in spite to denounce the treatments prescribed to her, as well as to personify the misogynistic influence that lead to these treatments that pertained to women. Gilman represents the feminist position being oppressed by the swift judgements of their male counterparts to highlight the negligent idea that created such unusual treatments.

People can easily influence our behavior and impact our ideas to do what is socially acceptable. This makes it difficult for individuals to express their emotions or do what they desire. In many ways, this is similar to how women of the past dealt with a society that did not favor their ambition, and ultimately, saw them as inferior. Because of this, women had unwillingly accepted their gender role which caused mental anguish that led to hysterical behaviors. Two works of literature that display this internal struggle women goes through are Charlotte Perkins Gilman’s “The Yellow Wallpaper,” and William Faulkner’s “A Rose for Emily.” The two protagonist from these short stories, the unnamed narrator and Emily, display symptoms of “hysteria” because they experience conflicts between their individual desires and social influences that either repress their feelings or displace their feelings.

“The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, is a great example of early works pertaining to feminism and the disease of insanity. Charlotte Gilman’s own struggles as a woman, mother, and wife shine through in this short story capturing the haunting realism of a mental breakdown.The main character, much like Gilman herself, slips into bouts of depression after the birth of her child and is prescribed a ‘rest cure’ to relieve the young woman of her suffering. Any use of the mind or source of stimulus is strictly prohibited, including the narrator’s favorite hobby of writing. The woman’s husband, a physician, installs into his wife that the rest treatment is correct and will only due harm if not followed through. This type of treatment ultimately drives the woman insane, causing her to envision a woman crawling behind the yellow wallpaper of her room. Powerlessness and repression the main character is subject to creates an even more poignant message through the narrator’s mental breakdown. The ever present theme of subordination of women in “The Yellow Wallpaper” is advanced throughout the story by the literary devices of symbolism, imagery, and allegory.

In Charlotte Perkins Gilman’s story, The Yellow Wallpaper, the setting is very symbolic when analyzing the different the meanings of this book. The main character in the story is sick with nervous depression. In the story, John, her husband, and also a physician, takes his wife to a house in the middle of the summer and confines her to one room in hopes of perfect rest for her. As the story progresses, it is made clear that confinement, sanity, insanity, and freedom are all tied together and used to make the setting of the story symbolic.

In the 1950’s, women weren’t respected for doing anything besides being an outstanding wife and mother. Women and men weren’t on the same level when it came to rights in the eyes of the law. Also during this time, mental illnesses were not accurately researched, and since doctors weren’t fully aware of all the information about mental illnesses, patients did not always get the best treatment and were treated as freaks. In the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman, both of these elements are present. Gilman did a wonderful job portraying how women are not taken seriously and how lightly mental illnesses are taken. Gilman had, too, had firsthand experience with the physician in the story. Charlotte Perkins Gilman 's believes that there really was no difference in means of way of thinking between men or women is strongly. “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband 's lack of belief. The story appears to happen during a time period where women were mistreated. Women were treated as second rate people in community during this time period. Charlotte Perkins Gilman shows the thought process of the community during the time period in which “The Yellow Wallpaper” is written. Using knowledge on equal rights between women and men, one can carefully study “The Yellow Wallpaper” by

In Charlotte Perkins Gilman’s short story “The Yellow Wallpaper,” she discusses some of the issues found in 19th century society such as women’s oppression and the treatment of mental illness. Many authors throughout history have written stories that mimic their own lives and we see this in the story. We see Gilman in the story portrayed as Jane, a mentally unstable housewife who cannot escape her husband’s oppression or her own mind. Gilman reveals a life of depression and women’s oppression through her short story “The Yellow Wallpaper.”

Charlotte Perkins Gilman was born in 1860, in the city of Hartford, CT. She would later move to California. She would end her own life in 1935, after she was diagnosed with breast cancer. She fought for women’s rights and was an advocate of socialism. She wrote novels, poetry and short stories. She was a woman who was educated; her writing reflected her knowledge, relating to her strong thoughts on woman’s rights and independence and how women of Victorian times suffered from this lack of rights. In her short story “The Yellow Wallpaper”, Charlotte Perkins Gilman conveys her views on feminism and how women are treated through characters who represent this treatment. The characters she uses help the reader really get drawn into her story;

