The Yellow Wallpaper, By Charlotte Perkins Gilman Essay

    "The Yellow Wallpaper" takes a close look at one woman's mental deterioration. The narrator is emotionally isolated from her husband. Due to the lack of interaction with other people the woman befriends the reader by secretively communicating her story in a diary format. Her attitude towards the wallpaper is openly hostile at the beginning, but ends with an intimate and liberating connection. During the gradual change in the relationship between the narrator and the wallpaper, the yellow paper becomes a mirror, reflecting the process the woman is going through in her room.

The woman behind this work of literature portrays the role of women in the society during that period of time. "The Yellow Wallpaper" written by Charlotte Perkins Gilman, is a well written story describing a woman who suffers from insanity and how she struggles to express her own thoughts and feelings. The author uses her own experience to criticize male domination of women during the nineteenth century. Although the story was written fifty years ago, "The Yellow Wallpaper" still brings a clear message how powerless women were during that time.

The essay, "Why I wrote the Yellow Wallpaper" by Charlotte Perkins Gilman was written primarily for the purpose of explaining the meaning and reasoning behind her semi-autobiographical short story, "The Yellow Wallpaper". Before stating these reasons, Gilman explains that she had been suffering from a "severe and continuous nervous breakdown tending to melancholia--and beyond" (Gilman, 1913). After three years of this torment, she decided to go see a specialist in nervous diseases. The doctor she went to was named Dr. S. Weir Mitchell. Dr. Mitchell advised Gilman to be put to bed and to apply the rest cure, along with living a domestic life with limited amount of intellectual interaction and to never "touch pen, brush, or pencil again" (Gilman, 1913). As intimidating as this sounded, Gilman took the advise of her doctor, and followed his every suggestion for about three months. She had reached a point of almost complete mental ruin at the end of these three months, that she had to cast aside the specialist's advice. Instead of following his instructions, she began to work again. Ultimately, this is when and where "The Yellow Wallpaper" was written.

In the short story. "The Yellow Wallpaper" written by Charlotte Perkins Gilman, we are introduced to a woman, the narrator, who suffers from postpartum depression, a disorder in women that results from childbirth. This disorder can have serious effects on the individual and may result in extreme behaviors such as suicide. (Mahoney 1) The narrator of the story is symbolic of Gilman, as she had experienced this illness after the birth of her daughter. (Gilman 181) Postpartum depression is a serious issue that must be dealt with in order to help its victums carry on with everyday life. In order for society to effictively help those affected with postpartum depression, they must know what it is, what its symptoms are,

This gothic horror tale of nineteenth century fiction, written by Charlotte Perkins Gilman in 1892; during a time that women writers were starting to come out and write about key issues in their treatment. She craftily sets up or spins the story with a setting of isolation and a character who feels trapped, by a husband who chooses not to know her; yet does not listen to her and keeps her trapped on an island, all in her best interest. The tone is filled with desperation, sarcasm, anger, and shows that though she is mentally unstable there is intelligence behind her instability that is kept unseen. The main symbol is the wallpaper which is a constant bane to her.

Life during the 1800s for a woman was rather distressing. Society had essentially designated them the role of being a housekeeper and bearing children. They had little to no voice on how they lived their daily lives. Men decided everything for them. To clash with society 's conventional views is a challenging thing to do; however, Charlotte Perkins Gilman does an excellent job fighting that battle by writing “The Yellow Wallpaper,” one of the most captivating pieces of literature from her time. By using the conventions of a narrative, such as character, setting, and point of view, she is capable of bringing the reader into a world that society

A review of the house itself suggests that an architectural hierarchy of privacy increases level by level. At first, the house seems to foster romantic sensibilities; intrigued by its architectural connotations, the narrator embarks upon its description immediately--it is the house that she wants to "talk about" (Gilman 11). Together with its landscape, the house is a "most beautiful place" that stands "quite alone . . . well back from the road, quite three miles from the village" (Gilman 11). The estate's grounds, moreover, consist of "hedges and walls and gates that lock" (Gilman 11). As such, the house and its grounds are markedly depicted as mechanisms of confinement--ancestral places situated within a legacy of control and

Clinical psychologist and writer, Kay Redfield Jamison once said, “I think one thing is that anybody who 's had to contend with mental illness - whether it 's depression, bipolar illness or severe anxiety, whatever - actually has a fair amount of resilience in the sense that they 've had to deal with suffering already, personal suffering.” In the story, “The Yellow Wallpaper” by Charlotte Perkins Gilman, the narrator has severe depression, at the very least, and knows that she can get better if she is given the right treatment. While trying to get better, she can’t help but be fixated on the yellow wallpaper in her room. The yellow wallpaper in this story is a representation of the narrator’s relationship with her disease.

