Neurasthenia was first described in 1869 as a disease characterized by extreme anxiety, depression, and fatigue. But in the 18th and 19th century, a temporary nervous depression, which is what the narrator in “The Yellow Paper” is diagnosed with, was the illness most common among women due to their perceived fragility and weak emotions. This nervous disease was associated with numerous symptoms, such as pale urine, a visible swelling of the stomach, headaches, fainting, palpitations of the heart, wind in the stomach and intestines, frequent sighing, giddiness, convulsive crying, convulsive laughing, despair, and melancholy (T. Wayne, C. Vincent). In “The Yellow Wallpaper”, by Charlotte Perkins Gilman, the narrator, a woman who has recently given birth, has been diagnosed with neurasthenia, and imprisoned in a summer home as a result of the times period’s patriarchal and industrial society.
When the narrator is diagnosed with this nervous disease, she believes that her husband, who is a physician, and her brother, who is also a physician, are correct about the illness. “There is nothing really the matter with one but temporary nervous depression-a slight hysterical tendency,” according to the husband (Gillman 437). Though the narrator never describes having any of the symptoms for temporary nervous depression, she follows the strict routine that she is given. To cure her of this alignment, the narrator and her small family move out of the city and into a colonial style
One major influence to the short story was the aforementioned condition known as neurasthenia. It was first identified in the early 19th century and became a popular diagnosis primarily among women of that time. It was characterized with symptoms that included weakness, irritability, dizziness, and fainting, as well as emotional instability. An ancestor to this condition was another well-known, women associated diagnosis, Hysteria. One would assume that these conditions would relate on a psychological level rather than a
Many intellectual artists, who are widely acclaimed for their literary work, live in a world characterized by “progressive insanity” (Gilman 20). Charlotte Perkins Gilman was one such individual. A writer during the early 20th century, Gilman suffered from bouts of deep depression, due part to her dissatisfaction with the limitations of her role as wife and mother. Her writing, particularly her famous story “The Yellow Wallpaper” reflects experiences from her personal life. In doing so, “she achieved some control over both her illness and her past” (Lane 128). Many people still admire the fact that Gilman wrote her piece “to save people from being driven crazy;” however, perhaps she
In Charlotte Perkins Gilman's “The Yellow Wallpaper” we are introduced to a woman who enjoys writing. Gilman does not give the reader the name of the women who narrates the story through her stream of consciousness. She shares that she has a nervous depression condition. John, the narrator’s husband feels it is “a slight hysterical tendency” (266). She has been treated for some nervous habits that she feels are legitimately causing harm to her way of life. However she feels her husband, a physician, and her doctor believe that she is embellishing her condition. The woman shares with the reader early in the story that she is defensive of how others around her perceive her emotional state. This causes a small abrasion of animosity that
“The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, is a great example of early works pertaining to feminism and the disease of insanity. Charlotte Gilman’s own struggles as a woman, mother, and wife shine through in this short story capturing the haunting realism of a mental breakdown.The main character, much like Gilman herself, slips into bouts of depression after the birth of her child and is prescribed a ‘rest cure’ to relieve the young woman of her suffering. Any use of the mind or source of stimulus is strictly prohibited, including the narrator’s favorite hobby of writing. The woman’s husband, a physician, installs into his wife that the rest treatment is correct and will only due harm if not followed through. This type of treatment ultimately drives the woman insane, causing her to envision a woman crawling behind the yellow wallpaper of her room. Powerlessness and repression the main character is subject to creates an even more poignant message through the narrator’s mental breakdown. The ever present theme of subordination of women in “The Yellow Wallpaper” is advanced throughout the story by the literary devices of symbolism, imagery, and allegory.
The surroundings which one is placed in can drastically contribute to their mental state. Deterioration and a lack of stimulation will be reciprocated within the mind of the inhabitant. “The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, depicts a young, unnamed woman who is suffering with post-partum depression. In this time period, the treatment of mental illness typically did more harm than good as electroshock therapy, and the rest cure were the classic treatments of choice. Similarly, William Faulkner, the author of “A Rose for Emily”, written in 1930, gives the reader an inside look upon an elderly woman experiencing mental distress. Although there are major signs of an issue being present within Miss Emily’s old, southern house, the town chooses to ignore and cover them up as to not disrupt the elderly woman who buys poisons without a reason and sleeps next to the dead corpse of her lover. Theme and setting play two very distinct and important roles within each of these stories allowing the reader to have a more complete understanding of the message the author is trying to convey.
In Charlotte Perkins Gilman’s story, The Yellow Wallpaper, the setting is very symbolic when analyzing the different the meanings of this book. The main character in the story is sick with nervous depression. In the story, John, her husband, and also a physician, takes his wife to a house in the middle of the summer and confines her to one room in hopes of perfect rest for her. As the story progresses, it is made clear that confinement, sanity, insanity, and freedom are all tied together and used to make the setting of the story symbolic.