In this psychological tale we are introduced to a woman facing a mental illness in the late 1800’s writing secretly about essentially being belittled about her health by her husband, John, a doctor, who subjects her to bed rest and isolation to the real world to recover. Her words: “...John says the very worst thing I can do is to think about my condition, and I confess it always makes me feel bad.” (page 2 of The Yellow Wall-Paper) struck with me. I understand the feeling of suddenly feeling useless, unproductive and sort of trapped in your own mind. As she loses touch with life outside of the house, she begins to obsess with the women she sees behind the yellow wallpaper of her bedroom. First, I believed the wallpaper to be a metaphor of her depression, “I can see a strange, provoking, formless sort of figure, that seems to skulk about behind that silly and conspicuous front design [of the wallpaper].” (page 4 of The

Charlotte Perkins Gilman’s story of a woman who goes mad while fixating on a bizarre wall-covering has been used as an early example of post-partum depression. In the latter part of the 1800’s women were seen as inferior subordinates to men who could not be trusted due to the effect of the female organs on their brains. The narrator is almost certainly a victim of the lack of medical knowledge of the day, while the prevailing attitudes in the medical field of women as childlike and the social pressure of male domination contribute to the narrator’s illness. The husband’s role as spouse and physician enable his benevolent manipulation of the narrator by isolating her and removing her

The yellow wallpaper is the most obvious symbol in this story. This symbolizes the protagonist 's mind named Jane during the 19th century. The yellow wallpaper symbolizes the way women were perceived. The yellow wallpaper includes models, angles and curves so that they contradict each other. we could say that these angles represents the identity of women during the 19th century. The Yellow Wallpaper by Charlotte Perkins Gilman, is about the control and attacks the role of women in society. What is expected of women of the 19th century is to have children, take care of the house and do only what the husband says. The man of this time have the privilege of having a good education, have their jobs and they make their own decisions. The

“The Yellow Wallpaper” is about a woman driven insane by postpartum depression and a dangerous treatment. Nevertheless, when you study the protagonist, it shows that the story is more about finding the protagonist’s identity. The protagonist’s proposes of an imaginary woman, which at first, is just her shadow against the bars of the wallpaper. The pattern shows her identity, expressing the conflict that she experiences and eventually leads her to a complete breakdown of what is her identity and that of the imaginary shadow.

treats her like a child and just like a child she is kept in this

The standing that women have had in the past was so bad that often times they were deemed less than their counterparts. May a times a woman’s intuition of themselves were ignored, because the male doctors were certain they were the ones correct not the females. In the time period in which physiological heath was relatively new, certain diagnostics would have been overlooked and patient were given the wrong type of help they need, especially woman that often times knew they had something different. Other times if a woman desired to do something they had to ask there significant other, if they were refused they had to refrain themselves from asking again. As it was in the case in the story made by Charlotte Perkins Gilman “The Yellow Wallpaper”, in which a young mother opinions and wants were all but ignored. A question that some people have while reading the story “The Yellow Wallpaper” was if the young woman was suffering from oppression or depression. However one might feel that she might be subject to both, it is more than clear that depression is the higher factor involved here. Depression can be defined like an example given Merriam-Webster “by a state of feeling sad : dejection (2) : a psychoneurotic or psychotic disorder marked especially by sadness, inactivity, difficulty in thinking and concentration, a significant increase or decrease in appetite and time spent sleeping, feelings of dejection and hopelessness, and sometimes suicidal tendencies” The emphasis of

with a rest cure. The doctor in the story is much like the doctor that

The perception of the Other in literature can take on several forms and on one line of thought it is considered to be “an individual who is perceived by the group as not belonging; as being different in some fundamental way” (The City University of New York). The group sees itself as the standard and judges those who do not meet that standard. The Other is almost always seen as a lesser or inferior being and is treated accordingly. They are perceived as lacking essential characteristics possessed by the group. For an example, Charlotte Gilman’s short story “The Yellow Wall-Paper” portrays a woman narrator as being the Other. The gender division, an important component of the late nineteenth-century society, is exemplified in “The Yellow Wall-Paper” much more significantly than in the typical “American” literary work. It attempts to shed light on the fierce alter egos and divided selves of the dominant tradition. However, the narrator seems to contradict the traditional feminine roles and becomes hysterical as her way of revolting. Gilman effectively uses the narrator’s intuition, obedience, and secret rebellion to challenge the authority John embodies as a husband and physician. This also engages the basic issue of late nineteenth-century assumptions about men and women. In this aspect, this essay aims to explore in detail the gender otherness present within the story and how this contrasts the central idea of what it is to essentially be “American”.