The Yellow Wallpaper Essay

     Charlotte Perkins Gilman’s story, “The Yellow Wallpaper” is as a wonderful example of the gothic horror genre. It was not until the rediscovery of the story in the early 1970’s that “The Yellow Wallpaper” was recognized as a feminist indictment of a male dominated society. The story contains many typical gothic trappings, but beneath the conventional façade hides a tale of repression and freedom told in intricate symbolism as seen through the eyes of a mad narrator.

In The Yellow Wallpaper, the narrator uses the psychological gothic genre to present the portrayal of women, women faced in a marriage, within the time frame of the 1890s. Women were seen as the “shadow” as men dominated society. This is presented throughout the book as many readers first interpitation

This yellow wallpaper is described by the narrator as grotesque and irritating, which mirrors her own self image and confusion on what she is feeling. As this narrator begins to study the patterns, Gilman first personifies the wallpaper through dark and gruesome actions the character is seeing within it, revealing the fragile mental state of this woman. The narrator sees what is characterized as “...lame uncertain curves…[that] suddenly commit suicide — plunge off at outrageous angles, destroying themselves in unheard of contradictions,” (Gilman 648). Later as the narrator becomes more consumed within the wallpaper that confines her, she starts to see human features “...where the pattern lolls like a broken neck and two bulbous eyes stare at [her] upside down,” (Gilman 649). This counterpart of herself does not show the delicate and ethereal woman she is expected to be; it shows an opposite and somewhat appalling image of what she is beginning to come to terms with.

The vivid descriptions in “The Yellow Wallpaper” help to bring the reader along in the narrators decent into a kind of psychosis. It starts mildly, with her describing the color of wallpaper as “repellant, almost revolting; a smoldering unclean yellow” (Gilman 528). As more time passes she begins to see more things in the paper such as “a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes start at you,” and for it have “so much expression in an inanimate thing” (Gilman 592). As the pattern and descriptions get more twisted, we get visual clues of the madness that is slowly consuming the narrator. The color of the paper even begins to become a physical thing she can smell descried as, “creep[ing] all over the house...sulking...hiding...lying in wait for me…It gets into my hair” (Gilman 534). In the end we get a graphic visual representation of her full psychosis

Trapped in the upstairs of an old mansion with barred windows and disturbing yellow colored wallpaper, the main character is ordered by her husband, a physician, to stay in bed and isolate her mind from any outside wandering thoughts. “The Yellow Wallpaper”, written by Charlotte Perkins Gilman, describes the digression of the narrator’s mental state as she suffers from a form of depression. As the story progresses, the hatred she gains for the wallpaper amplifies and her thoughts begin to alter her perception of the room around her. The wallpaper serves as a symbol that mimics the narrator’s trapped and suffering mental state while she slips away from sanity reinforcing the argument that something as simple as wallpaper can completely

The geographical, physical, and historical settings in Charlotte Perkins Gilman's "The Yellow Wallpaper" were more than the primary character could handle. The geography would lead to think she could enjoy the environment, but she chose not to. The physical setting showed us the reader just how grotesque and unbearable it would be to live a room in which the wallpaper to over the narrators mind. Lastly, we looked at how historically women were not allowed to speak their minds about how they felt. Maybe now that John has seen his wife go completely insane for himself he will finally seek extra attention for

The woman behind this work of literature portrays the role of women in the society during that period of time. "The Yellow Wallpaper" written by Charlotte Perkins Gilman, is a well written story describing a woman who suffers from insanity and how she struggles to express her own thoughts and feelings. The author uses her own experience to criticize male domination of women during the nineteenth century. Although the story was written fifty years ago, "The Yellow Wallpaper" still brings a clear message how powerless women were during that time.

Perkins Gilman’s ‘The Yellow Wallpaper’ and Edgar Allen Poe’s ‘The Fall of The House of Usher’ both serve a highly horrific purpose which is both good examples for the gothic. The strongest example of gothic is ‘The Fall of The House of Usher’ as it established the extreme horror intense and shows the gothic scene of the house.