In the 1950’s, women weren’t respected for doing anything besides being an outstanding wife and mother. Women and men weren’t on the same level when it came to rights in the eyes of the law. Also during this time, mental illnesses were not accurately researched, and since doctors weren’t fully aware of all the information about mental illnesses, patients did not always get the best treatment and were treated as freaks. In the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman, both of these elements are present. Gilman did a wonderful job portraying how women are not taken seriously and how lightly mental illnesses are taken. Gilman had, too, had firsthand experience with the physician in the story. Charlotte Perkins Gilman 's believes that there really was no difference in means of way of thinking between men or women is strongly. “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband 's lack of belief. The story appears to happen during a time period where women were mistreated. Women were treated as second rate people in community during this time period. Charlotte Perkins Gilman shows the thought process of the community during the time period in which “The Yellow Wallpaper” is written. Using knowledge on equal rights between women and men, one can carefully study “The Yellow Wallpaper” by
Hysteria was the “go-to, catchall diagnosis” for all women, consisting of any “problem” including, but not limited to, nervousness, faintness, loss of appetite, (lack of) sexual desire, headaches, insomnia, muscle spasms, and trouble-making. For centuries, literature portrayed as submissive and obedient to men and oppressed by society, culture, and even men. In The Yellow Wallpaper, Gilman presents readers with a story of a woman suffering from depression, possibly post-partum, but whose remedy is “rest cure,” a treatment invented by Silas Weir Mitchell for neurasthenia involving isolation and rest as a cure for hysteria in all its forms. The Yellow Wallpaper is a narrative concerning the gradual demise of the mental stability of an unnamed, newly married upper-middle class woman in late nineteenth century rural America. Gilman uses psychological terror to not only portray the narrator’s fall to insanity, but also to shed light on the rather unfortunate role of women in the institution of marriage. The narrator’s husband, John, is a physician who firmly expresses disbelief in his wife’s claims of depression. From the beginning of the story, the reader can tell immediately that the narrator has absolutely no voice. John assures her and others that nothing is wrong but “temporary nervous
In Charlotte Perkins Gilman’s short story “The Yellow Wallpaper,” she discusses some of the issues found in 19th century society such as women’s oppression and the treatment of mental illness. Many authors throughout history have written stories that mimic their own lives and we see this in the story. We see Gilman in the story portrayed as Jane, a mentally unstable housewife who cannot escape her husband’s oppression or her own mind. Gilman reveals a life of depression and women’s oppression through her short story “The Yellow Wallpaper.”
The first character introduced is, John. He is the husband of the narrator, and her physician. He is the reason she has come to this mansion. She also believes he is the reason she is not getting better faster. “John is a physician, and perhaps- (I would not say it to a living soul, of course, but this is dead paper and a great relief in my mind)-perhaps that is one reason I do not get well faster” (Gilman, 1891). This statement, in the beginning of the story opens up the reader’s realization that the narrator is suffering from some mental illness.
The narrator’s varying stately yet fervent tone illustrates her obligatory feelings as well as her true emotions regarding her husband and lifestyle through her descriptions of the “nursery” where she is confined (Gilman, 648). John, since he is both her husband and doctor, “hardly lets [her] stir without special direction,” characteristic of patriarchs of the family; he also “laughs at [her], of course, but one one expects that in marriage.” (Gilman, 648 and 647). Since the narrator feels
The main character’s “nervous condition” is most certainly postpartum depression. This illness, along with many other mental illnesses, was little understood or recognized at this time. At the beginning, the reader is told that the woman has a "temporary nervous depression-a slight hysterical tendency," as diagnosed by her physician husband “of high
treats her like a child and just like a child she is kept in this
I diagnose the narrator with neurasthenia. It is a disease that causes a nervous exhaustion and extreme excitability. The narrator is prescribed S a “rest cure” in an effort to calm her nervous depression. The nervousness is mostly diagnosed in women. In the 18th century, this type of illness was labeled as one of the “nervous diseases.” They thought women had weak bodies and sensitive minds, they were thought to be extremely ill and that could affect their emotional state. These nervous diseases were caused with many symptoms, such as pale urine, a visible swelling of the stomach, headaches and melancholy. In other words, any sort of depression would be a sign of a nervous disease. Men could also suffer from the nervous diseases, but women remained the victims because men were looked as better back then. Some emotional and physical symptoms are fits, choking, laughing, fainting, and the quick transition from one symptom to the next. The disease was mostly understood as a form of emotional sensitivity. Neurasthenia was first
with a rest cure. The doctor in the story is much like the doctor that