The Yellow Wallpaper, By Charlotte Gilman

“The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, is a great example of early works pertaining to feminism and the disease of insanity. Charlotte Gilman’s own struggles as a woman, mother, and wife shine through in this short story capturing the haunting realism of a mental breakdown.The main character, much like Gilman herself, slips into bouts of depression after the birth of her child and is prescribed a ‘rest cure’ to relieve the young woman of her suffering. Any use of the mind or source of stimulus is strictly prohibited, including the narrator’s favorite hobby of writing. The woman’s husband, a physician, installs into his wife that the rest treatment is correct and will only due harm if not followed through. This type of treatment ultimately drives the woman insane, causing her to envision a woman crawling behind the yellow wallpaper of her room. Powerlessness and repression the main character is subject to creates an even more poignant message through the narrator’s mental breakdown. The ever present theme of subordination of women in “The Yellow Wallpaper” is advanced throughout the story by the literary devices of symbolism, imagery, and allegory.

The surroundings which one is placed in can drastically contribute to their mental state. Deterioration and a lack of stimulation will be reciprocated within the mind of the inhabitant. “The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, depicts a young, unnamed woman who is suffering with post-partum depression. In this time period, the treatment of mental illness typically did more harm than good as electroshock therapy, and the rest cure were the classic treatments of choice. Similarly, William Faulkner, the author of “A Rose for Emily”, written in 1930, gives the reader an inside look upon an elderly woman experiencing mental distress. Although there are major signs of an issue being present within Miss Emily’s old, southern house, the town chooses to ignore and cover them up as to not disrupt the elderly woman who buys poisons without a reason and sleeps next to the dead corpse of her lover. Theme and setting play two very distinct and important roles within each of these stories allowing the reader to have a more complete understanding of the message the author is trying to convey.

In the 1950’s, women weren’t respected for doing anything besides being an outstanding wife and mother. Women and men weren’t on the same level when it came to rights in the eyes of the law. Also during this time, mental illnesses were not accurately researched, and since doctors weren’t fully aware of all the information about mental illnesses, patients did not always get the best treatment and were treated as freaks. In the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman, both of these elements are present. Gilman did a wonderful job portraying how women are not taken seriously and how lightly mental illnesses are taken. Gilman had, too, had firsthand experience with the physician in the story. Charlotte Perkins Gilman 's believes that there really was no difference in means of way of thinking between men or women is strongly. “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband 's lack of belief. The story appears to happen during a time period where women were mistreated. Women were treated as second rate people in community during this time period. Charlotte Perkins Gilman shows the thought process of the community during the time period in which “The Yellow Wallpaper” is written. Using knowledge on equal rights between women and men, one can carefully study “The Yellow Wallpaper” by

“The Yellow Wallpaper” written by Charlotte Gilman is a chilling portrayal of a woman’s downward spiral towards madness after undergoing treatment for postpartum depression in the 1800’s. The narrator, whose name remains nameless, represents the hundreds of middle to upper- class women who were diagnosed with “hysteria” and prescribed a “rest” treatment. Although Gilman’s story was a heroic attempt to “save people from being driven crazy” (Gilman p 1) by this type of “cure” it was much more. “The Yellow Wallpaper” opened the eyes of many to the apparent oppression of women in the 1800’s and “possibly the only way they could (unconsciously) resist or protest their traditional ‘feminine’

Many people know what it feels like to be “trapped” in the emotional sense of things, but how many can say they have been both physically and emotionally trapped. Charlotte Perkins Gilman used her personal bout with depression to create a powerful fictional narrative, which has broad implications for women. When the narrator recognizes that there is more than one trapped, creeping woman, Gilman indicates that the meaning of her story extends beyond an isolated, individual situation. Gilman’s main purpose in writing The Yellow Wallpaper is to doom not only a specific medical treatment but also the misogynistic principles and resulting sexual politics that make such a treatment possible. Those things lead to the major themes of the story: freedom, confinement, and madness.

