The Yellow Wallpaper, By Charlotte Perkins Gilman

In 1892, a short story by the name of “The Yellow Wallpaper” was written by Charlotte Perkins Gilman, a well-known author and feminist of the late 19th century. The story was initially inspired by her personal experiences and the actions that followed after. Although the story was correlated to actual events, many of the scenes described in “The Yellow Wallpaper” prove to be exaggerated in comparison to the author’s experience. Similarly, the author and narrator of the story (who goes by no name) both suffer from the same condition known as neurasthenia, misconstrued to be identical to hysteria. The story was created in spite to denounce the treatments prescribed to her, as well as to personify the misogynistic influence that lead to these treatments that pertained to women. Gilman represents the feminist position being oppressed by the swift judgements of their male counterparts to highlight the negligent idea that created such unusual treatments.

“The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, is a great example of early works pertaining to feminism and the disease of insanity. Charlotte Gilman’s own struggles as a woman, mother, and wife shine through in this short story capturing the haunting realism of a mental breakdown.The main character, much like Gilman herself, slips into bouts of depression after the birth of her child and is prescribed a ‘rest cure’ to relieve the young woman of her suffering. Any use of the mind or source of stimulus is strictly prohibited, including the narrator’s favorite hobby of writing. The woman’s husband, a physician, installs into his wife that the rest treatment is correct and will only due harm if not followed through. This type of treatment ultimately drives the woman insane, causing her to envision a woman crawling behind the yellow wallpaper of her room. Powerlessness and repression the main character is subject to creates an even more poignant message through the narrator’s mental breakdown. The ever present theme of subordination of women in “The Yellow Wallpaper” is advanced throughout the story by the literary devices of symbolism, imagery, and allegory.

The surroundings which one is placed in can drastically contribute to their mental state. Deterioration and a lack of stimulation will be reciprocated within the mind of the inhabitant. “The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, depicts a young, unnamed woman who is suffering with post-partum depression. In this time period, the treatment of mental illness typically did more harm than good as electroshock therapy, and the rest cure were the classic treatments of choice. Similarly, William Faulkner, the author of “A Rose for Emily”, written in 1930, gives the reader an inside look upon an elderly woman experiencing mental distress. Although there are major signs of an issue being present within Miss Emily’s old, southern house, the town chooses to ignore and cover them up as to not disrupt the elderly woman who buys poisons without a reason and sleeps next to the dead corpse of her lover. Theme and setting play two very distinct and important roles within each of these stories allowing the reader to have a more complete understanding of the message the author is trying to convey.

In Charlotte Perkins Gilman’s story, The Yellow Wallpaper, the setting is very symbolic when analyzing the different the meanings of this book. The main character in the story is sick with nervous depression. In the story, John, her husband, and also a physician, takes his wife to a house in the middle of the summer and confines her to one room in hopes of perfect rest for her. As the story progresses, it is made clear that confinement, sanity, insanity, and freedom are all tied together and used to make the setting of the story symbolic.

In the 1950’s, women weren’t respected for doing anything besides being an outstanding wife and mother. Women and men weren’t on the same level when it came to rights in the eyes of the law. Also during this time, mental illnesses were not accurately researched, and since doctors weren’t fully aware of all the information about mental illnesses, patients did not always get the best treatment and were treated as freaks. In the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman, both of these elements are present. Gilman did a wonderful job portraying how women are not taken seriously and how lightly mental illnesses are taken. Gilman had, too, had firsthand experience with the physician in the story. Charlotte Perkins Gilman 's believes that there really was no difference in means of way of thinking between men or women is strongly. “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband 's lack of belief. The story appears to happen during a time period where women were mistreated. Women were treated as second rate people in community during this time period. Charlotte Perkins Gilman shows the thought process of the community during the time period in which “The Yellow Wallpaper” is written. Using knowledge on equal rights between women and men, one can carefully study “The Yellow Wallpaper” by

In Charlotte Perkins Gilman’s short story “The Yellow Wallpaper,” she discusses some of the issues found in 19th century society such as women’s oppression and the treatment of mental illness. Many authors throughout history have written stories that mimic their own lives and we see this in the story. We see Gilman in the story portrayed as Jane, a mentally unstable housewife who cannot escape her husband’s oppression or her own mind. Gilman reveals a life of depression and women’s oppression through her short story “The Yellow Wallpaper.”

