The Yellow Wallpaper: Is Marriage Worth The Trouble For Women?

"The Yellow Wallpaper" tells the story of a woman living in the nineteenth century who suffers from postpartum depression. The true meaning implicit in Charlotte's story goes beyond a simple psychological speculation. The story consists of a series of cleverly constructed short paragraphs, in which the author illustrates, through the unnamed protagonist's experiences, the possible outcome of women's acceptance of men's supposed intellectual superiority. The rigid social norms of the nineteenth century, characterized by oppression and discrimination against women, are supposedly among the causes of the protagonist's depression. However, it is her husband's tyrannical attitude what ultimately

In Charlotte Perkins Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, dank room covered in musty wallpaper all play important parts in driving the wife insane. The husband's smothering attention, combined with the isolated environment, incites the nervous nature of the wife, causing her to plunge into insanity to the point she sees herself in the wallpaper. The author's masterful use of not only the setting (of both time and place), but also of first person point of view, allows the reader to participate in the woman's growing insanity.

The story "The Yellow Wallpaper," by Charlotte Perkins Gilman, is a story about control. In the late 1800's, women were looked upon as having no effect on society other than bearing children and keeping house. It was difficult for women to express themselves in a world dominated by males. The men held the jobs, the men held the knowledge, the men held the key to the lock known as society . . . or so they thought. The narrator in "The Wallpaper" is under this kind of control from her husband, John. Although most readers believe this story is about a woman who goes insane, it is actually about a woman’s quest for control of her life.

"The Yellow Wallpaper" is about a creative woman whose talents are suppressed by her dominant husband. His efforts to oppress her in order to keep her within society's norms of what a wife is supposed to act like, only lead to her mental destruction. He is more concerned with societal norms than the mental health of his wife. In trying to become independent and overcome her own suppressed thoughts, and her husbands false diagnosis of her; she loses her sanity. One way the story illustrates his dominance is by the way he, a well-know and

   The story "The Yellow Wallpaper," by Charlotte Perkins Gilman, is a story about control. In the late 1800's, women were looked upon as having no effect on society other than bearing children and keeping house. It was difficult for women to express themselves in a world dominated by males. The men held the jobs, the men held the knowledge, the men held the key to the lock known as society  - or so they thought. The narrator in "The Wallpaper" is under this kind of control from her husband, John. Although most readers believe this story is about a woman who goes insane, it is actually about a woman’s quest for control of her life.

In the article “What if Marriage is Bad for Us?” Laurie Essig and Lynn Owens summarize the things that

As human beings, we play the cards that are dealt to us in this world. In life, every person goes through their individual ups and downs and occasionally may break down to the extent of not knowing what to do with oneself. In the short story “The Yellow Wallpaper” which takes place in the late 1800s, focuses on the first person narrator who is an infatuated woman. The disheartening story concentrates on a woman who is suffering from postpartum depression, and as well had mental breakdowns. The narrators husband John, moves her into a home isolated in the country where he wants her to “rest” and get better from her illness. During the course of being confined in the room with the wallpaper, she learns new

In the story, “The Yellow Wallpaper”, the narrator’s husband has rented an old mansion in the country for the summer. John is relying on this getaway as time for his wife’s nervous condition to resolve itself with rest and medicines. As the story unfolds for the readers, it becomes apparent her husband, John, is dominating, and controlling. She feels somewhat doomed that she is unable to change her circumstances and she ends up as a victim, thus confirming the dominance of men over women during that period. Between the narrator’s controlling husband and the deterioration of her mind, she snaps and becomes completely delusional.

Despite differing story lines, Charlotte Gilman’s The Yellow Wallpaper, John Steinbeck’s The Chrysanthemums and Kate Chopin’s The Awakening, depict the same suffering; the isolation that women have been forced to endure throughout history. In the time period that all three characters were placed, it was culturally acceptable for wives to be dominated by their husbands; their responsibility revolving around the needs of their children and those of their spouse. Most women simply did not have a means or an idea of how to rebel against their husbands. The women in all three stories are protagonists who have poor relationships of emotional attachment with their spouses. While the main character of Gilman’s story endures multiple psychotic

Charlotte Perkins “The Yellow Wallpaper” gives the reader a profound look by using characterization at a wife who is attempting to overcome postpartum depression after the birth of her newborn. The woman thinks she is severely ill, but her physicians, (her brother and John her husband) describe the woman to have “a slight hysterical tendency” (Perkins 1). Her physicians think it is best to keep the new mother locked up in a room with yellow wallpaper and to have little to no interactions. The woman has no say in what she thinks is in her best interest to recover from her depression. The woman says “excitement and change would be good, but what do I know” (1).

The Yellow Wallpaper is a story which shows the anatomy of an oppressive marriage. Simply because the narrator does not cherish the joys of married life and motherhood, and therefore, is in

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

Although they are both having trouble with the marriage they are in they cope with it differently. In The Yellow Book, the wife is fighting mentally with herself telling herself over and over that she is not crazy. “I've got out at last, […] in spite of you and Jane. And I've pulled off most of the wallpaper, so you can't put me back” as much as she says that she is not free because she is still confined in the same room and most readers can assume that her mental condition only got worse from time to time of being stuck inside that room staring at the hideous wallpaper where she pictured herself in. “She not only grows to like it, but goes so far as to become, in her mind, literally one with it. Her relationship with the wallpaper, in part, reflects Lacan's mirror stage, albeit in an unusual, psychotic way. The mirror stage “manufactures for the subject […] the succession of fantasies that extends from a fragmented body-image to a form of its totality” (Lacan 4).” As stated by the author Suess, Barbara says that unknown crazy wife from the short story was not only a piece of wallpaper that she would see but it was something she saw herself becoming and could see herself in it but by tearing that wallpaper down she, unlike the others she saw stuck in it, was free and did not have to

Madness is the state of being mentally ill. It is the spectrum of behavior characterized by abnormal mental or behavioral patterns. Madness manifests as the violation of societal norms, including becoming a personal danger to one’s self. As a woman in the male-dominated society of the 19th century, the narrator has no control over her own life. This lack of control contributes to her descent into madness. The rest cure prescribed by her physician husband provided the environment for her madness to flourish because it was only in her imagination where she retained some control and could exercise the power of her mind. The Yellow Wallpaper by Charlotte Perkins Gilman centers on the deteriorating mental condition of the female narrator. Gilman’s demonstrates of the progression of her madness throughout the story is reflected in the narrator’s change in attitude toward her husband, her growing obsession with the wallpaper, and her projection of herself as the woman behind the wallpaper.

The yellow wallpaper involves a narrator’s battle with depression. Moving to a colonial mansion for the summer, the narrator experiences the limitations and frustrations a regular woman could go through during the 19th century. In Charlotte Gillman’s story, women are depicted as being under the control of their husbands, giving the husband full of authority on his wife’s life. In The Yellow Wallpaper the wife tells us “so I take phosphates, and air and exercise and I am absolutely