Insanity manifests itself within society in two unsettling scenarios: one being when the true darkness lurking in the inner recesses of one’s mind takes control, and the other being when society attempts to oppress certain peculiar individuals by ascribing mental instability upon the public’s perception of them. Throughout Charlotte Perkins Gilman 's short story, "The Yellow Wallpaper," it is rather ambiguous to which of these two nightmarish scenarios the narrator is enduring. From the beginning of the story, the narrator contends that a mental affliction is plaguing her, and later cites this as the primary reasoning behind the decision for her and her husband John, a well respected physician, to move into a seemingly calm colonial mansion for the summer. Once inside, she cannot help but feel uneasy; both intrigued and repulsed by the mysterious yellow wallpaper encompassing her new sleeping quarters. As this once harmless curiosity deteriorates into full blown obsession, our protagonist begins to perceive the ominous wallpaper as the cruel prison to a helpless, enigmatic woman, and by the story’s climax, she attempts to liberate the woman by stripping every last sliver of wallpaper from the room. Externally, it would appear that the narrator has devolved into utter madness by the conclusion, but upon closer examination, it is evident that her mind has in fact attained a newfound sense of clarity. All along, it was her husband, John, that had been her true epicenter of

Her passion is to write and by doing so we are able to follow her on a

“I don 't like to look out of the windows even – there are so many of those creeping women, and they creep so fast. I wonder if they all come out of that wallpaper as I did?” the woman behind the pattern was an image of herself. She has been the one “stooping and creeping.” The Yellow Wallpaper was written by Charlotte Perkins Gilman. In the story, three characters are introduced, Jane (the narrator), John, and Jennie. The Yellow Wallpaper is an ironic story that takes us inside the mind and emotions of a woman suffering a slow mental breakdown. The narrator begins to think that another woman is creeping around the room behind the wallpaper, attempting to "break free", so she locks herself in the room and begins to tear down pieces of the wallpaper to rescue this trapped woman. To end the story, John unlocks the door and finds Jane almost possessed by the woman behind the wallpaper. Charlotte Perkins Gilman’s feminist background gives a feminist standpoint in The Yellow Wallpaper because the narrator’s husband, John acts superior to the narrator.

Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a detailed account of the author’s battle with depression and mental illness. Gilman’s state of mental illness and delusion is portrayed in this narrative essay. Through her account of this debilitating illness, the reader is able to relate her behavior and thoughts to that of an insane patient in an asylum. She exhibits the same type of thought processes and behaviors that are characteristic of this kind of person. In addition, she is constantly treated by those surrounding her as if she were actually in some form of mental hospital.

The setting and narrative of Charlotte Perkin Gilman's story “The Yellow Wallpaper” is crucial to the reader's understanding of one women's plight from depression to her descent into complete and total madness. A mixed account of Gilman's personal life and fiction in efforts to better the mental institution as a whole. It takes place in the late 1800s where women were already submissive and oppressed by men, this coupled with the Narrator's throes of depression only made it worse for her. “John laughs at me, of course, but one expects that in marriage”(Gilman 226). Societal roles such as being the wife make her feel as though she is a second-rate citizen and not someone with dignified emotions. In “The Yellow Wallpaper”, Charlotte Perkins Gillman depicts the inconsistencies and the contradiction of the resting cure using the elements of a secluded mansion, a dominating alpha male, and most importantly the wallpaper itself. All of which turns the narrator into a passive victim of circumstances.

“The Yellow Wallpaper” is a short story in which Charlotte Perkins Gillman, the author, presents a feminist writing. The narrator is a wife, and a mother experiencing mental illness, most likely Post-partum depression. The narrator’s name is unrevealed throughout the story, symbolizing the insignificant role women had during the time of the writing. Her husband, John, whom is a physician does not believe she is ill. He shows his role superior to hers, showing how the men acted towards women. Gillman utilizes three main literary tools to illustrate her message towards feminism such as, theme, symbolism, and imagery.

In many societies, dominance over women by men has existed for hundreds of years and to this day it still continues discreetly in contemporary societies. It was the norm for the men to take charge of women and control just about all aspects of them and make them their “property.” The idea of woman as property is very prevalent in many of the older literature. In different cultures, the degree of control changes and more or less freedom is given to the woman. Many stories tell the tale of women breaking free or trying to make an attempt to leave, but many of the women are used to it and continue to let the male take the leading and dominant role within the marriage and/or relationship because of the social norms.