Charlotte Perkins Gilman was born in 1860, in the city of Hartford, CT. She would later move to California. She would end her own life in 1935, after she was diagnosed with breast cancer. She fought for women’s rights and was an advocate of socialism. She wrote novels, poetry and short stories. She was a woman who was educated; her writing reflected her knowledge, relating to her strong thoughts on woman’s rights and independence and how women of Victorian times suffered from this lack of rights. In her short story “The Yellow Wallpaper”, Charlotte Perkins Gilman conveys her views on feminism and how women are treated through characters who represent this treatment. The characters she uses help the reader really get drawn into her story;

Many people know what it feels like to be “trapped” in the emotional sense of things, but how many can say they have been both physically and emotionally trapped. Charlotte Perkins Gilman used her personal bout with depression to create a powerful fictional narrative, which has broad implications for women. When the narrator recognizes that there is more than one trapped, creeping woman, Gilman indicates that the meaning of her story extends beyond an isolated, individual situation. Gilman’s main purpose in writing The Yellow Wallpaper is to doom not only a specific medical treatment but also the misogynistic principles and resulting sexual politics that make such a treatment possible. Those things lead to the major themes of the story: freedom, confinement, and madness.

All throughout history there has been a stigma around mental illness and feminism. “The Yellow Wallpaper” was written by Charlotte Perkins Gilman in the 1900’s. “The Yellow Wallpaper” has many hidden truths within the story. The story was an embellished version her own struggle with what was most likely post-partum depression. As the story progresses, one can see that she is not receiving proper treatment for her depression and thus it is getting worse. Gilman uses the wallpaper and what she sees in it to symbolize her desire to escape her depression and the controlling nature of the patriarchal society of the twentieth century. The story shows an inside look into the thoughts and feelings of a person with a mental illness such as depression. Gilman also uses symbolism to showcase how the male figures in her life had control over her well-being more than she did. Both her husband and doctor hindered her from healing by not listening to her when she expressed what she felt would help her. She does not clearly say that she feels overwhelmed by the patriarchal society of the 1900’s; however, one can infer this by her wording and actions throughout the course of the story. Charlotte Perkins Gilman uses “The Yellow Wallpaper” to reveal the truths of a woman’s everyday struggles in a patriarchal society and also the deeper struggles of a woman with depression.

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

treats her like a child and just like a child she is kept in this

Neurasthenia was first described in 1869 as a disease characterized by extreme anxiety, depression, and fatigue. But in the 18th and 19th century, a temporary nervous depression, which is what the narrator in “The Yellow Paper” is diagnosed with, was the illness most common among women due to their perceived fragility and weak emotions. This nervous disease was associated with numerous symptoms, such as pale urine, a visible swelling of the stomach, headaches, fainting, palpitations of the heart, wind in the stomach and intestines, frequent sighing, giddiness, convulsive crying, convulsive laughing, despair, and melancholy (T. Wayne, C. Vincent). In “The Yellow Wallpaper”, by Charlotte Perkins Gilman, the narrator, a woman who has recently given birth, has been diagnosed with neurasthenia, and imprisoned in a summer home as a result of the times period’s patriarchal and industrial society.

The standing that women have had in the past was so bad that often times they were deemed less than their counterparts. May a times a woman’s intuition of themselves were ignored, because the male doctors were certain they were the ones correct not the females. In the time period in which physiological heath was relatively new, certain diagnostics would have been overlooked and patient were given the wrong type of help they need, especially woman that often times knew they had something different. Other times if a woman desired to do something they had to ask there significant other, if they were refused they had to refrain themselves from asking again. As it was in the case in the story made by Charlotte Perkins Gilman “The Yellow Wallpaper”, in which a young mother opinions and wants were all but ignored. A question that some people have while reading the story “The Yellow Wallpaper” was if the young woman was suffering from oppression or depression. However one might feel that she might be subject to both, it is more than clear that depression is the higher factor involved here. Depression can be defined like an example given Merriam-Webster “by a state of feeling sad : dejection (2) : a psychoneurotic or psychotic disorder marked especially by sadness, inactivity, difficulty in thinking and concentration, a significant increase or decrease in appetite and time spent sleeping, feelings of dejection and hopelessness, and sometimes suicidal tendencies” The emphasis of

At what point does an individual come to the realization that they are trapped within an internal perpetual prison? Many women during the 19th century suffered from countless diseases and disorders that went untreated and society had deemed their voice powerless and useless. According to the University of Toledo Libraries “Women were especially vulnerable to inadequate diagnoses and treatment in 19th century America.” It was commonly believed that most physical ailments of women were caused by their sexual organs or mental disorders, resulting in painful, sometimes lethal treatments.” Within the oeuvre of Charlotte Perkins Gilman “The Yellow Wallpaper” we examine the insouciant approach that society made towards the mental health of women, which ultimately led to the mental instability of countless females.

with a rest cure. The doctor in the story is much like the doctor that