Written in 1892, Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” tells the experience of a nervous woman named Jane who falls into psychosis during the “rest cure” treatment prescribed by her husband John. The rest cure admits the patient to bed rest with limited activity for the body and mind allowed; Dr. S. Weir Mitchell advocated the rest cure and is mentioned by name in the short story by Gilman who had him as her doctor (Gilman 80). During Jane’s rest cure, she is banned from creative work like writing her thoughts but finds “great relief from writing on dead paper”, even if it includes hiding her banned writings from being discovered. The one main complaint Jane has in her writings is the yellow wallpaper that surrounds the room without pattern or end and slowly grows more bothersome to Jane during her rest cure. Jane describes how the colors remind her of disgusting yellow things, how even the wallpaper smells up the rental house, and shakes by a woman within the wallpaper (Gilman 85-86). With nothing to occupy Jane’s mind the wallpaper becomes an obsession that torments her anxiety and consumes her sanity towards the end of her rest cure. Gilman experiences the same madness from her rest cure treatment as Jane in “The Yellow Wallpaper”. The horrid treatment of “rest cure” from doctor Silas Weir Mitchell led author Charlotte Perkins Gilman into writing “The Yellow Wallpaper,” sharing her experience of madness resulting from her treatment to represent the

In The Yellow Wallpaper, Charlotte Perkins Gilman creates a narrator who rents out a mansion in the summer with her husband. The main reason for their summer retreat is because the narrator is “ill” and suffering from what her husband calls “a slight hysterical tendency.” The narrator’s husband places her in a big airy sunlit room with hideous yellow wallpaper asserting she be confined to bed rest. As time goes by, the woman becomes infatuated with the yellow wallpaper claiming that there’s a woman enclosed in the pattern. I’m arguing that the wallpaper plays a role in symbolism. In my opinion, it represents how the narrator suffers from the oppression of her husband and the feeling of being trapped.

If we are to believe our mothers, we are aware that time heals all wounds. Everyone feels sad or low sometimes, but these feelings usually pass with time. When one starts to experience these feelings of feelings of hopelessness, pessimism, guilt, or worthlessness for longer than two weeks, it is likely that they suffer from depression. Depression is a mood disorder that causes symptoms that affect how we feel, think, and handle daily activities. Due to its widespread occurrence, scientists have been searching for an effective treatment for this mood disorder for decades. During the late 1800s, one of the treatment options available for those suffering with depression and other nervous illnesses was the rest cure. Charlotte Perkins Gilman’s

The short story, “The Yellow Wallpaper”, written by Charlotte Gilman, presents as a feminist text written in protest to the treatment of women by a male dominated society. The story is told from the narrator’s perspective, a woman who’s name we never learn. A woman suffering from post-natal-depression who is prescribed the remedy of the day, a course of treatment known as “rest cure”, in which the sufferer is confined to bed and not allowed to partake in the activities of daily life. This extended period of isolation and activity deprivation drives the narrator further into a depression, and later into insanity as she tries to cope with the isolation. In the story, the patriarchy of society is blamed in part for the narrator’s mental

“The Yellow Wallpaper” is a thrilling story written by Charlotte Perkins Gilman back in the 1860. The setting is the Victorian era when women had no place in the society because the society was dominated by men. Therefore, the women character Jennie try to rise and discover their place in the society, but different obstacles prevented them from realizing their dreams. In this regard, the paper will discuss how Jennie, the narrator needed to have the opportunity to work, to grow and to make connections outside of the home. Jennie is treated like a child of being a house wife by her husband. He wouldn’t allow her to communicate with others outside of home. Jane her sister-in-law also housekeeper to help Jennie with her chores. An article by Dr. Aşkın Haluk said “a married women was legally the slave to her husband (Haluk 47) Relating to Jennie husband slaving her to take care of her chores.