The yellow wallpaper is the most obvious symbol in this story. This symbolizes the protagonist 's mind named Jane during the 19th century. The yellow wallpaper symbolizes the way women were perceived. The yellow wallpaper includes models, angles and curves so that they contradict each other. we could say that these angles represents the identity of women during the 19th century. The Yellow Wallpaper by Charlotte Perkins Gilman, is about the control and attacks the role of women in society. What is expected of women of the 19th century is to have children, take care of the house and do only what the husband says. The man of this time have the privilege of having a good education, have their jobs and they make their own decisions. The

At the time of its initial publication in 1892, “The Yellow Wallpaper” was regarded primarily as a supernatural tale of horror and insanity in the tradition of Edgar Allan Poe. In 1920, “The Yellow Wallpaper” was reprinted in the volume Great Modern American Short Stories, edited by William Dean Howells, who described it as a story to “freeze our … blood.” Elaine R. Hedges, author of the afterword to the 1973 version, praised the work as “one of the rare pieces of literature we have by a nineteenth-century woman who directly confronts the sexual politics of the male-female, husband-wife relationship.” Since that time, Gilman 's story has been discussed by literary critics from a broad range of perspectives—biographical, historical, psychological, feminist, semiotic, and socio-cultural. Nearly all of these critics acknowledge the story as a feminist text written in protest of the negligent treatment of women by a patriarchal

The yellow wallpaper is a symbol of oppression in a woman who felt her duties were limited as a wife and mother. The wallpaper shows a sign of female imprisonment. Since the wallpaper is always near her, the narrator begins to analyze the reasoning behind it. Over time, she begins to realize someone is behind the

The Yellow Wall-Paper written by Charlotte Perkins Gilman (pages 792-803) uses many literary elements throughout the story. The protagonist left unnamed, is writing letters to show the feeling of what she is going through inside her own head and to try and explain her mental condition to society. The setting, use of imagery, and application of symbols seen throughout the story are significant to really understanding the true meaning behind The Yellow Wall-Paper. The setting of the story is significant because it gives the readers a sense of how the protagonist feels throughout the story, which is alone and trapped.

“The Yellow Wallpaper” is a short story written by Charlotte Perkins Gilman. The short story was first published in January 1892, in The New England Magazine. Many readers first thought of this story as gothic fiction but would later be recognized as a feminist short story when the feminist movement arose in the early 1900’s. It is understandable to see why many readers would of first thought “the Yellow Wallpaper,” to be a gothic text or horror story; in the story a woman is put in a room and is isolated from the outside world as she slowly loses her mind or see’s ghosts in the walls. As the feminist movement started, many readers would relate the short story to male oppression, due to the fact the narrator’s husband made all the decisions

   Charlotte Perkins Gilman's "The Yellow Wallpaper" is a deceptively simple story.  It is easy to follow the thirteen pages of narrative and conclude the protagonist as insane.  This is a fair judgement, after all no healthy minded individual becomes so caught up with "hideous" and "infuriating" wallpaper to lose sleep over it, much less lock herself in a room to tear the wallpaper down.  To be able to imagine such things as "broken necks" and "bulbous eyes" in the wallpaper is understandable, irrational and erratic designs can form rational patterns in our minds, but to see a woman locked inside of the "bars" of the wallpaper and attempt to rescue her seems altogether crazy.  Her

In the story “The Yellow Wallpaper,” Gilman creates a character of a young depressed woman, on the road to a rural area with her husband, so that she can be away from writing, which appears to have a negative effect on her psychological state. Lanser says her husband “heads a litany of benevolent prescriptions that keep the narrator infantilized, immobilized, and bored literally out of her mind. Reading or writing herself upon the wallpaper allows the narrator to escape her husband’s sentence and to achieve the limited freedom of madness which constitutes a kind of sanity in the face of the insanity of male dominance” (432). In the story both theme and point of view connect and combine to establish a powerful picture of an almost prison-type of treatment for conquering depression. In the story, Jane battles with male domination, because she is informed by both her husband and brother countless brain shattering things about her own condition that she does not agree with. She makes every effort to become independent, and she desires to escape from the burdens of that domination. The Yellow Wallpaper is written from the character’s point of view in a structure similar to a diary, which explains her time spent in her home. The house is huge and old with annoying yellow wallpaper in the bedroom. The character thinks that there is a woman behind bars in the design of the wallpaper. She devotes a great deal of her