Stories can have a person feel like they can relate to the characters and have ways to express their emotions. "The Yellow Wallpaper" is a story written in the late nineteenth century, 1890 's a time period where women were oppressed. This is the time of era, where women have no voice, they stayed home and did wifely duties. The story is written in first person, however we never learn the woman 's name in the story. She stays anonymous, but we learn a lot about this woman. However, the narrators name may be Jane. Gilman may have slipped the narrators name at the end of the story when she is free, but then again, It is not a complete known fact. She is however the protagonist in the story. We learn that she has a mental illness or possibly some sort of post-partum depression and she is not able to get proper treatment, due to the lack of her husband who seems in denial as a physician. Charlotte Perkins Gilman lets us know that she is in a summer vacation house and is mesmerized by this yellow wallpaper in this room. She becomes fixated. The pattern of the wallpaper is not together and crazy and torn, ugly and, a pointless pattern but has hidden expression, which she is using the wall paper to symbolize her life. The wallpaper has the sense of entrapment, and a distraction that becomes an obsession and slowly trajectory towards madness. We will discover many elements of this story along with the story being in the American Feminist time period of women

Neurasthenia was first described in 1869 as a disease characterized by extreme anxiety, depression, and fatigue. But in the 18th and 19th century, a temporary nervous depression, which is what the narrator in “The Yellow Paper” is diagnosed with, was the illness most common among women due to their perceived fragility and weak emotions. This nervous disease was associated with numerous symptoms, such as pale urine, a visible swelling of the stomach, headaches, fainting, palpitations of the heart, wind in the stomach and intestines, frequent sighing, giddiness, convulsive crying, convulsive laughing, despair, and melancholy (T. Wayne, C. Vincent). In “The Yellow Wallpaper”, by Charlotte Perkins Gilman, the narrator, a woman who has recently given birth, has been diagnosed with neurasthenia, and imprisoned in a summer home as a result of the times period’s patriarchal and industrial society.

Charlotte Perkins Gilman’s 1892 short story, The Yellow Wallpaper represents an early utilisation of a mentally unstable unreliable narrator. Gilman’s narrator is, in fact, so unreliable that her name is the subject of critical discussion over a century after the story’s initial publication. Whilst the descent of Gilman’s narrator into madness has been the subject of various conflicting literary interpretations it is certain that Gilman’s own experiences of mental health problems and subsequent inadequate attempts at treatment provided the mainstay of her inspiration for the novel. In her autobiography Gilman stated that "the real purpose of the story was to reach Dr. S. Weir Mitchell [her doctor], and convince him of the error of his ways’. Gilman’s use of such a forwardly unreliable narrator was not ground-breaking, the technique has been utilised by authors from Chaucer to Sterne. Yet Gilman’s choice utilisation in order to explore both her own condition and broader societal attitudes towards the management of the mentally-ill was unprecedented. Some seventy years later, as critics began to flesh out formal approaches to unreliable narrators against the backdrop of emergent war-scarred and drug-enveloped countercultures the scene was set for further similar explorations of mental health through Gilman’s established means.

In 1892, Charlotte Perkins Gilman published the story, “The Yellow Wallpaper”; a short story that addresses the sensitive topic of inequality between men and women during the nineteenth century. The courageous feminist discusses an issue that many were afraid to talk about, the inhumane treatment of women diagnosed with hysteria. She was the voice for the helpless women who didn’t know how to speak up during this revolting oppression. Gilman created the striking novel by using powerful images to speak up against the injustice. The short story, “The Yellow Wallpaper” written by Charlotte Perkins Gilman, highlights the central theme of men being superior to women. Gilman expresses theme through usage of symbolism within the yellow wallpaper;

Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a short story told from the perspective of a woman who’s believed to be “crazy”. The narrator believes that she is sick while her husband, John, believes her to just be suffering from a temporary nervous depression. The narrator’s condition worsens and she begins to see a woman moving from behind the yellow wallpaper in their bedroom. The wallpaper captures the narrator’s attention and initial drives her mad. Charlotte Gilman uses a lot of personal pieces into her short story, from her feministic views to her personal attributes. “The Yellow Wallpaper” is a short story written from a feminist and autobiographical standpoint and includes elements, like symbols and perspective that the reader can analyze in different ways.